Author: Robert Elessar

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Neither jot nor tittle, but just a title

It is Friday.  Friday it is.  I do not, though, plan to eat any green eggs and ham, nor do I intend to train Jedi.  I merely like to fiddle around with words.  I have also even been known to write and speak about cellos and violins and violas and basses‒wording around with fiddles, that is.

Anyway, this should be the end of the work week for me, so don’t expect a blog post tomorrow.  I’m not saying that there definitely won’t be one; it’s an outcome with a low probability, but it’s not zero.  In principle, the probability of any physically possible event happening is never zero.  But the odds can be so vanishingly small as to be zero for all practical purposes.

For instance, it’s physically possible for the entire Earth (the Moon included) to quantum tunnel to the Andromeda Galaxy, but I wouldn’t hold your breath.  I suspect that the odds of it happening are so low that the time scale between now and the evaporation of the largest black holes due to Hawking radiation (roughly a googol* years) would not even begin to make it likely to happen, even if it weren’t for the fact that the Earth and the Moon will have been so dead and so disintegrated by then that even the memory of their memory’s memories would have been long since lost to any mind that might still exist at that time…probably.

So, you can treat that Earth-Moon Andromeda tunneling as “impossible” for all practical purposes, but in principle, it could happen…

…right…

…NOW!

Okay, well, as far as I can tell, it hasn’t happened.  The sky is too hazy for me to see if the stars have changed, but I don’t think they have.  It would be quite something to experience the local stars of a different galaxy, but of course, if we tunneled into Andromeda, we might be in a relative star desert, or we might be in a place with too many stars for our long-term safety.  Also, if our solar system’s net momentum persisted, we would be unlikely to arrive in any kind of stable orbit of the center of that galaxy.

And, of course, I did not say the sun would come with us‒that would make the whole thing even more vanishingly unlikely‒so we’d all freeze in fairly short order, apart from organisms that use geothermal sources as the base of their food chains and energy cycles.  Those might survive for eons.

Anyway, it’s vastly more likely that I’ll work and write a blog post tomorrow than that we will quantum tunnel to Andromeda**, but it is still a very small likelihood***.  It may be less than one percent, I don’t know.  But it’s quite unlikely.

So, though it might be worth a quick glance to check in come the morning, especially if you were going to do that sort of thing anyway, I would not go out of your way, and I certainly wouldn’t recommend holding your breath.  I don’t think even a sperm whale could hold its breath that long, and I think they have the longest breath-holding record of any mammal (if anyone knows otherwise, please let me know).

In other news‒not that I’ve really given you any news so far‒my keyboard arrived safe and sound (so to speak) yesterday afternoon, so hopefully this morning I’ll be able to finalize the chords to Native Alien.  Then, maybe this weekend, I’ll record a little guitar-chord and voice demo so I don’t lose track of the song.

Then, next week, I can start working on a song based on the trigger “humility”.  I still have no clear conscious notion of an idea for such a song, but I’m not worried about that.  I know I can produce something (not the Beatles song).

I have to keep reminding myself that I don’t need to produce anything great as far as lyrics go‒I think the lyrics I have for Native Alien, which I shared the other day, are okay but not terrific‒I just need to get some words down.  I can always edit and alter things as the process evolves, just as the first draft of a story (or to a lesser degree a blog post) is just the beginning.

I’m also continuing with the circuit course on Brilliant, and I’m alternating reading that book Vector and The Lord of the Rings (yet again) and my own book, The Chasm and the Collision (also yet again, though LotR still holds the 2nd place record for my number of reads, well ahead of CatC and only bested in number of readings by The Chronicles of Thomas Covenant the Unbeliever).

All these are things that I can do alone, of course.  If there’s something to do that would require someone else’s participation, well, I’m shit out of luck.

I think that’s a phrase that applies fairly well to me, come to think of it.  And the word “alone” might as well have my picture next to it in the dictionary.  Though that might be confusing, since I can think of other words that would merit my picture even more than “alone” would‒words that would do their part to explicate just why I am alone, no doubt.

Batman knows I don’t want to hang around with me.

Anyway, I hope you all have a nice weekend, and if anything truly improbable happens to you, I hope it’s a very good improbable thing.

*That’s 10 to the 100th power, or a 1 followed by 100 zeros, in case you’ve forgotten whence the software company cribbed their name.

**Quantum tunneling is not rare on small enough scales, though.  It happens countless times every second in the heart of the sun, for instance.  If it did not, there would not be enough heat and pressure to overcome the coulomb barrier to fusion, and the sun would be some very large equivalent of a brown dwarf…or maybe it would contract more and get hot enough for fusion to take place without tunneling, but then I think the sun would be hotter and brighter and more short-lived, and I think it’s unlikely that the Earth would have produced any life, let alone humans.

