Fiction

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I should take a flying Leap Day

Hello and good morning.

Happy February 29th.  This is a date that only comes approximately once every four years.  I say “approximately” because as I’ve noted before, on three of every four turns of centuries, there is no leap day.  This is because the length of a year is ever so slightly less than 365.25 days…though I don’t recall if that’s measured in solar days or sidereal days.

Anyway, I’ve gone over this ground often enough already‒too often, probably.  I won’t bore you with more of it for now.  Probably I’m the only one who really finds it interesting, anyway.

Yesterday was a miserable day overall, though I did start off somewhat productively, typing all of what I’d written so far of Extra Body into the laptop computer.  It was almost five handwritten pages, which turned out to be just shy of 1400 words.  That’s roughly how much I used to write on any given day when producing a draft of a new work of fiction.  Anyway, I didn’t write anything new after that yesterday , but at least it’s primed and hopefully I’ll do a page of new writing today, once I’m done with this.  I’m heading to the office early‒even for me‒to try to make sure I have plenty of time to get that started.

I ended up leaving the office really late last night, because now it turns out that even the two people I like most there are getting to be part of the group who is willing to roll over the guy who’s not capable of just shutting out and walking away from work and saying to Hell with people who don’t worry about how what they do affects others.

I was already really depressed and frazzled to start the day.  I even put ear plugs in and then wore my airport-style hearing protector muffs to block out the noise of the music and the people saying silly things.  Neither of the two measures works adequately on its own, but together they do a decent job.  However, the ear muffs give me a headache after a while, because they squeeze my head.

I should just sabotage the stupid sound system; unfortunately, it is both fixable and replaceable.

Sometimes I feel almost as if a collection of a few people in the office‒among them people I thought were my friends‒are trying to drive me to quit, or to kill myself, or perhaps just to lose it in some other way.  I know it’s pretty silly to think such things, but in some ways, it’s emotionally less horrible to think that people are deliberately out to cause me harm than to think that people about whom I care, and who I thought cared about me, are willing to cause me distress and pain just out of thoughtlessness and inconsideration.

I’m probably being oversensitive.  I’m probably actually just on the verge of seriously losing my mind.  That probably wouldn’t surprise anyone.

Anyway, I ended up getting back to the house quite late, and then‒because commuting is not inherently relaxing‒I was a bit wound up and had trouble getting to sleep, so I watched several videos of people “reacting” to songs that I know.  This can be kind of fun, to a limited degree, because it feels almost like listening to a song (or similarly, to watching a movie or show) with a friend who hasn’t seen it before, though there is no actual give and take.

It also doesn’t give you the experience of watching some new thing (or listening to some new song) that you yourself have never seen with a friend, because the YouTube videos can’t really embed an entire show or movie, without being taken down due to copyright.  One has to join Patreon groups to watch things like that, and I’m really only following two people on Patreon.

I joined one of the two to see reactions to Doctor Who, but they are now all caught up, and there won’t be new Doctor Who episodes until May, I think.  They react to other shows, most of which I haven’t watched, but unfortunately, most of those shows are ones in which I am not interested.

I might be interested in them if I truly, literally had someone with whom to watch them; I watched many shows with my (now-ex) wife that I probably wouldn’t have watched on my own, because she was interested in them, and it made me happy to enjoy them with her.  Also, of course, we had similar tastes in many things; there was, after all, a reason we got married.  Or, well, there was a whole set of reasons.  Just one probably wouldn’t have been an adequate incentive for either of us.

But I’m a tiresome person, even to people who honestly love me.  I can sympathize, since I find myself tiresome.  Maybe people at the office really would prefer me to be gone, but are too kind to allow themselves to think such thoughts in their conscious minds, but end up acting on them nevertheless.  I couldn’t blame them, really, for such a thing.  How can someone be blamed for their subconscious thoughts?

I should just take myself out of everybody’s way.  I don’t make other people happy in any kind of reliable sense, but I do make many other people unhappy, though I would prefer not to do so.  Since I’m a net negative on the world, any personal return to zero on my part would be a net gain for the world at large.  And after that, it wouldn’t be my problem anymore.

Time will tell, I guess.  I’ll try to screw my courage to the sticking point and see if I can eventually succeed.  Well, actually, I will only see if I fail.  Only others will be able to see if I succeed.  That’s the nature of the thing, as far as I can tell, and is one of the most potent arguments against it, given I would be causing problems for which I could provide no possible assistance.

But since other people seem sanguine about inconveniencing me‒and it seems to be a general tendency among humans‒I shouldn’t let it be an absolute barrier to my choices, though I still think it should be a relative one.

Anyway, that’s that.  I hope to get a page written on Extra Body today, if I can.  I suppose, if you’re unlucky enough for me to be still around tomorrow and writing my blog, I’ll let you know.

TTFN

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Digression within a discussion of digressions, and an ending about depression

I was a bit worried that I wouldn’t end up writing anything on my short story yesterday, because there were many distractions and frustrations.  I started the day in an unusually clear-headed and optimistic mood.  I even read a bit of Quantum Field Theory, As Simply As Possible in the morning, and that was nice.  But as the day went on and the chaos persisted‒especially the noise‒my optimism dwindled.

Then, in that latter part of the afternoon, I decided to force myself.  It’s just a single page, I thought, so it shouldn’t take long even if I do it between work tasks.  So, I got out the notebook and started up.  I used two different pens over the course of the approximate one and a half pages that I wrote, but write I did.

