Methought I read a blog cry, “Sleep no more!”

insomnia

Hello and good day!  It’s Thursday again, as you no doubt know, and time for me to write another weekly blog entry.

I’ve had a rather intense exacerbation of my chronic insomnia over the last several days, so I’m worried that my writing might be incoherent and disjointed.  Of course, it’s possible that my writing is always that way, and I simply haven’t noticed.  How would I know for sure?  Still, I might be mistaken, but when I reread my writing, it doesn’t seem terribly incoherent to me.  Until and unless I receive specific feedback from others, there’s no way to fact-check the matter except through my general agreement with other readers about the quality of other writers.

Such are the vagaries of epistemology.

Insomnia has been a longstanding problem for me, certainly ever since I’ve been an “adult.”  One part of that problem is that, unlike what seems to be the case for most people, sleep is not in an especially pleasant experience for me.  If anything, it’s rather dysphoric.  I don’t tend to remember any dreams—which is disappointing, given legends of such writers as Coleridge, who are reputed to have been led to some of their greatest works by slumberous visions.

For me, sleep is at best a bland phenomenon; I have trouble getting to sleep and I have trouble staying asleep.  I don’t resist sleep knowingly, and I certainly don’t fear it in the sense that inspired the apocryphal Edgar Allen Poe quip, “Sleep, those little slices of death, how I loathe them!”  Though Poe never wrote those words, as far as I know, he does seem to have been afraid of and resistant to sleep as a harbinger or precursor of death; he clearly feared premature burial (that dread features prominently in more than one of his stories).

This is not the nature of my problem.  I have no intellectual fear of death at all, though it’s hard to eliminate the purely biological drive to keep living.  I simply find sleep, if not actively unpleasant, somewhere between uninteresting and dreary.  The only time I’ve ever experienced real pleasure both at anticipating sleep and at experiencing it was when I was taking Paxil to treat depression.  That was certainly remarkable, but the medicine had more than enough detriment to counter that one benefit*, and it never did a very good job on my depression.

There’s little doubt that my chronic insomnia and my dysthymia/depression are related, and that the tendency for sleep to be thoroughly anhedonic to me is part and parcel of my dysthymia, though it long predates the latter problem.  I don’t remember any time in my life when sleep held real allure for me.  This tendency has been useful in many situations; I’ve never had trouble being an early riser, and when on call—either in hospital during residency, or from home later on in my practice—I never had much trouble quickly coming awake and being able to focus on whatever problem might need my attention.  And, of course, indifference to sleep was a very useful trait when my children were babies, allowing my then-wife to rest through the night far more often than many new mothers can.

Feeding and rocking my infant children in the silence of the night, now…that was a truly hedonic experience par excellence.

Nevertheless, like every organism with a nervous system, I do require sleep, though the nature of that need is far from fully understood by science.  When I go without enough of it, for long enough, it wears me out, and I know that it affects my cognitive functions, as well as my moods (though there’s a real chicken and egg problem involved in this latter issue).  So, I try—sometimes only halfheartedly, I’ll admit—to avoid succumbing to my insomnia.  But it can be hard just to lay in bed doing nothing and waiting to see if sleep arrives…or if it returns, as the case may be, when I awaken far too early in the morning.  I don’t tend to feel anxious or particularly stressed at such times, because again, I don’t particularly enjoy sleep, but I sometimes get angry at myself, knowing that I’m going to regret my sleeplessness later.

Oh well.  Whataya gonna do?

I’ll tell you what I’m going to do:  keep chugging along, I suppose.  The editing of Unanimity continues to go well, despite a few computer issues; I’m still enjoying the story and the characters.  And, of course, my footnote reminded me that I have a substantially begun novella waiting in the wings, which I may even complete someday.  And, however much I tend to begin my blog posts with no clear idea where I’m going in any given week, it’s still a rewarding process.  If nothing else, I amuse myself, and that’s got to be worth something.

Hopefully, at least occasionally, some of you enjoy it, too.