***Think about it:  if you took something with odds of ten to the minus 120‒that’s 119 zeroes between the decimal point and the first non-zero digit‒and then made it a billion times more likely than it is, you’d still have odds of 10 to the negative 111th power, or 0.000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000001.  This is a good reminder that relative risk (or probability) is not the same as absolute risk (or probability).

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I well believe thou wilt not blog what thou dost not know, and so far will I trust thee.

Hello and, of course, good morning.  It’s Thursday, which you may have savvily guessed‒you are a clever one‒from the fact that I started the post with a variation of “Hello and good morning”.  Also, you’ve probably seen that the title above is some modified Shakespearean quote, though as I write this, I have no idea what that quote will be, other than that it will, with very high probability, be a quote from Shakespeare.

Not much new has happened since yesterday’s post‒not for me, anyway.  There’s plenty of material out there for those who wish to comment on what’s happening in the naked house ape world (said apes sometimes imagine that their “world” is of cosmic importance, but it’s actually not even a flash in the pan as far as the universe is concerned) but I try to avoid commenting on such things here, except to note that, boy, humans can be remarkably stupid.

There was a recent-ish Doctor Who episode in which the bad guy made every human on Earth feel absolutely convinced that they were right, about whatever opinions they might hold.  Predictably, this led to global chaos and destruction.  But wouldn’t it be wonderful if we could do the opposite, or roughly so, to the whole of humanity?  I’m not talking about making people all believe they are wrong about everything; I don’t even know quite how that would manifest itself.  I just mean removing or strongly blunting the sense of feeling right about things.

It’s a reasonably well-attested fact* that people prone to depression, for instance, are not prone to rate their own skills and abilities as worse than they really are but instead are more realistic about them.  This is as opposed to the more “typical” people, not prone to depression, who overestimate their own capabilities, e.g., the notion that, say, ninety percent of people think their driving skills are above the median**.  So, though people who are prone to depression are, well, prone to depression, they are at least less prone to start wars and commit atrocities based on half-baked ideologies.

Oh, and by the way:  to a good first approximation, all ideologies are half-baked.  This isn’t to say that they all are completely wrong.  It’s merely to say that not one of them actually contains “everything you need to know about” whatever.  If they did, it would be painfully obvious to every intellectually honest person.  Intelligent, well-meaning, non-delusional people would be convinced by the ideas as soon as they understood them.  People prone to depression might find consolation and some degree of peace in them.  Atheists would be “converted”.

The notion that any self-contained set of ideas could hold the answers to “life, the universe, and everything” flies in the face of all logic (and few things are more annoying than flies in one’s face).  For crying out loud, it takes hundreds and hundreds of pages to explain rigorously the nature and implications of classical motion, as in Newton’s “laws”, with subsequent improvements by Laplace and Lagrange and Hamilton and so on, and all that is only an approximation, at macroscopic scales, to our best understanding (which is known to be incomplete) of the physical nature of reality.  And that’s not counting electrodynamics and gravity, let alone getting into the strong force and the weak force and so on.

It’s a distressing tendency, this human desire to feel right, to want to think that they know the answers and so don’t have to think about things anymore.  It leads to so much more of the trouble in the world than “simple” evil does.

Psychopaths, I suspect, do far less harm overall than people with normal moral capacities‒good people, so to speak‒who believe that they are right.  “For the greater good” is the kind of sophistry that can, to paraphrase Ayn Rand, fumigate any atrocity, including the slaughter of a continent.

Of course, Rand-sensei fell prey to her own self-created dogma and the personality cult that had grown up around her, leading her to get stuck in some quite dubious conclusions.  This is despite her commendable starting points (i.e., metaphysics:  objective reality, and epistemology:  rational thought).  If only she hadn’t been so dead-set against humility.

Humility****, after all, is not really the belief that you are fundamentally worthless (though that may indeed be true on any sort of cosmic scale), but just the recognition that you are subject to error, like every finite being (and probably most “conceivable” infinite ones), and that, it being error, you will not necessarily know where it lies.  It is, after all, the place in which you are mistaken; if it were glaringly obvious, you might be expected to have noticed it already.  Being wrong feels the same as being right, at least until you realize that you are wrong.

There, I did some broad level commentary on the nature of at least some of the world’s problems.  Let this be my open warning against certainty, especially in the realm of morals, especially when you’re assessing other people.  If you ever find yourself in a situation in which you feel that the suffering and even death of other people is tolerable, or even desirable, in order to achieve some presumed better future world, you should stop and maybe induce a seizure so you can reset your brain.

On the other hand, if you just believe something so much that you’re willing to suffer and/or die yourself, and only yourself, well, that’s on you.  Knock yourself out.