As I wrote, I could see again my tendency to digress into details perhaps just a bit much; I need to keep a weather eye on that tendency.

Don’t get me wrong‒I like getting into details, and into the minds of my characters.  Reading fiction and getting those insights into other people’s thought processes, even if they were fictional, really helped me in dealing with people as I grew up.  That’s a potentially useful hint: if you’re a replicant among humans, read a lot of fiction.  You can get whole lifetimes worth of insight into the their minds by doing so.  Indeed, you can get more than lifetimes worth of such insight, since in “real life” one never gets to see people’s thoughts unfiltered.

I’m not saying that fictional depictions are perfectly reliable and fully accurate representations of how humans think.  It’s fiction, after all.  But across genres and works, across authors living at widely disparate times, there are commonalities that one can pick up.

There may be selection bias at work as well, of course, since all works of fiction have been produced by fiction writers, and they may have common attributes not necessarily shared by those who do not write fiction.  But when findings from fiction correlate well with, and explain well, the behaviors and speech of people who are most assuredly not fiction writers, one can begin to assign higher credence to such things.

How on earth did I get into that train of subjects?  Oh, right, I was talking about my tendency to digress a bit in my fiction.  How very “meta” of me to digress even as I was writing about digression.

If I keep writing fiction‒assuming I don’t just die soon, which would also be tolerable‒I think I may adjust my guidelines during editing.

In my published works so far‒not counting this blog‒I made a rule that I needed to cut the final word count by at least 10% relative to the first draft.  That’s right:  Unanimity was one ninth again longer when I first wrote it!  Anyway, I may decide to set my target at a more draconian 15% level in the future.  20% seems as though it might entail too much cutting, but maybe 10% is too little.

I guess we’ll see.  Maybe I shouldn’t combine the effects of handwriting the first draft (which should encourage at least some brevity) and an increase in my culling target.  I guess I have time to ponder this matter and let my subconscious mind digest it.

In other news, I did play guitar a bit yesterday‒just those two songs I mentioned in yesterday’s post‒and I guess that was a bit of fun.  It seems my long breaks at least haven’t made me too rusty in my playing; I even feel that my intuitive feel for shifting between versions of  a chord while playing has improved.  I guess it’s possible.

I also walked most of the way back from the train station last night.  I didn’t make it quite all the way before summoning a ride, since I decided I didn’t want to push things too much, but it was a good walk of more than three miles.  I hope to increase it and add a walk to my mornings as well.  This will eat into my time, of course, and I worry about it discouraging my fiction writing.  I may go back to doing this blog less often in the future if I continue to feel able to write fiction and do get my walking going again.

I still have several moments during every day in which I think I just want to walk away from reality and existence, figuratively speaking.  The world can be horrifyingly frustrating and painful for me, and since I can’t convince myself that it would be okay to destroy the world, there’s always the option of destroying the universe (from my point of view) by destroying myself.

They call it “unaliving”* on YouTube, nowadays, apparently, because the YouTube algorithms are prone to block or interfere with videos that include the word “suicide”.  How stupid are these social media companies?  It’s ultramoronic to impair the use of a word simply because it refers to a real subject that is not necessarily comfortable.  The word “suicide” never magically induced anyone to kill him- or herself.  If anything, bringing it up can help take the taboo off and allow people who are suffering to feel that it may just be okay for them to talk about it.

Ha ha. Just kidding.  Nobody really wants you to talk about it, believe me, other than professionals who deal with the issues as part of their jobs, and rare volunteers, who are alas strangers, and who I suspect go into the work because of familiarity‒directly or indirectly‒with the problems of depression and suicide.  Most people just don’t want to deal with it.  I suspect that, secretly, many of them would prefer you to kill yourself rather than harsh their mellow.

Maybe destroying the world really would be morally appropriate.  At least I can do it in fiction if I want‒and I have done so, and have failed to do so, in more than one work.

Anyway, sorry about the regression to the mean (or at least to the unkind) there near the end.  I hope you all have a good day.

*”Unalive” sounds like it should be the opposite of “undead”.  So, if the undead are, in one sense or another, walking corpses, then the unalive should be inert living beings.  This sounds more like a description of those with major depression or chronic depression (dysthymia) than someone who has killed themselves, though the outcome of the former may certainly be the latter.  The euphemism is confusing and misleading, if you ask me.  The suppression of videos and the like that use the term “suicide” does not seem likely to decrease the rate of actual suicide, but may make a person contemplating it or troubled by thoughts of it feel even more alienated than they already do.  I know of at least one case where this is so.

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Monday morning…looking up?

It’s Monday morning again, as tends to happen around this time of week.  I hope you all had a good weekend.

I’m starting this blog post at the house, where I’m waiting to see if the Uber prices come down a bit before deciding to take one.  If they don’t, I may decide to walk to the train; it’s relatively cool out, and I feel physically rather energetic.  I may even take the bus, though that’s a circuitous and irritating path.  I’ll keep you posted about what happens.

…

Okay, well, the price dropped an acceptable amount, so I booked an Uber, but the estimated wait is 15 minutes, which is unusually long for this time of day.  That further cements my plan to try to make sure to walk back from the train on the way “home” this evening.  Yes, it will take longer even than waiting for an Uber, but it will cost less, it will have a lower carbon footprint‒though I will make many more actual footprints‒and it will also get me some good exercise.  I hope you can all help keep me honest and maybe even spare some words of encouragement.