TTFN


*When coming off it, I did have two experiences of sleep paralysis, which I’ve not experienced before or since, but which were astoundingly vivid and thoroughly terrifying.  The first centered on the comparatively benign illusion of a lion resting on my body and holding me in place, and the second—far worse—involved an indescribable, extradimensional monstrosity pinning me to my bed.  I’m somewhat proud to say that, on that second occasion, rather than try to scream or anything of the sort, I was able with great effort to force my head into motion—or to imagine that I did—and I bit the effing thing.  This woke me up fully at last.  I immediately recognized the well-described phenomenon for what it was, but that didn’t prevent me from feeling truly frightened for several long minutes afterward.  A version of that second experience has appeared in a current work in progress, the novella tentatively titled Safety Valve.  So, I guess I have used “dream” experiences to inspire my writing upon occasion.

This blog of darkness I acknowledge mine

Hello and good morning!  It’s yet another Thursday and, as will come as no surprise, it’s time for me to write my weekly blog post.

I must say that I’m deeply gratified by reader response to last week’s extemporaneous reflections on  how the ideal of perfection can often be the enemy of the good, analogous to falling into the mathematical trap of saying that, since every finite number is equally (and infinitely) far from infinity, there’s no point in trying to reach a greater number than where one is.

Something like that; I put it better last week.

The many “likes” received by last Thursday’s entry stand in stark contrast to my blog post from the previous week.  This is hardly surprising.  I was riding a downturn in my ongoing waveform of dysthymia and depression on the day in question, so I’m afraid it must have been grim reading.  There’s a semi-serious saying in the medical and mental health community that depression is contagious.  Though this is not literally true—one cannot become clinically depressed simply by contact with a sufferer unless one is predisposed—it is certainly the case that spending time with, or receiving communication from, a person with depression can make one feel seriously blue and gloomy.

Depression can be surprisingly convincing in the hands of one who knows it well, particularly if that person is someone whose strengths include the communication of ideas and emotions.  Most people, struggling mightily to hold onto as good an outlook as they can, tend not to rubberneck much at these sorts of mental roadside crashes, at least until they reach the level of true catastrophe.

This is a shame, though, because one of the worst parts of suffering from depression, at least from my point of view, is that it engenders a self-reinforcing cycle of alienation.  One hates oneself; one feels intellectually justified in this attitude; and one feels therefore quite clearly that others would be justified in sharing that hatred, if they were to get too close.  Indeed, one feels positively rude and uncomfortable, even guilty, about even the possibility of subjecting others to one’s presence in any way beyond the absolutely necessary.  Isolating oneself can become a matter of conscience, analogous to what one might do if one had a particularly deadly and highly contagious illness.  It feels natural to think that those who do want to spend time in one’s presence—this number tends to diminish with the passing years, ceteris paribus—are thoroughly misguided, and must be discouraged from their goal.

And of course, other people do tend to avert their eyes from depression and the depressed—even when those eyes otherwise seem irresistibly drawn to every roadside fender-bender and horrible news story.  At least, they avert them unless and until the problem reaches fully catastrophic levels, at which point it can be ignored no longer…and at which point, ironically, there is usually little that can be done.

Some artistic reflections of depression are more palatable than others, of course.  Songs are—in my experience—one of the most tolerable.  Indeed, many of the most beautiful songs are sad, a curious fact noted by minds as widely diverse as Elton John and J.R.R. Tolkien.  My own song, Breaking Me Down, of which I released my “rebuild” on  this site, on Iterations of Zero, and on YouTube last weekend, is about depression.  The fact that it was originally composed, almost in current form, thirty years ago, shows that depression is a gift that keeps on giving, and which can contribute to the spoilage and ruination of a promising life.  It’s not something to be taken lightly; it has a mortality rate as high as many cancers, and its morbidities are vaster and deeper and more insidious than we can readily enumerate.  When seriously contemplated, it is terrifying…not least because it often makes its sufferers literally envy the dead.

If I had the choice of submitting some evildoer to the horrors of the Inquisition or of enacting upon them a chronic, fairly severe depression, it’s hard for me to say which I think would be the worse crime against humanity.

And yet, Hamlet’s soliloquy, Kansas’s Dust in the Wind, Radiohead’s No Surprises, many of Edgar Allen Poe’s stories and poems, among innumerable other works, can be enjoyed thoroughly, their beauty embraced, even by those who don’t know the experience of major depression.  Visual depictions seem more problematic, at least in my experience.  Maybe, being primarily visual creatures as we are, the imagery that effectively represents depression strikes just too close to the bone.  It can be technically remarkable and sometimes quite powerful…but it’s hard to call it beautiful.  And it’s hard to look at for very long.