TTFN

*I think this data has withstood the reproducibility crisis in psychology, but correct me if I’m wrong.

**I say median instead of “average” because the average is usually meant to refer to the arithmetic mean, but it is in principle entirely possible for ninety percent of people to be above the mean, but not for any more than fifty percent of people to be above the median, by definition***.

***This is one of those rare cases where it’s fully appropriate to say “by definition”, because it is not merely rhetoric but literally applies, the median being a mathematical term with rigorous meaning.

****I just recognized, while editing, that this is the subject/topic/trigger for what is to be my next song.

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Progress and (good) regress reports

I’ll start with the good regress:  I’m feeling significantly closer to baseline pain levels today than I was the last few days‒at least so far, though the day has only just begun.  I suppose I could have just said that I feel “better” today, but I fear that could be construed as meaning that I feel “all better”, which is not true and hasn’t been true for many, many years.

Still, I would rather be at my current level of chronic pain than the pain I was in yesterday or the day before.  And it should probably go without saying that I would pick either state over the pain I had while my kidney stone was present (and the irritation from the ureteral stent over the subsequent two weeks was nearly as bad, largely because it persisted for those few weeks).

I didn’t get a lot of work done on Native Alien yesterday, though I did progress a little.  I also don’t have anything down regarding the new song-takeoff word “humility”.  I’m beginning to think that I should stick to a song every two weeks, because I just have too much else going on to be able to achieve a song a week.

I also think I may need to buy a new small keyboard (the piano kind, not the typing kind) to use at the office, because I really have a somewhat difficult time trying to work out chords for a tune when I’m trying to play the tune on the guitar and then to play the chords on the guitar and see how they sound together.  I can’t really do both at once on a guitar, but on a keyboard it’s a piece of piss (as Brits might say).  Also, singing while figuring out the chords is difficult because my pitch in singing can be influenced by the chord I’m playing, and I might mistakenly adjust the tune to the chords instead of the other way around, without realizing that I have done so.

So, we’ll see.  I may order a new, relatively small keyboard for the office.  It would need to be inexpensive, but that should be pretty doable*.

I have continued to do the Brilliant course on circuits, which remains quite basic.  It’s a far cry from when I started doing their course on linear algebra, which I had never formally studied.  Don’t get me wrong; that’s a very cool and good course, and it applies to things in which I’m very interested, such as General Relativity in particular, but I got distracted in the middle of it‒I think I should have started by reviewing the fundamentals first.

I am currently reading a book called Vector, which goes into the history and mathematical theory of vectors and tensors, via quaternions and so on, and that’s pretty cool.  I find that learning the history of science and mathematics really helps get the subjects into my head.

As for other matters, well, there’s not much else going on.  Today is payroll day at work, so it will be somewhat hectic, but there’s no holiday or anything to warp the schedule.  Hopefully that means everything will go pretty smoothly.  At least I won’t have to be in as much pain while doing it as I might be.

I’m trying very hard to get back into doing more regular exercise, but trying to avoid causing exacerbations to my chronic pain while doing so.  It’s a bit of a tightrope walk, so to speak.  If I screw up, while it doesn’t lead to me literally plummeting to my death, it can set me back and make me feel terribly discouraged.

I had intended to try to ride my bike to the train this morning, but starting yesterday afternoon it began to rain quite heavily all throughout the area, so I didn’t get a chance to pump up the tires and whatnot.  This morning it was not raining, but it is supposed to rain on and off throughout the day, so biking isn’t so attractive.  I guess I’ll just wait on that and do some extra walking if I can.

Sorry, I know this is probably really dull and uninspiring reading.  I don’t know what to say about that.  I just spew these blog posts out as they come, so I don’t claim much more responsibility for the quality of the content than you can claim while reading it.

I will keep you updated on progress on my song(s) and of course you will see my writing.  I suppose, if I should try to start writing fiction again, I’ll let you know about that, but I don’t think that’s likely to happen any time soon.  There’s too much other stuff going on, and I’d need to stop doing this blog every day but Thursday.  I doubt that anyone would actually feel bereft if I stopped writing, but I flatter and delude myself that maybe it would be so.

I hope once more that you all have a very good day, and I reiterate that, no matter what, you will have the best day you could possibly have.  Don’t let that stop you from trying to ensure that this particular best day is really a very, very good one.  You might as well try.

*Addendum:  I looked on Amazon and there was a well-rated, small “beginners'” keyboard by Yamaha that can be delivered by tomorrow and was quite inexpensive, so…reader, I ordered it.