I have some good news to share with you today.  It’s not momentous, but it means a lot to me.  I did not start on HELIOS, but I’m happy to report that I’ve started something else.  The prospect of beginning a new novel, even a “light novel” sci-fi story, was a bit intimidating, so on the other spiral-bound notebook, the one on which my cousin recommended I write a zombie story, I thought maybe I would write a short story.  I didn’t intend to write a zombie story (sorry, Lance) since I don’t even really enjoy reading or watching such stories, but it’s still a good basic idea.

I opened up my old collection of story ideas, from which came more than one of my existing works, and scrolled down.  Most of the ideas weren’t that gripping for the moment, but quite a way down the list I found an idea whose time, it turns out, had come.

I won’t tell you much about the story idea here, partly because I don’t have the full thing sketched out, but mostly because I don’t want to diminish my drive to write it.  It’s called Extra Body, and no, it’s not a horror story.  If anything, it’s a sort of lighthearted sci-fi short story, but set in the ordinary, modern world.

I wrote one page of it at work on Friday, and then yesterday‒yes, Sunday‒I wrote another page and a half.  It’s almost, but not quite, unheard of for me to write fiction on a Sunday, simply because I habitually mandate that as a mental break day from writing fiction.  However, since I’ve been on quite a prolonged mental break from writing fiction anyway, I decided to get in an extra day.

Also, instead of setting my usual daily goal of 3 to 4 pages of writing, I just set my goal to at least 1 page.  That takes a lot longer when I’m writing “by hand” than it does when typing‒I can type a full 400 to 500 word page in a very short period of time‒but that’s okay.  I’m hoping this pressure will keep me more concise than I often tend to be.

I must say, it’s good that I’m keeping the target low when writing by hand, because my hand muscles are deconditioned for writing much on pen and paper.  Of course, my writing is also terribly messy, but that is nothing new.  As I rediscovered yesterday, I can always read my own handwriting at least.

This shouldn’t be too long a short story, especially not for me.  It’s not going to be terribly deep or thought provoking, just a bit of fun.  Then, maybe, once I’m done with that, if I’m still around, I can start HELIOS.

Another thing, in closing for the day:  I did in fact look up the chords and tabs for All Apologies only to find that, though it was originally played in a form of the “drop D tuning”, it’s just a 3-chord song (not counting sus-2 and 7th chords, which one usually does not).  I decided to learn it using standard tuning, because I don’t like having to twiddle with the tuning of my guitar so much.  This meant I had to figure out the main riff for myself, since the tabs are not really any help, being all in the original tuning.  That wasn’t much work, though.  It’s a nice sounding riff, but it’s actually quite simple.

So, since I had the guitar out anyway, I decided to look up the chords to Close to You, in preparation for possibly recording my parody, Antichrist.  This song has slightly more chords than the other one, but unless you count the “truck driver” key change in the middle, it’s also really a pretty simple song.

I guess most popular songs are not all that complex.  One can get spoiled when playing around with Radiohead and the Beatles, let alone with having played Bach on the piano (and cello), or having been in pit orchestras playing West Side Story and the like.

Anyway, as may be obvious, I’ve gotten a slight boost in my overall energy, partly from better allergy control, I think, so that’s good.  I hope it continues.  We shall see, I guess.  For now, at least I’m being slightly productive.  I hope all of you are feeling at least as well as I, and that you have a good week.

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Near-catatonic dysthymia with sensory overload and the difficulty they engender in writing fiction at work – a personal case report

Well…

I tried to write some on HELIOS yesterday‒even just a page would have been nice.  I got my clipboard down, put the title at the top of the first page, and I even worked on a few names for characters and places.  I chose a good name for the school in which some of the action takes place, one that I like (this happened before the workday started), and a couple of tentative names for three main characters.  I’m not sure about sticking with any of those.

As I’ve noted before, I made up the rough idea of HELIOS when I was quite young, as a comic book superhero.  I don’t remember what name I had given to the main character, but knowing me, it was probably some ridiculously simple and probably alliterative name.  For instance, I once made up a completely ripped-off-from-the-Hulk character called “the Cosmonster” (!) and his regular, human name was John Jackson.

To be fair to my past self, I was quite young, and I was influenced by Stan Lee, who made such characters as Bruce Banner, Peter Parker, and Reed Richards.  So, there was precedent.

Still, a decent name for the main character is rather important.  “Doofus Ignoramus” is unlikely to be the secret identity of a memorable hero, though it could be an interesting genus and species name for some newly described creature.

Anyway, as I implied, I got no actual writing done on the book.  It’s just too noisy and chaotic during the day, and it’s almost impossible for me to block it all out, since I have to attentive to work matters.

Also, my dysthymia/depression and probably some other things were in full swing yesterday, and I was all but catatonic through at least two thirds of the work day.  I barely moved when I didn’t need to move, I barely spoke‒even when someone spoke to me, except when necessary‒and I don’t think I showed any facial expression before about 4:30 pm, though it can be hard for me to tell.  I’m trying not to exaggerate here.  I really felt more or less completely empty.

I even did a quick Google search for the official clinical meaning of catatonia, to see if I was close to meeting it, as I felt I might be.  It wasn’t quite the right term, but it wasn’t ridiculously far off, either.  There were times during the day that, if I had somehow caught fire, I probably would have looked at it and thought something along the lines of, “Huh.  I’m on fire.  I should probably put that out.  But is there really any point to doing that?  It’s too noisy in this world, anyway…maybe I should just let myself burn.”

