Just thought I’d quick let you know that the video of the audio of Prometheus and Chiron is up on YouTube now. Here it is:
Just thought I’d quick let you know that the video of the audio of Prometheus and Chiron is up on YouTube now. Here it is:
Greetings, everyone. I hope you’re having a good day. This post should be relatively short, but I thought I’d give a few minor updates.
First, as those of you following this blog will already have noticed, I posted the audio for Prometheus and Chiron here yesterday. I think it turned out reasonably well, and the sound quality overall was a step up from Ifowonco. As I’ve said before, I think I’m getting better at audio production as I become more used to the process, but I imagine there will always be room for improvement.
Unanimity is coming along well—I haven’t been slacking on it, even though I’ve been working on these audio projects. It is, however, going to end up being rather longer than I thought it would be, because there are quite a few more things that need to happen before the story is done. I’m not bored of it by any means; quite the contrary. But I have been surprised by how quickly it’s grown. I’m sure the rewriting/editing process is going to be daunting, but then again, it always is.
I’ve decided that, from now on, I’m not going to stop writing new things (i.e., first drafts of stories), even while I’m editing older material—I’ll just set a lower target every day for the new writing during those times. For instance, right now, when new writing is essentially my entire focus (excluding the audio), I’m writing roughly three pages a day, five days a week (with two days set aside, one for this blog, and for my other one, Iterations of Zero). Once I need to get into editing Unanimity (after it’s been set aside for Stephen King’s recommended weeks-long resting period), I’ll plan to write only one new page a day, and then spend the rest of my mornings editing.
That’s the plan, anyway. Of course, we all know what Rabbi Burns (ha!) said about the best laid plans of mice and men and all that, but I’m not too worried about achieving that goal precisely, just in spirit.
Other matter, other matters…
Now that the audio of Prometheus and Chiron has been released, I’m soon going to upload the video version of that audio to my YouTube channel, and I’ll notify everyone here once it’s up. As before, don’t expect much from the video portion; it’s likely just going to be a still image of the cover of the story. I just find that YouTube is an incredibly widespread and easily shared venue in which to post something, including audio. I’ve noticed that quite a few people make similar videos of the audio of podcasts, for instance. I don’t know about the rest of you, but I often like to go to sleep while listening to a lecture, or discussion, or something of the sort playing on YouTube. I don’t know how well that would work with my audio—my stories aren’t really designed to ensure restful slumber—but if you think they might, feel free to play them, in either venue. As I think I’ve said before, I plan on creating audio versions of all my short stories eventually, and then—possibly—releasing audio of at least some of my novels, a chapter at a time. When that time comes, I’ll gladly take your input on with which book to begin.
There’s not much other news on the writing front this week. I plan next week to post an author’s note for Hole for a Heart. That will no doubt rehash some of what I’ve already talked about here when I was writing the story, but it’s going to be far from redundant, I think. Then I think I really need to get started on my series of explorations of my favorite antagonists from books, stories, graphic novels, comics, movies, etc., under the general heading, “My heroes have always been villains.” I’ve been intending to do this for a long time—planning it, you might say (see above about plans)—but it’s high time I put it into motion.
That’s about it. It’s been brief, as I said it would be, but I will post here also just to let everyone know when the Video of the Audio is up, so you won’t feel too short-changed. In the meantime, try to enjoy (in the northern hemisphere) the slowly developing Spring. As always, feel free to comment, and thank you for reading.
Here it is, now, the audio version (read by me) of Prometheus and Chiron. Feel free to listen, to download, etc., but don’t charge anyone for the privilege. I think I’m getting steadily better at doing the audio, though I welcome your feedback.
Enjoy! And if you do enjoy, please do consider buying the e-book on Amazon, here. It’s only 99 cents.
Hello, good day, and welcome to April 2018.
For those of you who might have missed my recent updates and posts: within the last two weeks, I’ve posted the audio for my short story I for one welcome our new computer overlords on my blog here, and I subsequently made it into a video and posted it on YouTube. The blog post linking to the video is here.
Don’t misunderstand the fact that the story is posted as a video. Like many others before me, I simply took the audio and added a single video image—the cover of the e-book, floating in a black background—as the video portion of the file. This is probably a relief for many; you don’t have to go through the misery of watching my ugly mug as I read the story aloud to you. I posted the audio story in both places and forms to make it more easily accessible, so that more people who might want to listen will find it easy to do so. It’s just over two hours long, but YouTube lets you start and stop videos in the middle, so you can pick up where you left off, which is convenient. If you’re the sort of person who likes to listen to bedtime stories—and there are, pleasingly, many adults who do—then you can set the video playing on YouTube as you lie down in bed and listen to it as you make your way off into Slumberland. I’m told, by relatively disinterested parties, that I do a decent job of reading people to sleep, and I’m also told (hopefully not just to spare my feelings) that this is a compliment.