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Some words about words to put to music and orthogonal pain

Well, it’s Tuesday, and here’s my blog post.  I’ve had a very rough day and night, I’m afraid.  Not just my back and hips and shoulders and so on, but as I told my boss when he asked me, “Every fucking thing hurts.”  I left the office about 45 minutes early, and got on the really crowded train that I would usually have avoided.  At least at the house I was able just to lay down, but I’d already taken a lot of (OTC) stuff to do what I could about my pain.  But it has certainly not gone completely away since yesterday; it hasn’t completely gone away for a couple of decades.  But it is still worse than usual.

In spite of the above difficulties, I did a little work on Native Alien yesterday morning.  For one thing, I retranscribed the melody onto real staff paper, because the crudely drawn staffs on which I had previously written it were very small and unwieldy.  Then I worked on the chords, confirming that, yes, the song (as I sang the melody when I made it up) is in the key of F major/D minor and indeed the initial chord should be D minor (this implies an overall minor key, but it is not dispositive).  I’m not sure of all the chords yet; I was in too much discomfort to keep working on it.

I also did my coin-flipping binary search for a new song topic/subject/trigger, and that trigger word is:  humility.

That could be quite an interesting take-off for a song idea.  It makes me think of Billy Joel’s song, Honesty.  Of course, I haven’t even begun writing down any lyrics yet, nor even really thinking of them, but I’m sure my subconscious mind is cranking away.  It always seems to be making progress; remember what I said yesterday about how, after a break, I sometimes come back better at something than I was before the break?

I may post here below the lyrics of Native Alien just for your perusal*, though not really for feedback unless you feel a burning need.  Here they are, in the first draft.  Bear in mind, there would/will likely be modifications to the wording in any final version that might one day come to exist of the song.

The planet Earth is beautiful

A gem in outer space

But I feel like a stranger here

As if I’m from some other place.

–

The humans are like aliens

They often make no sense

Their gives and takes and lies and fakes

Make me feel better on the fence.

–

Could I just be some kind of native alien,

Delivered by some ET stork that got its signals crossed?

Is it possible that I

don’t belong beneath this sky,

an entity who’s home but still is lost?

–

Do people that you meet seem strange

And even ones you know?

You study them to learn their ways

But it just leaves you in a daze

Unsure who’s really friend or foe.

–

Could you just be some kind of native alien

A seed that germinated here in unfamiliar soil?

Is it possible that you

Don’t belong beneath this sky so blue,

a mortal wrapped in some mistaken coil?

Again, I’ll remind anyone reading that A) this is the draft form, which may change, and B) the point of this exercise is just to write something, not to try to produce a masterpiece.

I know that not all of the lines quite scan, but that’s something that can be adjusted in the singing process.  Think of how Jimi Hendrix squeezed the words “Whatever it is, that girl put a spell on me” into the same musical phrase and length as “‘Scuse me while I kiss the sky”.  I’m no Jimi, of course‒for one thing, I’m right-handed, so I don’t have to reverse-string my Strat‒but I do what I can.

I haven’t done any more thinking on my ideas of quantum wave-functions literally back-propagating through time and interfering retroactively with earlier parts of themselves and other waves to set up a potential cause for superdeterminism or something else.  For one thing, as I said, I need to seriously advance my mathematical prowess with QFT and such before I can determine if there’s any real potential to the idea.  Also, it’s hard to think about abstract, four-dimensional complex time stuff when you’re in a lot of pain.

I did log in to Brilliant dot org as I mentioned I intended to do yesterday, where I quickly saw that they had a new course on circuits, and I couldn’t resist getting started on that rather than working toward that other notion.  The basics so far are, well, really basic, but that’s okay.  It’s still better to do something like that in one’s spare time rather than participate in outrage on social media‒even though that outrage is often justified.

Oh, well.  I’m still tired.  I’ll try to work on the Native Alien tune a bit more and probably tweak the lyrics, but I’ll also try to come up with some words related to “humility”.  That could be fun, at least.

I hope you all have a very good, relatively pain-free day.

*It seems I have done so.

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Chords in music and in time

It’s Monday again, the start of another work week‒that is, if your work week begins on Monday.  In the modern world‒and indeed, perhaps always‒there are many people whose work weeks start on days other than Monday.  I suspect, though, that the majority of people still work their week starting on Monday, at least in the West, though it may not be a large majority.  If anyone out there has easy access to any rigorous statistics on the matter, I would be interested to learn.  On the other hand, I’m not going to seek the information on my own, so it’s not a tragedy if no readers have it.  I like trivia, but this is definitely quite trivial, at least from my point of view.

I hope you all had a good weekend.  My own was not very interesting, and I felt tired, but then again, I did have a cold starting in the middle of last week, so I guess I was still recovering.  I feel as though that particular infirmity is reasonably well on its way.