Eventually I thawed slightly as the day went on‒I do fit the typical pattern of depression in that my overt symptoms tend to be worse in the morning.  Weirdly, despite that fact, I find it far easier to get many things done in the morning, when it’s quiet and I’m effectively alone.

I’ve always been that way, or at least as long as it’s been pertinent.  Even in junior high, I used to get up and go to school very early, so I tended to be the first student there and have quiet space and time to feel like the surroundings were just mine before everyone else showed up.  I carried this on through high school.  In my undergrad years, I used to set my watch fifteen minutes ahead and then still make a point to get to class early, by my watch, even though I knew it was set ahead.

That would be harder to do nowadays, since all the effing digital devices display time based on local corrections to UTC, getting updates and adjustments through 5G or Wi-Fi or whatever other connections are there.  This is good around daylight savings time, I guess‒it’s harder for people to make the excuse that they forgot to set their clocks forward in the spring and that’s why they’re late for work the Monday after.  But the whole uniformity of time and whatnot seems overrated‒and it certainly doesn’t seem to stop people from being habitually late in the morning and then keeping other people late at the end of the day.

Not that I am bitter.

Going back to writing:  despite my emptiness and disconnectedness yesterday, and my inability to write any fiction, I decided to order two good spiral bound notebooks, thinking maybe I can at least bring them on the train and write on my way back to the house or something.  If I brought the clipboard with the paper in it, the pages would get all shmushed and mangled in my backpack, and that would be very aesthetically unpleasant.

So, I’ll be getting two of those lovely, sturdy “5-Star” spiral bound notebooks delivered today.  They were quicker to arrive and cheaper than if I had bought them in a stationery store, and I had better choices of colors, though I still had to settle for one green one along with the black one to get a one-day delivery.  That’s okay.  One of the nice things about black is that it goes with every color quite nicely.

I guess I’ll let you know how things go today.  I’m not too optimistic, especially given that work is more sensorially overloading and distressing than is even riding on a commuter train, a fact which at first glance might seem rather contradictory.

It makes a certain amount of sense, though.  On a train‒or a bus, or similar‒one is actually much more alone than one is in an office.  There are other people, but they are each also alone.  You are all mutually alone, and there is no impetus to communicate or interact.  It’s much more pleasant than working where people feel they can just come up and interact with you without warning, whether or not you’re already doing something.  And then, they’re all talking and interacting and there’s overhead music, and there’s stupidity, and you can’t even hear the useful, pertinent information that you’d like to hear.  It’s too chaotic and noisy, certainly for someone with constant tinnitus in one ear and other sensory difficulties.

Oh, well.  Whataya gonna do?  The forces that brought the world into existence never bothered to get my input when they did what they did.  The morons.  Things could have been so much better than they are, but they didn’t bother to ask me.  Then they give the poor excuse that I “didn’t exist” at the time.  Whose fault was that, huh?  Not mine!

Maybe it’s not too late for me to fix everything.  But it often seems hardly to be worth the effort, even if it can be done.  For the most part, life in general does not merit help or protection.  Macbeth had its number:  it’s a tale told by an idiot, full of sound and fury, signifying nothing.

Speaking of tales told by idiots, I’ll let you know tomorrow how it goes today with respect to fiction writing after my notebooks arrive.

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Learning about science, troubles with reading and socialization, and (not) writing fiction

It’s Saturday morning, and boy was yesterday’s audio blog a little weird.  I think it’s not so much that I said anything particularly weird—certainly not for me—but rather the odd meanderings thing took, from musing on the fact that I’ve been losing any joy of any kind in my life, becoming more and more bored or even irritated by more and more things that used to be interesting, on to the various declining cinematic universes and finally to thoughts about General Relativity.

At least that latter part encouraged me to read some material and watch some relatively hard-core YouTube videos about General Relativity and its mathematics.  By “hard-core”, I don’t mean there was any graphic sex involved.  First of all, I don’t think they allow stuff like that on YouTube, but even more to the point, I don’t see how one could work such a thing into an educational video about matrices and tensors and stuff like that.  I mean “hard-core” as in being more in-depth than just a general information, analogy kind of educational presentation, and especially that it talked about the mathematics underlying the science.

Not that I’m against the more general stuff.  I certainly began all of my interest in science with general knowledge/information.  When I was a kid, growing up (which is what kids do if things go well), I had a whole bookshelf I called my “science shelf” full of various kid-level books about everything from biology to paleontology (there were lots of dinosaur books—my first career ambition was to be a paleontologist) to “how things work” kinds of books and so on.

I didn’t really start to have as much physics and astronomy related material until after Cosmos came out.  That show was the reason our family got our first color TV.  I also asked for (and received) a hardcover copy of the book for my 10th or 11th birthday (it came out in 1980, I think, so it should have been 10th), and I was very pleased.  That book and show really triggered my love of space-oriented and physics-oriented science, including—of course—cosmology.

I chose my undergraduate college precisely because it was where Carl Sagan was a professor, though I never did meet him.  I would have thought it presumptuous and appalling to try to seek him out and bother him with gestures of my admiration and thanks.  I tend to feel that way about inflicting myself upon anybody—friend, foe, or stranger.  I just feel that I don’t have any right to intrude upon anyone else’s life or time, and also that I frankly don’t know what to say if I do meet them.

