Hello and good day!
It’s Thursday again, and time again for you to endure the ordeal of slogging through my blogging. I could say that it’s also time for me to slog through the process of writing another blog post, but I rarely think of writing as an ordeal (though sometimes the process of forcing myself to get started can be a minor challenge).
One crucial aspect of writing, of course—if you want to be a good writer, anyway—is that you need to read a lot. Most of the writers whose work I admire are or have been avid readers. This makes sense. One could probably say something analogous about musicians, or about other types of artists: it’s difficult to know what’s possible, to have a deep grasp of the intricacies of one’s subject, if one doesn’t expose oneself to what other artists have done. Of course, each person’s bandwidth is limited, as is each person’s interest and exposure, but that’s part of what makes art interesting, and fundamentally stochastic. Mozart, unfortunately, could never be influenced by the music of the band Yes, but the converse is true, through the accident of historical placement. I sometimes wonder what Mozart might have done with modern musical instruments and precedents at his disposal, just as I wonder what Shakespeare or Dickens might have written after extensive exposure to the modern world. We can, unfortunately, only imagine the wonders to be found in “Electric Guitar Concerto No. 4,” or “The Tragedy of Richard Nixon,” or “A Tale of Two Social Media.” Continue reading