I worked a little on the chords of last week’s song, Native Alien, though not very much.  At least at the house I have my keyboard, so I can play melody and chords at once to confirm which chords sound best to me.  Interestingly, it seems that the chord to start the song (at least the melody) will be a C major chord, which is the V chord of the key of F major (though if the song could be considered to be in D minor, it would be the VII chord).  This is not unusual, of course, nor particularly noteworthy.  It’s just interesting for me to recognize specific facts to which I didn’t pay attention when I wrote earlier songs, because I’ve thought more about music theory since then, probably because of the guitar.  It’s a curiosity for me.

Speaking of songs, today I plan to do another round of flipping coins to pick a basic topic, or subject, or trigger‒whatever might be the better term‒for another song (lyrics) for this week.  Of course, last week’s word, Earth, didn’t really become the subject of the song, just a takeoff point, but that’s fine.  The idea was just to give me some way to give myself a start.

In other news, I had a weird thought last night after watching one of Sabine Hossenfelder’s latest videos.  I wrote an email to myself about the thought so I wouldn’t forget it, and I’ll include that text here, so you‒yes, you‒can see what you think (I have edited this text for clarity and to correct typos):

“If the overall arrow of time is caused by the tendency toward increase in entropy from a lower to a higher entropy state (“Big Bang” to heat death, at the cosmic level), that could behave analogously to a current (like in the ocean, not a wire).  Meanwhile, locally*, we know that the laws of physics don’t appear to have any directionality time-wise.  So perhaps locally, matter and wave interferences in the sense of quantum wavefunctions can happen not just in space but in time itself and the future can feedback on the past, just not in such a large way that it would overwhelm the overall tendency (though maybe even that is not impossible).  The effect of such a temporally retrograde wave wouldn’t flow backwards so fast that it would override the current itself (probably).  However, that wave could still affect its predecessor, creating standing interference patterns in time and things along those lines that might be the source of so-called super determinism.  Think about this a little bit.”

That last injunction was intended for me, but if any of you want to think about it, you’re welcome to do so (it’s not as though I could stop you even if I wished to stop you, which I don’t).  Of course, if I’m going to really explore this notion, I’m going to need to bone up on my mathematical physics in a serious way, and it’s always hard to find the time.  That’s always been a bit of a weakness of mine:  I get very interested in something and develop skills in it because of my interest, then something else catches my attention, and soon all my energy goes there.  I don’t tend to forget the things I learned previously, at least, and sometimes when I return to them, I even find that I’m better than I was before (e.g., after not playing guitar for quite a while, when I picked it up again, certain songs or chords with which I had trouble before had become much easier).

Also, of course, the fact that I have to work for a living is another distraction.  I really do need some ultra-wealthy patron out there to provide me with living and intellectual resources so that I can devote my time to my wonderful pursuits without having to earn my living.  I also want world peace, world freedom…and a unicorn.

I guess in the meantime I should probably go back to using Brilliant dot org to spruce myself up in terms of mathematics and physics (and computer science in the meantime, why not?).  I have an annual subscription (supporting Sabine Hossenfelder, whom I mentioned earlier), so I might as well use it.  It’s a better use for my spare time than diddling around on social media.

Okay, well, I hope you all have a very good day, and that it is the beginning of a very good week for you.

*I’m using the colloquial meaning of “locally” her not the strict physics definition of locality.

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Songs from a life less interesting*****

In case it wasn’t obvious, I did not go to work yesterday.  I have a head cold of some variety that seemed to begin in the afternoon on Wednesday‒maybe it started sooner than that, I’m not sure.  Anyway, I stayed at the house yesterday, trying to rest.  But I was pretty stuffed up, which I still am, and now my mouth is dry from (apparent) mouth-breathing when I slept.

Sorry, I know this is really dull material.  Such is life, I guess.  Or, at least, such is my life.  I suppose a dull life is better than many of the lives that would make for more interesting reading.  This was a point I first recall encountering in The Hobbit, when Bilbo remarked that his time in Rivendell would make boring reading, though it was wonderful to experience.

I think it is possible to have an exciting or at least interesting life that does not fall prey to the curse of “may you live in interesting times”.  I think it is possible to have a life that most people would find fascinating to hear about, and which is also quite fulfilling to experience.  But it does seem that this is a relatively small subset of available lives.

For the most part, humans seem to prefer stories about harrowing, horrific things.  This is not restricted to fiction, but is also part of why news media tend to focus on the more dire and terrifying news stories.

Of course, there are probably good, sound biological reasons for this.  As a matter of survival, it’s crucial to attend to danger and threat much more so than to pleasant, routine, comfortable things, because those creatures that don’t become extra alert and energetic when danger is present are less likely to leave offspring than are those that respond with arousal*.  So the fact that many of our favorite stories describe horrible things may be analogous to why so many of our snacks are very sweet and/or very salty:  a supranormal stimulus increases engagement powerfully, and can easily become habit-forming.