It’s a bit sad, though.  By most accounts, Professor Sagan tended to be quite pleasant and positive toward people who liked his work, and he considered himself—according to him—first and foremost a teacher.  He certainly taught me a great deal.  Though his books are now somewhat out of date, they are mostly still great repositories of fact and interest, and they remain overflowing founts of wonder.  I feel confident in recommending them to anyone, most prominently Cosmos, Pale Blue Dot, and especially The Demon-Haunted World.

Of course, I’ve read a lot of his intellectual descendants since then, and his cousins as well in other fields (Stephen Jay Gould’s and Richard Dawkins’s books and collections about biology are wonderful, too, for instance).  One thing I like about listening to podcasts that focus on ideas is that the guests are often people who have recently (or not-so-recently) written books, and if the subject is interesting I can read their books to get more deeply into their work.  I first encountered David Deutsch and Max Tegmark (and many others) on Sam Harris’s podcast, for instance.

And, of course, I have also read books by Brian Greene and Sean Carroll (and others) about physics in general.  It was to The Big Picture that I turned yesterday after my audio blog, in addition to the aforementioned video, to review some of the mathematical basics of General Relativity.  From there, maybe I’ll go on to the YouTube videos of Leonard Susskind’s* real graduate level lectures at Stanford, and to reading Sean Carroll’s textbook.  I’d also like to read through Zee’s Quantum Field Theory, As Simply As Possible, which I’ve mentioned before (with the thought of going on to his textbook if I can).

I have Zee’s layperson-oriented book in hardcover, but the print is small, and it’s difficult to read.  Still, I took delivery yesterday of a new set of reading glasses that are slightly stronger than the ones I was using, so I hope they’ll make it easier.  I’d really prefer to learn by reading than even by watching videos.

Of course, all this is probably just “pie in the sky” thinking.  My biggest difficulty is just summoning the will, the energy, to do these things.  It’s similar to the trouble I have with writing fiction.  I have quite a few story ideas I could write, but I have no drive, no desire to do the writing.  There’s no percentage in it, so to speak.  It’s not as though I have any fans out there telling me how much they like my books and want more.  I mean, my sister has read them all, and she liked at least most of them, and says she really liked The Chasm and the Collision.  That’s very nice, and I do appreciate it.  Apparently, though, it’s not the required stimulus for me to want to write more fiction.

Perhaps nothing would be.  Perhaps I’m just deteriorating too much, or have deteriorated too much.

Or perhaps it’s that I feel that a truly tiny minority even of people who engage with fiction do so in written form nowadays.  There’s too much competing immediate gratification out there, and primates—probably almost all life forms—are prone to fall for immediate gratification, and to someone else doing the imaginative work for them.

I fear that much of the general population has allowed their personal imaginations to atrophy, much as physical health atrophies when someone goes everywhere by car.  People even play Dungeons & Dragons online now, apparently.  That seems weird to me.  I don’t think I could really stand to play role playing games with strangers.  Playing them with my friends, as I did back in junior high and high school, for countless hours, was greatly enjoyable, and I think it did exercise and improve my imagination and my story-telling and story-creating “muscles”.

Oh, well.  I don’t have anyone with whom to do any of that stuff now, and I can’t even really imagine trying to find new people with whom to do it—see my above discussion about inflicting myself on people for part of the reason, but that’s not the only one.  I also don’t want to invest the considerable necessary stress and effort and anxiety into trying to find friends with whom I actually share interests—if such people even exist—and then have it all go sour or just go away as nearly every other relationship of any kind that I’ve ever had has done.  The juice, however delicious, is not worth that old vice-grip-on-the-testicles (and on all the joints and tips of one’s fingers) level squeeze.  The juice doesn’t last, anyway.

I’m on the train now, and I’m not exactly producing anything edifying, am I?  I’ll bring this week’s writing to an end, but I hope I’ll have the will to keep studying, at least.  And, of course, I hope most fervently and sincerely that all of you have a very good weekend.

*I also have his series The Theoretical Minimum in kindle and/or paperback and/or hardback form; his most recent one was about GR.  But I’ve had trouble reading physical books of any kind (let alone the Suss kind…ha ha) lately; I’m hoping my new reading glasses will help that.

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O, let my blogs be then the eloquence and dumb presages of my speaking breast.

Antarctic

Hello and good morning.  It’s Thursday, and so it’s time for another of my weekly blog posts.  For those of you who are paying attention, I have not (yet) written a post on Iterations of Zero this week.  That parenthetical “yet” may yet become a superfluous “yet”, alas, because I recently suffered from a rather nasty gastroenteritis.  For the first three or so days of this week, I felt almost literally rotten, and I’m still rather washed out, if you’ll pardon the expression.  So, I may have to call this week’s IoZ post a miss, though it pains me to do so after only having done a few weeks’ worth of continuous posting.  I may need just to write a very brief entry there as an apology.

I have been able to keep up with editing Unanimity, though the process was rather slower than usual.  I’m again approaching the latter part of the story, and as expected, it’s not quite as gripping as it was the first several times.  This is good, since it makes me a more ruthless editor, which is a large part of the point of doing it this way.  I’ve already trimmed more than twenty-five thousand words from the original draft, but I’m not near my goal yet, so I must be increasingly brutal as time passes.