Horror

I drew this picture around the same time that I wrote Breaking Me Down

Maybe words and music are abstract enough and have enough of an “eye of the beholder” effect that they soften the blow, letting people avoid the deep implications of the work by not paying too close attention.  Depressed non-fiction prose on the other hand, like visual artwork, can be too stark and on the nose to be taken in with any enthusiasm.

This is a shame because, as I said before, when someone is suffering from depression, they can feel very much condemned to solitary confinement…and to feel that such is where they belong, by nature and by guilt.  On those rare occasions when they’re able to express themselves—to cry for help, as is said, though the depressed often feel they deserve no assistance—the very nature of their suffering can make them existentially threatening to others’ moods and even their worldviews.  Again, one of the problems with depression, and a source of quips about its contagiousness, is that it can be so horribly convincing.

It’s easy enough to sympathize with those who don’t want to deal with the depressed too directly, or too often.  No one, I think, would willingly, with foreknowledge, choose to endure serious depression for long…not even if the alternative was death.

But we at least have the poetry and the songs, and I encourage you to enjoy them at whatever level you can.  At the very least, it’s wonderful occasionally to “suffer just enough to sing the blues.”  And, of course, it can also be good fun to enjoy a good horror story in a similar vein.  Hopefully, Unanimity will be such a story when it’s finally done.

Darkness can be beautiful, in its own way, as long as one knows that one can turn on the light at any time.  If one cannot, and if no one else can offer, or is offering, illumination, then even an otherwise enticing darkness can become a true horror.

TTFN

Breaking Me Down (rebuilt)

 

(c) 2019 by Robert Elessar

Words and Music by Robert Elessar

Produced and performed by Robert Elessar

I sit alone at home sometimes and want to go berserk
But doing that just never seems to work
The shelves are stacked with books but I don’t feel that I could read
While all around a thousand phantoms lurk

I drink a little wine; I eat a little meat
I wonder why I’m shivering in such infernal heat
I feel a little tired; my head’s a little light
I wish that I could close my eyes and block my inner sight.

If you could see me now, you’d probably wonder where I’ve been
But I stand and I fall
And I listen for your call
While hiding out inside the dragon’s den.

I wander ‘round through my internal night
I travel back and forth throughout the town
But if you ask, I’ll tell you I’m all right
My nervousness is just breaking me down.

I listen to the sounds of everybody having fun
I can’t join in ‘cause I don’t have a gun,
They’re scattering their ashes all along the motorway
Then scampering like rabbits on the run

I bounce off all the walls; I turn out all the lights
I always want to hit someone, but I never get in fights
I feel a bit confused; my thoughts are incomplete
There’s tingling in my fingers and there’s swelling in my feet

If you could hear what I hear you would deafen both your ears
But I can’t, and I know
That no matter where I go
I’m followed by the grinding of my gears.

I stare around in paranoiac fright
While grinning at my heartbreak like a clown
So don’t come in, and don’t turn on the light
It’s just my past mistakes breaking me down

I look at all the colors of the pictures in my mind
They’re all so dark, I might as well be blind
The path laid out ahead of me is so filled up with smoke
I think that I’d prefer to just rewind

I roam around the house; I drive around the town
I don’t know if I’m back and forth or if I’m up and down
I dive into the sea; I look into the sky
I try to understand them, but we can’t see eye to eye

If you could see inside my head, your own head would explode
But I nod, and I grin
At the end where I begin
And I smile, and I wave
When I pass an open grave
And I slump, and I sigh
When we have to say goodbye
I’ll see you at the ending of the road

I wander through the wasteland struck with blight
I make my Hell to wear an earthly crown
I smash all mirrors, I can’t stand the sight
Of everything that is breaking me down.

I once did hold it, as our statists do, a baseness to blog fair

gibbon

Hello, good morning, and welcome to another Thursday.  As is often the case when I start writing a blog entry, I really don’t know what I’m going to “talk” about.  Fortunately (or not, depending on your point of view) that rarely stops me from putting a great many words down in short order.