In the meantime, I’ve returned whole-heartedly to writing Unanimity, and the first draft should/may be done sometime within the next month or two. Then, of course, the hard and crucial work of rewriting/editing begins, so don’t get too excited. Unanimity will not be available as beach reading this summer by any stretch of the imagination, though I do hope it will be out in time for you to consume it on a few dark, wintry evenings as 2018 draws to a close and 2019 begins. It’s the sort of story best read alone in the dark.
Which brings up an interesting, tangential point: I’ve noticed that, no matter what time of day I’m writing, even if the blinds are wide open on a sunny afternoon, I always feel like I’m working in the deep dark of a silent night, when everyone else is asleep. I’m not sure why that is, but it’s consistent. Many times, when I’ve drawn to the close of a stretch of writing and stood up, I’ve been utterly surprised to find that it’s daytime. It’s probably something to do with the fact that writing is like hypnosis. I wonder if other writers experience this.
In addition to writing about three pages a day on Unanimity, I’ve also started something I hadn’t really planned to do. After completing the audio for Ifowonco, I had originally intended to take a break before doing audio for any of my other works, but I’m afraid that I couldn’t hold myself to that plan—or I didn’t want to and didn’t choose to, which amounts to the same thing—and have already almost completed the first “draft” of the audio for Prometheus and Chiron. Of course, this is a shorter story than is Ifowonco, so it’s not that impressive that I’m already almost done with that draft.
I expect, given how interesting this process has been, and depending on how many people seem to listen, that I’ll ultimately do audio for all my short stories. This will take a while, even though I don’t have all that many such stories to purvey. But then, once that’s completed, assuming it continues, it raises another question that seems obvious to me: will I do the audio for any of my novels?
One thing is quite clear, I would not be doing such audio in single, whole-book form. I’m happy to listen to full audio books, especially during my commute, but the file size alone of a complete audio book, even a short one, is daunting. I can’t even estimate what the comparable video size would be, even if the video portion were just a blank screen. However, I haven’t ruled out the possibility of doing such audio one chapter at a time. In fact, that might be kind of enjoyable. I’m a bit nervous, of course, that doing so would expose me to too many imperfections in my prior works, but if I’m honest with myself, I recognize that collision with imperfection as a good thing. In fact, that alone might be reason enough to do it, even if not a single person in the wide world listened.
Of course, I still haven’t even begun my planned series of blog posts about my favorite villains. I haven’t forgotten (obviously), it’s just gotten pushed to the back burner because other plans have gripped me and seemed more urgent. I may, though, start doing them on a monthly, or perhaps bi-weekly basis, once I’ve completed my series of author’s notes on the works I’ve written to date, and that series will soon be complete.
Well, that’s about all that I want to talk about today. I wish you all the best, and hope that those in the northern hemisphere are at least looking forward to full springtime and the summer that follows. Do be good to each other.
Here it is:
There’s not much more to say than that. Enjoy!
Hello there, everyone.
Here, at last, is the audio version of I for one welcome our new computer overlords, read by the author (me). You are free to listen to it on this site, or to download it to listen at a later time, and even to share the file with your friends. You are not allowed to charge anyone money, or to otherwise make money, from that process, nor to pass the work off as your own. Other than that, however, please enjoy. If anyone does a dance remix, please let me know, I’d love to hear it.
I apologize for the many imperfections in this audio file – there are inconsistencies in volume and tone, which make it clear where I began new recording sessions, and there is also the occasional air sound on the mic. As I’ve written before, doing this is a learning process, and I expect that my next audio recorded story (probably Prometheus and Chiron), will have somewhat better production values. Depending on the reception this one receives, there will be at least some delay before I do that; it’s a time-consuming process, and even though P and C is a shorter story than Ifowonco, on this one I must have put in ten to twenty hours of work for each hour of the final recording (just over two). I really must get back into full-throttle writing of Unanimity, also. However, depending on how enthusiastic the reception is for this audio version of Ifowonco, as well as the inscrutable exhortations of my soul, I may turn to my next audio recording sooner rather than later. I also plan to turn this audio into a video, which will likely just be the audio track, playing over some fixed image – probably the e-book cover, I shouldn’t wonder.
As you may notice, in order to be able to post the audio recording here, I’ve upgraded my site, and you shouldn’t be seeing advertisements on it anymore. If you do, in the future, they’ll be ads I’ve put up myself.