I have to admit, at the risk of seeming narcissistic, that I tend to enjoy reading my own stories.  There’s just something about them; it’s as though the author really knows me.

On the other hand, I continue to have trouble finding other people’s tales—including television and movie fiction—engaging.  There are shows and films and books out now that should by all rights be seizing my attention and holding it without ransom, but which barely raise an eyebrow.  I can’t even seem to force myself to partake of them.  It’s not exactly ennui, but maybe that’s the closest thing to it*.  The only stories I’ve been able to focus on lately are the Japanese light novel series whose title is shortened to Oregairo.  It’s about a collection of loners (this is not a contradiction), with a narrator who’s particularly misanthropic and cynical, though none of them are hateful or overly pessimistic.  Unfortunately, I’ve reached the end of the volumes that have been published in English, and though they’re good books, I’m not likely to reread them anytime soon.  This is a glaring departure from my usual pattern for books that I enjoy.  God knows how often I’ve read The Lord of the Rings, but it’s been well over thirty times, and even much more so for The Chronicles of Thomas Covenant the Unbeliever.  The Harry Potter books don’t quite reach that level of repetition, but then again, I was already a working and studying adult when they came out.  I didn’t have the free reading time on my hands that I had in grade school, junior high, and high school, when I first read LotR and Thomas Covenant.

Unfortunately, I haven’t even had the will or desire in recent years to reread these great classics.  I’ve started Tolkien**, but I haven’t even gotten to the end of the first section.  Frodo hasn’t even been stabbed on Weathertop yet.  I just lost interest.  And every time I look at either the hard copy or the digital copy of this or any of the other books to consider reading them, I just kind of feel, “meh”.

I do a bit better with nonfiction, especially science books, including audio books.  This is certainly some consolation; I’ve always loved science as much as I’ve loved fiction (though, oddly, only very select science fiction).  Even this has its limits, of course, partly because Brian Greene, Sean Carroll, Richard Dawkins and the like can only write so many popular science books so quickly***.  I tend to devour them rapidly when they come out.  Also, unfortunately, a lot of science books in subjects I enjoy are just rehashing things I already know.  One can only so often read some new person’s attempt to explain General Relativity or Quantum Mechanics or Astrophysics or Evolutionary Biology to the layperson, especially when others have already done a better job on the subjects.

I think part of the trouble I have with enjoying new fiction—and even new nonfiction, but to a lesser extent—is that I simply don’t have the people in my life with whom I used to share that joy.  Because of that absence, even new potential happiness in reading such stories (or watching such shows, etc.) is tainted and soured.  It’s hard to take pleasure looking at photos of—or imagining—sipping cocktails on a tropical beach with one’s estranged significant other or splashing about in the surf with one’s children if one is currently wandering, lost and alone, in a frozen, Antarctic desert.

Not to be melodramatic about it or anything.

In lighter news, I’m thinking of setting up a promotional giveaway of at least electronic versions of my books and/or stories—one per customer—sometime soon…in time for the holidays, perhaps.  If I do, word of it will probably appear here, in this very blog, before it appears anywhere else.  Indeed, in a certain sense, it just has.

I wish all of you all manner of wellnesses, including ones you’ve never even imagined before, and which certainly I have never had the courage to contemplate.  May each of your personal world-lines become ever better with the passage of time.

TTFN

*It’s almost certainly dysthymia, with its attendant curse anhedonia.

**I’ve even tried rereading The Silmarillion, which I’ve read at least a dozen times in the past.  (It’s not as though I could have read it in the future, is it?)  No luck.

***Carl Sagan and Stephen Jay Gould have been slacking off lately to an inexcusable degree, in my opinion.

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For it will come to pass that every bloggart shall be found an ass.

Good day, everyone.  It’s that morning for which you all pine each week:  Thursday morning, the morning on which I (usually) release my weekly blog post.  Rejoice!  You can breathe again.

Okay, well, anyway…I hope everyone in America had a good Memorial Day on Monday.  I always try to avoid saying “a happy Memorial Day,” since the point behind the holiday is to remember with gratitude the many military personnel who’ve fought and died in wars, etc., especially in World War II, and that’s not really a happy thought.

Of course, in a certain sense, we should be happy that these people did what they did—it’s good that the Axis powers didn’t win World War II, even despite the many missteps and mistakes the Allies and former Allies have made in the years since.  On the other hand, though, we can surely all agree that it’s lamentable that such destruction and loss of life was ever necessary.  If you stop and think about it, we should all hope for (and whenever possible, strive toward) a world in which neither heroism nor leadership are necessary, since leadership and heroism are generally required only when things are not going well.  At least, it would be nice to work toward a world in which conflict, leadership, and heroism exist in sports, in books, in movies, and in video games, but not in day to day life.

Is such a world possible?  In principle, I think it is.  In practice, who knows if it will ever happen?  I wouldn’t lay heavy money on it, more’s the pity.

On to lighter, or at least more personal, matters.  I’ve been fiddling around with sound editing/recording/mixing software, and it has continued to distract me a bit from my writing tasks, but not completely.  Though I haven’t written any new pages of Neko/Neneko for over a week, I have been editing away at Unanimity, and I’ve been pleased to find that there are some moving moments in it.  One would hope this was the case in a long novel, of course, but I’ve read a few books in which there are no such experiences.  It’s nice that, at least for the author, the book has some poignant, and goose-bumpy, and thrilling passages.  Hopefully, future readers will agree with my assessment.