This seems a common tendency in both writing and speaking.  In fact, it seems to be more common in speaking than in writing, though I myself (you know:  me…the guy writing this blog) tend to be a bit reticent in social settings, unless ethanol-containing beverages have been consumed.  I was raised on the aphorism, attributed to Mark Twain, that it’s better to remain silent and be thought a fool than to speak and remove all doubt.  I’m sure that there are many who would wish that I had followed this idea more assiduously.

The fear of being thought a fool does bring one to an interesting converse, or corollary, to the above-noted garrulousness of those who have nothing of substance to convey, and that is the human tendency to find it difficult to speak (or to write) when it’s important.  This isn’t universal, perhaps, but who among you cannot recall a time when you really liked some member of the appropriate gender and wanted to express that feeling (and perhaps ask said person out on a date) but found it impossible to say anything that was discernible from the babbling of an epileptic gibbon?  Many a comedy, both real and fictional, has highlighted such situations; alas, so have quite a few tragedies.

I suspect that this is born of the inherent perfectionism we all tend to embrace when trying to communicate something that’s important to us.  When what we say really matters, when we feel that it is crucial, we want our communication to be absolutely perfect…or we feel that it ought to be, anyway.  Those of you who have ever written term papers in school or university can surely appreciate that horrible sense that if it’s not perfect, or nearly so, then it’s simply horrible.

But of course, such perfection seems impossible to define, let alone to achieve, even by the greatest among us.  Upon occasion—Blasphemy Alert!—I’ve even read Shakespeare and had the sneaking thought that he could have written some particular line better than he did.  I might even, when feeling particularly cheeky, imagine that I’ve seen such a better way.  I hastily defend my humility in such instances by declaring that the line’s imperfection must have been the fault of the transcribing player who recorded it, not Shakespeare himself, hallowed be his name.

Actually, I don’t do that.  Nor do I imagine that everyone would agree with my suggested improvement, nor on which lines could be improved.  It’s simply the case that even Shakespeare was not perfect—whatever that means.

There are even people—yes, people of intelligence and good taste—who don’t much like Shakespeare.  Really.  It’s true.  I’ve met them.  They’re not monsters, nor are they insane (if you can believe it).  They’re ordinary, decent people.

My point is, perfection in communication isn’t even definable let alone achievable, so it’s curious that we get so hung up on stumbling over our words when we try to convey something important.  When we’re less wound up about it, we seem instinctively to recognize that conversation is like a sketch.  It doesn’t matter if a particular stroke of the pencil isn’t exactly right, because you’re just going to modify it with the next stroke anyway, and gradually you’re going to add and adjust until you get your point across…or until you fail to do so.  Even the overuse of metaphor and simile can still achieve some kind of communication.

That’s why I don’t subscribe to the nonsensical goal of sitting down and writing the “best sentence,” the “truest sentence”* you can write.  When I’m writing (be it a blog post, or a short story, or a novel, or a poem, or a song), I take the approach just to fucking write something.  Get something out onto the page, or the LCD screen.  It doesn’t have to be perfect.  It won’t be perfect.  In fact, no matter how much you edit it or improve it, it won’t ever be perfect…but it can get better.  You’re not stuck with what you first get out, you can fix and tweak and adjust it as often as you want…sometimes until you’re so bored with it that you don’t give a shit whether it’s good, let alone whether it’s perfect or not.

I sometimes think that this is the ultimate state of most shared works of art.  The artists finally get sick of working on them and just throw up their hands and say, “Okay, fine, that’s good enough.  Or not.  I don’t care, I’m done with it.  Get it out of my sight!”

Perhaps I exaggerate a bit, but I think that’s a good attitude to cultivate, at least if you’re a member of the legion of creative people with performance anxiety born of an innate (or learned) perfectionism.  Nothing is going to be expressed perfectly.

When you go up and talk to the girl (for instance) that you like, you may stumble over your words—indeed, you may literally stumble—your voice may crack, and you may say something utterly inane.  You probably will.  But that’s okay.  That’s just the first stroke of the pencil; the full work of art is just getting started.  The target of your affection might even find your incoherence charming**.  She might even like the way you mix and overuse metaphors!  But if you don’t say anything, then nothing at all will happen (except personal regret and self-loathing, which are overrated).