How in the world did I get on that subject?  I’m not sure.  I guess I could go back and reread this to find out, but I’ll be doing that when I edit it, anyway, so I’m not going to waste my time now.

In other news, I wrote a second verse for my “weekly” song on Wednesday afternoon, and even took a little notebook with me with the song paper in it, so I can continue the process wherever I might be.  Unfortunately, I did not work on it at all yesterday, but then again, I didn’t really work on anything yesterday.  I’ll try to write a chorus and then a third verse today.

I have to remind myself that I’m not trying to produce something superb, even assuming I could do that on command.  I’m just trying to produce something**.  So if it feels a little inane and contrived to me, well, that’s okay.  It’s just got to be some “song”.

I use quotes there because I am really starting with the poem, the lyrics, which is “usually” how I do things.  I don’t know if I’ll be able to do lyrics and music within one week on the same song.  At least so far, that pace doesn’t seem to be in the process of being achieved, though I suppose I might finish the song and come up with a melody over the weekend.  Or maybe what I can do is make songs in a kind of assembly-line style:  lyrics this week, then next week, while coming up with lyrics for another song, do the melody for the first song.

I have heard that most songwriters tend to do melodies first and then come up with lyrics.  That may be a true statistical statement, but I know it’s not the way everyone does it, because at least two of my favorites do otherwise.

We know, of course, that Elton John writes the music after Bernie Taupin writes the lyrics, by their own description of their songwriting process.  And, of course, many operas and musicals start with the libretto***, and the music is written afterward.  And Roger Waters, one of the best lyricists ever****, implies in The Wall that he writes his lyrics as poems, e.g., “I’ve got a little black book with my poems in…”, and also e.g., the scene in the movie where young Pink has his poem book, which contains the lyrics for the song Money, discovered by the oppressive teacher.

So, writing lyrics and then making a melody afterward wouldn’t put me in bad company (though I don’t know how the band Bad Company actually wrote their songs).

Anyway, that’s enough for today.  Batman knows if I was even coherent.  I suppose the editing will make that somewhat clearer, but my mind might be fuzzy enough that I cannot even tell in the immediate editing period.  But you will know.  So, please, have patience with me.

And have a good day and a good weekend, also, if you’re able.

*There’s nothing sexy in this use of the word, just to be clear.  I’m not referring to creatures that get “turned on” by danger and threat; those types of creatures seem less likely to survive than their compatriots, ceteris paribus.

**Not the Beatles song.  I already did a cover of that, anyway.

***Italian for “little book”, in case that wasn’t obvious.

****As evidence:  He wrote almost all of the lyrics for Dark Side of the Moon, Wish You Were Here, Animals, and The Wall.

*****I feel like this could be a good album title.

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“You’d say I’m puttin’ you on, but it’s no joke…”

I’m writing this on my smartphone today, a more or less deliberate choice, as much as anything we do is truly deliberate.  I was already very tired when I left work yesterday, but now it’s even worse, because I got very little sleep last night, even for me.  I’m quite worn out in general.  By rights, I ought to stay at the house, but Wednesday is payroll day, and anyway, I’m more comfortable at the office than I am in my room.  Or, at least, being at work is as good as my days get.

I may or may not go to work tomorrow depending on how I’m feeling.  Even if I go to work, I may or may not write a blog post.  I honestly barely have the gumption to write what I’m writing now.

I haven’t written any of the “Earth” song lyrics for my weekly (or whatever) song yet*, but I have been thinking about them and what approach to take.  I considered doing something that references the idea from Ann Rice’s vampire stories of going into the Earth to rest or escape, but I did a quick Google search and there are already several songs with the title Into the Earth (though I have no idea what the songs are about) which I guess isn’t surprising.  They were very popular books, and the notion of a vampire going “into the Earth” is evocative.

So, I’ll take another approach, perhaps discussing coming up from the Earth or some such.  We’ll see.  I guess I don’t really have to take it too seriously.

Boy, am I tired.  I was already worn out and stressed and tense at the end of the workday yesterday (there were reasons, but I won’t go into them), and now I feel worse.  A person really ought to feel better after having spent the evening and night in their private place in the house, but it’s not so with me in this case.  Honestly, I considered sending for an Uber and just going into the office at about 1:30 in the morning or so, but I decided that would seem too weird; I think the boss gets notifications when the alarm is turned on and when it is turned off.

I’ve been thinking back to when I had my kidney stone‒it’s only been two months‒and about how I sometimes wish it had been some more deadly affliction, or perhaps even that when they did the CT scan they might have found some lesion somewhere in my abdomen or pelvis that indicated some untreatable illness‒cancer or something similar.  Then everything would be taken out of my hands.  I could just find some doctor from whom I could get palliative care when necessary and then wait for the end.  I mean, in a way, that’s what I’m doing anyway‒it’s what everyone is doing‒but it’s vague and indefinite right now.