I continue to entertain the plan of releasing the three short stories from Welcome to Paradox City as individual Kindle editions, and—in sort of a parallel opposite act—of releasing a collection of my more recent short stories, and possibly doing all of these before Unanimity comes out.  And, of course, before any of that, I’m going to be releasing Free Range Meat, my latest short story.  That should happen fairly soon, as the editing on it is going well, even though it’s only one day a week.

Amidst all these processes, one thing that I’ve fallen off on a bit—and which I was never terribly good about in the first place—is promotion.  Though I’ve never found it natural to advertise myself, I at least periodically used to boost some Facebook ads and the like, and I haven’t done any of that in quite a while.  It’s just contrary to my nature, at least as I am now, to shout out for attention, even when it’s perfectly reasonable, and even necessary, to do so.  Don’t get me wrong, I can certainly be pompous and arrogant in my own right (no, really!), but I’m not very good at talking myself up.  I usually feel that it’s rude to try to push myself into other people’s awareness.  This is not good, of course, for someone who’s trying to get other people to notice and read his books (or listen to his songs, or whatever).  And I myself often lament how much it’s the case that the assholes of the world make far more noise than the benign and positive people.

Of course, one ongoing way in which I do promote myself is by writing this blog (and Iterations of Zero, though that’s more esoteric).  But doing more than that is rather awkward for me.

I often envy the attitude expressed by a moment in “The Simpsons” when Marge flashes back to a two-year-old Bart walking down the hall, banging on a kitchen pot with a spoon and singing, “I am so great!  I am so great!  Everybody loves me, I am so great!”  And, of course, I’m well aware that a key principle of advertising is repetition, even to the point of irritation.  After all, if people are thinking and talking about how much of a pain you are, they’re talking about you.  But it feels like it’s all in such poor taste.

Then again, I write fantasy/sci-fi/horror, and in the latter genre, many things happen which quite a few people would say are in poor taste, or they would be if they really occurred.  Certainly, the fate that befalls the very well-intentioned and positively behaved main character of Free Range Meat could hardly be called a Capra-esque outcome.  Maybe Kafka-esque, but definitely not Capra, and definitely not tasteful.

Tasty?  Maybe.

There, that’s a little teaser for you to whet your appetite.  I can do this promotion thing.  Sure, I can.

Well, I could ramble on and on for much longer than I have, but I’ll save that for another time.  Always leave them wanting more, they say.  I wish for each of you the best of all possible outcomes from your point of view, with only the proviso that it not interfere with the best of all possible outcomes for others from their points of view.

And isn’t that the big problem of crafting a society even of thoroughly well-meaning people?

TTFN

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Solitaire

solitaire cover

It’s the early nineteen-nineties, and Jerry, a successful advertising executive, is having a breakdown. He’s done too much shading of the truth, and he’s watched too much Headline News, and he can no longer make sense of the world. Now, sitting at the breakfast table, he contemplates the possible future for himself and his family while dealing out a hand of solitaire…

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There are more things in heaven and earth, Horatio, Than are blog’d of in your philosophy.

Hello and welcome!

For those of you in the United States, I hope you had an excellent Independence Day yesterday.  Earlier in the week, I wrote a blog post on Iterations of Zero encouraging Americans to remember the meaning behind the holiday; you can read it here if you so desire.

My fiction writing (and my reading/promoting of already existing fiction) goes well.  I’m almost done recording chapter 5 of The Chasm and the Collision.  It’s slightly longer than the previous chapters, so editing it may take more time, but I still expect it to be available for your listening pleasure* by the end of next week, or perhaps by the middle of the following week.  Reading for audio seems to take much less time than editing; this is in contrast to the process of writing a story, where the composition takes far longer than the editing process, even when that editing is thoroughly draconian. Continue reading →

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Oh, that this too too sullied blog post would melt…

Okay, once again I’m taking a week-long break between author’s notes, just to give those who are interested a brief update on my doings.  Next week, I will post the author’s note for The Death Sentence, the first story in my collection Welcome to Paradox City, (unless, for some unforeseen reason, I decide to write it about something else).

As you know, if you follow this blog, I’ve taken a short break from working on Unanimity, my upcoming horror novel, to complete the editing and rewriting of Hole for a Heart, an earlier version of which appeared here.  Like its predecessors, I for one welcome our new computer overlords, and Prometheus and Chiron, the story is benefiting greatly from the process, at least in my eyes.  Hopefully, anyone who ends up having read both versions will agree with me.*

It’s always nice when, upon rereading his or her own story, an author finds himself or herself excited and moved by that work, and this has been true in spades on Hole for a Heart.  I’ve experienced brilliant moments when, going through the rewrite/edits, I found myself getting mildly creeped out.  This is a good thing; it is a horror story, after all.  Of course, it helped that I was doing the work in the early morning, while it was still dark outside, and I was alone.  But still…obviously, I knew what was going to happen in the story, but still found myself at least mildly chilled.  It’s nice that the atmosphere I’d tried to create worked, at least on me.  Whether it will work similarly on other readers remains to be seen, but I have high hopes.