I don’t know where to go next with this, and I suspect that I’ve said all that’s useful to say about it for now…except, perhaps, to add my own correction to the irritating, related notion that “practice makes perfect.”  It doesn’t.  But it does make you better.  Indeed, the very fact that improvement is open-ended, with no practical limits, is more exciting than the notion of becoming perfect at something.  If perfection were attainable, there would be nowhere to go but down from there.  But as it stands, we can always get better and better, without limit, for as long as we’re able to do anything at all, if we keep trying.  But we do have to try; we have to say or do something.  And we’re not going to do that if we wait until we have something “perfect” to say.

TTFN


*I don’t even remember who said or wrote words to that effect.  That’s how anti-important I found the idea.

**And she might not.  This is the real world, after all, and sometimes the person you like just doesn’t reciprocate.  Likewise, not everyone will like every story, or article, or painting, or song, or sculpture, or whatever.  Universal popularity is at least as great a phantasm as perfection.

…or close the blog up with our English dead.

BrokenWall

 

Good morning, everyone.  It’s Thursday again, and time for another weekly blog post.

I wish that I had more that was new to share, or at least different from what I usually discuss.  I’m quite afraid that I’m going to bore those who read my blog every week.  Unfortunately, the process of writing—at least as it refers to long novels and/or to songs written and performed individually in snatches of very limited spare time—is a long one, and it doesn’t change noticeably from day to day or even from week to week.

Unanimity is proceeding well.  I’m nicely into the third editing run-through, but with much farther to go, and with much more trimming to do before I reach my goal.  Similarly, I’ve been working (intermittently) on the remix and re-recording of Breaking Me Down, very much a personal vanity project…which I suppose could also be said of any novel as well.  The music will surely be ready for release long before the book, but then again, it’s a seven-minute song compared to a seven hundred plus pages long novel, so it’s not too surprising that it should take less time, even considering the different levels of my expertise in the two fields.

On other matters, well…there’s not much to say that seems worth sharing, but I’ll share some of it anyway.  I continue to be unable to rouse myself to get involved in social media—or social anything, for that matter.  I really don’t have the capacity to socialize at all outside of work, and I do precious little of it during work.  You are, at this moment, experiencing the most social thing I do in any given week, at least for the last several months.*  How lucky for you!  Despite ongoing treatment for dysthymia/depression, I’m afraid that the reality of both traditional and newfangled media is just too depressing in and of itself for me to survive.

Of course, avoiding them doesn’t particularly seem to help my problem, either, and I can’t blame social and other media too much; the issue seems very much to be on my end of the keyboard and/or smartphone.  After all, I’ve lately been unable to enjoy even good music.  This morning I started listening to my most reliable Spotify playlist, comprised of my favorite songs by Radiohead, Pink Floyd and the Beatles, and I quickly got bored to the point of disgust and just shut it off.

The Beatles, for crying out loud!

And don’t even get me started on the fact that when I even contemplate reading any of the Harry Potter books, or even The Lord of the Rings, I’m filled with ennui bordering on physical revulsion.

There are well over two hundred books in my personal Kindle library, ranging from Physics, Philosophy, Biology, Neuroscience, Behavioral Psychology, and History to classic literature, science fiction and fantasy, all the way up to modern light novels.  It’s hardly an unweeded garden that grows to seed; it’s a stunningly beautiful garden by its very nature.  But right now, it doesn’t catch my interest any more than would a patch of garbage-strewn mud.  I find myself (somewhat ironically) resonating, as I often do, to a line from the Pink Floyd song, Nobody Home:  “I’ve got thirteen channels of shit on the TV to choose from.”

Only thirteen channels of shit?  If only he’d known how many channels of shit are available for us to swim in nowadays.  Don’t tear down that wall too quickly, Pink.  There are real walls being contemplated that are far more pathetic and disappointing than anything that goes on behind yours.

I just had an interesting and coincidental personal revelation:  I was considering using a particular line from early in “Hamlet” for the title to this week’s blog, but I suspected that I’d already used it for that purpose.  So, I checked and discovered that, not only had I indeed used it previously, but I had done so on August 23rd of 2018, one day shy of a year ago.  That’s weird.