I’m sorry to be so morbid.  I know most people don’t like to think about death and dying, let alone to “speak” about it.  Then again, the Tao te Ching counsels us to embrace death with our whole being.  It’s pretty clear that it doesn’t mean that we should worship or love death, à la “we love death more than you love life”.  Quite the contrary.  I read it as saying that you will only be able to enjoy life fully and wisely if you internalize and accept the fact that you are going to die someday.

Once again, we find that Tyler Durden captured at least some ancient wisdom in his “teachings”.

Anyway, my own fanciful yearning for a terminal diagnosis has nothing to do with a healthy and wise attitude toward my own mortality.  No, my yearning is born of simple mental exhaustion, of chronic pain for more than two decades, of chronic insomnia for even longer than that, and of depression/dysthymia with concurrent “anxiety” that is only superseded in length by my recently diagnosed neurodevelopmental disorder, which is congenital.

Unfortunately, I see no evidence that any of these things is likely to go away‒especially the latter one‒and I’m just puttering around here in south Florida, accompanied by various arthropods and reptiles and fungi and humidity and rain and heat and one of the most idiotic state governments the nation has ever seen.  And I am just so very tired.

So, anyway, that’s that.  If I write a post tomorrow, it will be here, of course.  If I don’t, it won’t.  If that’s not clear to anyone, please let me know in the comments (I’m kidding, I know you all understand, though you should certainly feel free to leave comments).  If I make any progress on writing a song, I’ll let you know about that when it happens.

I hope you have a good day.

*Addendum:  Between rounds of editing this post, I came up with a possible first verse of a song.  I won’t share it right now, but it’s a start.

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The pointless but occasionally enjoyable music of this sphere.

Well, it’s Tuesday now, as you will know if you’re reading this on the day of its release.  You might not be sure if you read it later.  As far as I know, it’s not possible for you to read this earlier than I write it, but if you have that capacity, presumably you don’t need me to tell you what day and time it is when I’m writing it.  Presumably, you have quite a handle on times that things happen if you have that kind of ability—though I suppose that if you travel through time a lot, you might eventually have a hard time keeping track of what the local labels are on dates and times.

Sorry, that’s a bit of frivolous nonsense, which I hope doesn’t offend any non-time-travelers out there.  I’m here again, writing a blog post on my way to work and wondering what the point is to anything.  Not that I honestly suspect that there is a point to anything, really.  As far as I can see, there is no point to anything, and there is also no point to everything.  Everything just happens, and there’s no more to any of it than that, as far as I can see, and as far as anyone knows.

There are people who will tell you otherwise.  Lots of people claim to have found or been taught the meaning of life or of existence and whatnot, but either they are trying to manipulate you and/or sell you something, or they are sincere but mistaken.  In any case, they are not correct.  They do not know the meaning of life.  If they were to know it (not merely believe it), it could be conveyed in a way that, presumably, would be convincing to pretty much any listener.  Certainly they should be able to muster arguments, and perhaps evidence, that would convince a highly intelligent but disinterested extraterrestrial.

Enough philosophy for now.

Looking back to yesterday, I mentioned my idea about setting myself a goal of writing a song a week or maybe every two weeks.  Well, I didn’t do any song writing yesterday, but I did go to the Shakespeare AZ quotes site and flip coins repeatedly to pick the topic of a first song, and what I got was:  Earth.

That’s a bit unusual as a song topic, but I guess it’s doable.  I wouldn’t want to try to do some “We are the world” kind of thing, because that’s not what I really think of when I think of the Earth.  I think of the planet, the physical things, including all the animals and plants and fungi and bacteria and archaea and all that, but also including the geology and the geography and the chemistry and physics and everything else.

Despite the saying, man is not the measure of all things.  Man is barely even the measure of man, so to speak.  Humans by and large are relatively impressive animals, but they tend to think far more highly of themselves than is merited, in almost every case.

There are probably exceptions, but none of them come immediately to mind.

So, I’ll come up first with some lyrics (AKA a poem) about the planet Earth, or at least taking off from there, so to speak.  I have to remind myself that it doesn’t have to be very long, indeed that it should not be very long—I tend to get carried away when writing things, as you probably know.

I also need to decide what structure the song should be, like verse-chorus-verse-chorus-bridge-verse-chorus or what have you.  Then, after that, I’ll think of an appropriate melody to go with the words.  It will probably all be quite mediocre, but the point of the exercise is not to worry about trying to be brilliant, but just to get something done.  We’ll see how that goes.