On another subject:  I’ve struggled to find the time to work on my non-fiction-related blog, “Iterations of Zero.”  I did write a brief post there earlier this week, detailing some puzzlement I have about the nature of gravitons, and how they might interact with an event horizon, because I felt compelled to get those thoughts out into the meme-pool, but it’s difficult for me to get all that I want to get done there.  I have three partially written articles languishing in my computer, as well as two full files in the memo app of my smart-phone, stuffed with ideas about which I want to write, issues I want to address, questions I want to raise.  When I say full, I mean it.  The files are as large as is allowed by the memo app…or at least the first one is, and the second is within a hair’s breadth of fullness.

By comparison, the file containing my story ideas (admittedly it’s not the only location for such recorded inspiration) is only one, nearly-full, memo file.**

The main reason that I have trouble getting IoZ as productive as I want it to be is time, that limiting factor on all things, so beautifully lamented by Andrew Marvell in To His Coy Mistress.  I work eleven out of every fourteen days, full time, and my commute is an hour to two hours in each direction.  This transit provides a wonderful opportunity to listen to podcasts and audio-books, but otherwise, those are unproductive hours.

Obviously, I can’t just write while I’m at work.  My boss is about as pleasant and understanding as it’s possible to be while owning and running a business, but his patience would be strained if I were to spend a significant amount of my work time doing things that had no relation to my job.  More pointedly, long before I would reach the threshold of annoying my boss, I would be curtailed by own conscience.  It’s simply not in my nature to be able to freeload while earning a paycheck, and I’m glad that it’s not.

So, my time is limited, and if sacrifices have to be made in my writing, I must regretfully choose to sacrifice the non-fiction, since fiction is my primary calling.  Of course, if enough people buy my books, I may make enough money to write full time, which would not break my heart.  If you’d like to see that happen, please feel free to buy them, and encourage others to do so as well!  ^_^

On yet another note, rewriting my short stories, and listening to audio books has re-ignited my desire to post my own audio recordings of the three short stories I’ve been working on recently.  There’s something special about a book being read by its author; at least there is for me.  I know it isn’t always workable for everyone, but I have a pretty decent reading voice, and I’m frequently told that I sound pleasant on the phone, so I’m not worried about my words grating on the listener’s ears.  Also, it’s just wonderful fun – for me – to read things out loud.  It always has been.  I’ll read books out loud to myself, if I’m enjoying them enough, especially when the dialogue is good, and it’s nice to think of sharing that enjoyment.  I don’t really foresee recording any of my novels, at least not in the immediate future, and definitely not just for posting on the blog.  That kind of work would require remuneration.

On yet another other note:  I don’t recall whether I’ve mentioned this here before, but in recent times I’ve had a real block on reading fiction, which is quite new for me.  Forget finding new stories to read; even stories that I love deeply have been unable to grip my attention, and I am one who reads and rereads his favorite books repeatedly, in true geek fashion.  I read Harry Potter and the Half-Blood Prince seven times between the midnight when I bought it and the time Deathly Hallows was released…and it was by no means the only book I read in that time.  But lately, no fiction, either familiar or new, has been able to hold my attention for long.  My sister, however, recommended the Rick Riordan novels as uniformly enjoyable, and I know that my son loved the ones he read, so I purchased the Kindle version of The Lightning Thief, and so far – admittedly less than a tenth of the way into the book – I’m enjoying it.  I’ve been seriously worried, because I even had to force my brutal way through rereading the first four books of Stephen King’s The Dark Tower series.  Frankly, I skipped a lot of book four, and then I just hung up on book five.  If Stephen King’s magnum opus can’t keep my attention, I’m in trouble.

Reading nonfiction, though, has not been as problematic; I love science books of many kinds, and have recently become enamored with more philosophical, political, and historical works as well.  Interestingly enough, some of my best story inspirations come to me from reading science books rather than as part of reading fiction.  Many of the ideas that appear in The Chasm and the Collision were triggered by my reading of The Fabric of the Cosmos, by Brian Greene.

Well, this post has gone all over the place, and has by no means remained as brief as I expected it to be when I began.  That’s okay, though.  Technically, this is a blog, and as such can function almost as a public diary.  In closing, I repeat that the work on Hole for a Heart is proceeding well, and the story should be available for sale in e-book format within a month, probably sooner.  It’s longish for a short-story, but that seems to be just how I roll.  (At least you’ll know you’re going to be getting your ninety-nine cents worth.)

Then, once that’s out, I shall return in full force to Unanimity, which is getting close to the end.  This is reassuring, since it’s already much longer than I had expected it to be.  These things do happen, I suppose.  Again, it just seems to be how I roll.

I welcome your feedback on this posting, on any others I have written, and even on anything else that might be on your mind.  The comment section below is open, and my Facebook and Twitter accounts are public.  I am a bit socially awkward, but nevertheless, I welcome you to contact me, at least regarding matters that I’ve discussed publicly.  And I also both encourage – and even beg – those of you who have read my work to give reviews, or at least ratings, on Amazon.  It really makes a difference.

Be well, all of you.  That’s an order.

TTFN!

*As part of this editing process, I’ve noticed, or discovered, a fascinating fact and trick:  Changing the font of your writing between edits can help you notice things that need fixing, and which you hadn’t noticed before, in the original font.  This is a fascinating psychological fact, at least about me, and now that I’ve discovered it, I mean to put it to full use from this moment on.

**  I actually posted one of those entries on my Facebook page recently.  It’s the opening paragraph for an eventual story, the trigger for which I can’t currently recall, and for which I have no idea what the story will be.  I like that paragraph a lot, though I can see a few edits that I’d make in structure and wording if I ever do write the story, but first that story has to reveal itself to me.