I’m not aware of any particular reason why late August should trigger such specific associations for me.  It’s not as though I have “end-of-summer blues”.  I live in south Florida, for crying out loud; the end of summer is when the weather gets more pleasant.  And it’s been many years since I needed to feel despondent about an upcoming academic term.**

Now that I think about it, though, this isn’t the first time since last August that I’ve considered re-using that line in the title of a blog and had to go back to catch myself.  It’s one of the most well-known of Shakespearean quotes, trailing behind only that most famous soliloquy from “Hamlet”, a few from “Macbeth”, and perhaps some smatterings from “Romeo and Juliet”, “A Midsummer Night’s Dream”, and maybe “Richard III”.  Oh, well, I’ll just go (or will have gone, really), with a portion of a quote from “Henry V”, instead.

Ironically, and regrettably, I can find no interest in actually reading any of the aforementioned plays.

Nor heaven nor earth have been at peace this morning, it seems.

TTFN


*No, let’s be honest; it’s years, veering towards decades.

**And, in all honesty, I never once dreaded the coming of a school year, whether primary, secondary, university, or professional school.  It’s always been something to which I looked forward eagerly.

For I have neither wit, nor words, nor worth, action, nor utterance, nor the power of speech, to stir men’s blog

Desert desperado

Hello and good morning!  It’s another Thursday, and therefore time for another blog entry.  In fact, this morning, when activating my computer (which had self-restarted due to one of the seemingly endless “updates” from Windows…which don’t appear to engender any improvement of function whatsoever) I began, by force of habit, to seek out the last point at which I had been editing Unanimity.  Then I caught myself and remembered, “Wait, it’s blog day.”  Those were, as well as I can recall, my actual internal words.  Maybe I should re-christen this day of the week.  Who knows, if my writing eventually comes to influence the wide world enough, we English speakers might cast aside the traditional Norse name, which gives homage to a character now most widely remembered as being played by Chris Hemsworth.*

If I had a hammer…

It’s been a fairly drab and inauspicious week for me.  There’s not much going on that wasn’t doing so already.  I certainly haven’t been keeping up with current events or anything else floating around regular, virtual, or social media.  I occasionally go on the Google News “App”, just to skim through the headlines, but I don’t think I’ve so much as clicked on a single story in well over a week.  I haven’t even been listening to podcasts, or to Audible books, or even to music during my commute.  I just can’t seem to stir any interest in anything, even in books and shows and movies that used to enthrall me.  All this, despite months of ongoing treatment for my dysthymia/depression.

Oh, well, whataya gonna do?  The universe does not bargain, it cuts no special deals, and it makes only one promise to us all.

I have of course, as might be obvious from my comments above, been working steadily on Unanimity.  I’m approaching the end of the book for the second time (really the third, if you count when I wrote it).  Much, much works remains to be done, of course, but I’m still enjoying the story.  Thus, at least one person in the world will do so, and I suppose that’s a good enough reason to have written it.

I think I’ve mentioned before that I have a difficult time self-promoting, and I’m at least mildly embarrassed bordering on ashamed when I force myself to do it.  At times in the past I’ve rued this character trait of mine, and I’ve wished I could be much more of a sounding brass, but the advents of Kanye West and Donald Trump have reassured me that grandiosity is vastly overrated.**  There’s probably a happy medium somewhere (who runs a successful fortune-telling shop, one presumes), but if there is, I haven’t located it.

I’ve encountered a few germs of ideas for new stories this week—probably short stories—and jotted them down in my memo app, as I do.  That’s always pleasing in at least a small way.  There are many, many such little phrases, sentences, and paragraphs in the that file, but it’s difficult to predict how many of them will eventually become full-fledged stories.

I’ve also been diddling away at musical projects.  As I think I’ve said before, I’ve been working on a rebuild of Breaking Me Down, my personal best musical, or at least lyrical, expression of depression (sounds like a blast, right?).  I’ve learned a thing or two since I first threw it together, and I think it’s definitely improving.  I’ve also been working on a new song, which will be slower and will probably sound moodier than Breaking Me Down, but its words are much more…well, not entirely positive, but at least ambiguous, and its ending is, if not truly uplifting, at least hopeful…I think.