And speaking of advertising…if you enjoy this audio telling of my story, I encourage you to buy the e-book version for Kindle. It’s only 99 cents (in America, with equivalent pricing in other territories), and the Kindle app is free and can be used on any smartphone, laptop, desktop, or tablet. Even though one loses the romance of the paper book, the convenience of being able to carry around an essentially limitless library in your pocket is hard to beat, as even Peter Lunsford admits. I currently lug 118 volumes around with me wherever I go, and believe me, I’m just getting started.
To purchase, or just to peruse, the story at Amazon, just click on the image of the cover above, or on any of the full or abbreviated instances of the title written in this post (similarly, you can see Prometheus and Chiron by clicking on any of the links attached to its title or abbreviation).
Okay, well, without further ado (and there has been much of it, hopefully not about nothing), here is the audio version of Ifowonco, submitted for your enjoyment:
Okay, well, it’s a new week, and a new month, and this is a new blog post…as is probably obvious. Last week I posted my author’s note for Son of Man, and next week I’m going to write an author’s note for If the Spirit Moves You, the last of the stories in Welcome to Paradox City to receive such a treatment. I suppose that I’ll subsequently write an author’s note each for the three short stories that have followed, and that are now available in Kindle versions (only 99 cents each, and cheap at twice the price). I did write about them each on this blog even as they took shape, but there are, nevertheless, further insights to be delivered, for those readers who are interested.
Now, though, having finished the publication of all three of my most recent short stories, I have returned to work on Unanimity. I’ve been rereading all that I’ve written of it hitherto, just to get back into the swing of the story. This is, nominally, against Stephen King’s advice in his excellent book On Writing, but I’m doing it only because I took a break to hone those short stories for publication, so I think this case merits an exception to the King’s recommendation. The rereading has been enjoyable so far, and the book is better than I occasionally felt it was while writing it. This happens to me quite a lot: the works that feel forced and inelegant while I’m writing them turn out to be much finer than I expect, and sometimes are better than those which seem to flow more readily—even inexorably—from whatever it is that produces creativity. This may make perfect sense. After all, those things in nature that come forward with great speed and power are often rougher in their original shape than more gradual phenomena and require more honing in the end. I wouldn’t imagine that this is a law of physics, but it is a phenomenon I see in my own creativity.
In addition to resuming my work on Unanimity, I’ve returned to my previous plan and begun audio recordings of my short stories. Specifically, I recorded the first draft audio of me (!) reading I for one welcome our new computer overlords last week and am now in the process of editing it. I’m extremely thankful for the amazing advances in technology that allow sound editing to be carried out on more or less any reasonable computer. I won’t say that my equipment or program is absolute state of the art, but since we’re not dealing here with a musical recording, but with an author reading aloud one of his stories, it’s more than adequate. When I think of the complex machinations the Beatles and George Martin went through to produce their ground-breaking and innovative musical effects in the sixties, my mind soars. Just imagine what a modern equivalent of Lennon and McCartney—or of Mozart—could do with the tools available in the early twenty-first century! As far as I can tell, though, we still await the next arrival of such era-defining genius.
In any case, thanks to that wonderful technology, it shouldn’t be long before the audio version of Ifowonco will be available, and when it is, I shall post it on this blog, free for those who wish to listen at their leisure. Of course, being compulsive about such things, I shall no doubt follow this with audio versions of Prometheus and Chiron and Hole for a Heart, though I’m not sure how quickly that will happen. I’ll probably eventually do audio versions for all three of the stories in Welcome to Paradox City as well. I don’t think, however, that I’ll do so for my novels, at least not in the short term. I’m a bit disappointed in this prediction, but the time scales are simply too daunting. The final recording for Ifowonco—a long short story, I’ll admit—will probably be on the order of about two hours long, and production takes much, much longer. If that length pattern holds, my novels would end up about ten times that duration, and it’s hard for me to see myself sparing the time to produce them anytime soon. It’s really too bad, because I do enjoy reading books aloud, and I expect my skills at both performance and production to improve with practice. Unfortunately, given the fact that I also need to work to make a living, recording time inevitably eats into my writing, and that is my first and major calling. I have so many books to write (and short stories, too), and my time is woefully limited. One must, it seems, prioritize, and so enterprises of great pith and moment with this regard their currents turn awry and lose the name of action.
Alas! Poor audio.
It is with no honest regret, though, that I’ll return to Unanimity, and thence to its younger siblings, proceeding at full throttle. Unanimity isn’t a happy story—what horror novel is?—but I’m definitely happy to write it, and will be just as happy, if not more so, for others to read it.
While you wait for that to be finished, keep your eyes peeled for my next author’s note, and keep your ears pricked up for my upcoming audio releases. As always, I thank you for reading, I welcome your feedback, and I wish you well.