It’s a tough situation where you’re not even clear about the meaning of your own poetry.  Oh, well.

And that’s pretty much all I have to report for the moment.  Apologies if it’s not very gripping, but most days, and most weeks, are ordinary, after all.  I hope you’re all well, and that your futures are very bright indeed…but not so bright as to be blinding.

TTFN


*Not to say he doesn’t do a terrific job.  It’s not easy to make Thor—the comic book character—cool, but he succeeds in spades.

**Especially by the grandiose.

My native English, now I must forgo; and now my blog’s use is to me no more than an unstringed viol…

babel

Guten morgen, buenos días, ohaiyou gozaimasu, and good morning!  It’s another Thursday (or Donnerstag, Jueves, or Mokuyoubi, if you prefer), and time for my weekly blog post.  There’s not much new going on, really…which is partly why I decided to write my greeting in four languages instead of the customary one.  You’ve gotta pad these things out sometimes.

I received an interesting and amusing email from Amazon yesterday, telling me that certain authors whom I follow have released “new” books.  I use scare quotes because the second of that brace of notices was just about the release of a new version of a work by that great writer of graphic novels, Alan Moore, whose numerous works include Watchmen, V for Vendetta, and my favorite, Batman: The Killing Joke.

The first notice, though, was of a new story released by that obscure (but also great?) author, Robert Elessar.  Apparently, at some point in the past, I decided to follow myself as an author on Amazon.  This is unsurprising; I suppose all authors are narcissistic to some degree.  The very notion of writing a story and offering it to other people to read must entail a certain (benign) kind of hubris.  But it is amusing that Amazon doesn’t recognize—or doesn’t bother trying to recognize, more likely—that the person to whom they sent this notice is the author himself.

I suppose names like Alan Moore and Stephen King might be relatively common, when you think about it, and it certainly seems plausible that a person who shared a name with such a noted author might enjoy following their new works.  But there are plain few Robert Elessars out there.  I know.  I’ve checked.  Furthermore, Amazon could easily recognize that the email to which they sent the notice is also associated with my account as an author who publishes through their platform.

Again, I suspect that they don’t bother worrying about such trivialities.  Why should they?  They have a great many, very big fish to fry, after all.

On other matters:  I’ve been pleased with the feedback I received (on Facebook, mainly) for my song, Catechism.  Of course, that’s only made me itch to fix my earlier musical experiments to make them more presentable, as well as to continue working on the new song I have,* but I continue not to want such work to interfere too much with my writing and, more specifically, with my editing.  It would be soooooo lovely if I could release Unanimity before the end of the year, perhaps in time for the Yuletide holiday season.  Halloween would be better, of course—this is hardly a Christmassy story—but that’s almost certainly a pipe dream, unless some benefactor out there is so excited to read it that she or he decides to sponsor my full-time work on the project.

Alas, I have yet to hear from such a person.

I’ve received no feedback, one way or the other, on Free Range Meat.  That’s not unusual, of course.  Even among people who read a particular story and enjoy (or hate) it, very few will write a review, and even fewer will post comments on social media or on blogs.  It’s hard for me to feel justified in grumbling too much about this.  Even I, a firm believer in the value of rating and reviewing products, and especially books, only do it a relative minority of the time.  Modern life is just too busy.

It was easier when we were all hunter-gatherers, wasn’t it?  Sometimes I regret giving up that lifestyle.  Then I remember that no hunter-gatherer culture invented or used written language—and also that none of them invented cardio-thoracic surgery, without which I’d have been unlikely to survive past my early thirties—and I’m more conflicted.  The loss of written language, and all the stories and nonfiction books I’d thus have to give up, would be intolerable.  As for living past my thirties…well, that’s more debatable.  From a certain point of view, once my children were born—and certainly by the time I was forty—I was pretty much dispensable, even to myself.

Oh, well.  John Mellencamp was right about life, wasn’t he?

And on that cheery note, I’ll call it quits for this week.  I hope you’re all well, and that all manner of things are well for you in this most possible of all possible worlds.

TTFN


*The words, melody, and chord structure are basically done—that’s the easy part