In other news—related, at least distantly—I just discovered that my former college roommate, who is also the best guitarist I’ve known, has begun producing and releasing more new music, on YouTube and on some other site.  His YouTube channel is bluetonegtr, which is a fun name because his name is Tony and of course, he plays guitar, and the blues is a big part of any really good guitarist’s repertoire (not mine).  I highly recommend checking his stuff out; he’s really good.  I’ll embed his latest song below, for your ease of access.

As for everything else, well—the world is still shit, though it certainly doesn’t have to be.  It just tends that way, or at least the human world does.  Maybe I could make that part of my song idea.  Or maybe I could deal with the fact that even life overall is pretty crappy, I don’t know.  I guess I’ll see.  Maybe I’ll just address the issue of absurd flat-Earth notions.  Maybe I could make it a comical song.

I don’t know.  This is all probably a stupid waste of time, anyway.  But time is a waste in any case, I guess, so I might as well use it stupidly.  Everyone else seems to do so.

I hope you at least enjoy at least part of your own wasted day today.

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Musings on moving and putting muses to work

It’s the start of another work week, which I guess is good from a certain point of view.  It’s a sign of…I don’t know, economic activity or some such.  I mean, it is good for people to be productive in that sense, though it’s also nice for people to have time and space to rest and to enjoy life.  After all, what’s the point of working to sustain existence if that existence is mainly dominated by discomfort and fear?

The world is complicated, of course, and many things are happening in nearly any place at nearly any time, but ultimately, for each individual, there is merely moment to moment experience.  And if that experience is negative in general, none of the other crap really matters very much.  Or so it seems to me.

You may recall—though it’s unlikely—that my workplace recently changed to a different office location.  It wasn’t a big change; we’re still in the same zip code.  But the new location is more pleasant, and the office is more pleasant as well, though smaller.  Also, in addition to there being a goodly number of apartments right across the road, there is also even a “high-end” trailer park nearby (yes, such a thing does exist).  I haven’t been to the latter, but I can see the former, and they look pretty decent.

My coworker and my boss suggested to me that I should think about moving and renting one of those apartments or—apparently these are nicer—one of the trailers.  When they suggested this, I basically gave a standard reply, with the main thing being that I hate to move.  By which I mean, I hate to change the place where I live, not that I prefer to remain stationary and frozen in person.

I hate the process of moving, I hate the necessary upheavals, the new connections to new landlords and services and so on, all of it.  I also don’t want other people touching and getting into my stuff to move it for me, and I’m not going to be able to do it myself.  Dealing with “paperwork” is another significant headache.

Ultimately, though, as I thought about it after our conversation, I realized that really a big part of the reason I don’t want to move is that I have no desire to go forward, nothing toward which to proceed, so there’s no point to the effort.  There is nothing fulfilling in my life, and I have no hope for improvement, so it seems ridiculous to spin my wheels.

I started my current living situation under the delusion that I would continue to write stories indefinitely, and then that I would make music too, and that I might reunite in a real and meaningful way with those who matter most to me.  A lot of that was a pipe dream, though I have at least made more of a connection with my youngest child.  We’ve actually been in each other’s presence twice since May, which is twice more than any other time since 2013.  That’s very good.

But otherwise, what I’m basically doing right now is waiting to die, just killing time until time kills me.  It’s being a bit of a slacker, I have to say.  I suspect that I’m going to need to take a personal hand in things—if one wants to have something done “right” one should just do it oneself, that sort of cliché.

But that runs afoul of various societal mores (and possibly morays, for all I know).  Not that I’m good at following or even grasping social mores.  I mean, the ones that make sense I have no trouble remembering, but a lot of them are irrational, and I have difficulty even desiring to internalize those.  Eventually, I’ll probably break down and say “to hell with it” and take matters into my own hands, unless something else does it for me, or unless I find some internal or external motivation that changes my status.  I don’t particularly know if I want to hope for that; everything seems to be more work than it’s worth.

In other news—either parallel or orthogonal to the above, I’m not sure which metaphor works better—I was thinking about songwriting, which I think I discussed briefly last week.  I know that at many times, bands (like the Beatles and so on) are tasked with preparing a new album, and will sit down and write songs in quite short order for such an album.

That seems intimidating, but it occurred to me that it’s probably analogous to what Stephen King does, and what Ray Bradbury described doing:  you just sit down and produce something every day.  Worry about making it better in the rewrite/editing stage, but just get something down.  It won’t all be genius—in most cases, anyway—but it will be something.

I thought, you know what, that’s probably a lot like what people like the Beatles (specifically Lennon and McCartney) did.  They knew they had to write songs for their next albums, so they just sat down and produced something, and then worked things out, rejecting some, improving others, and so on.

I thought about trying to do something like that, just out of curiosity, as an exercise, but I always have trouble thinking of topics or subjects for a song (or a poem, as the case may be), and so the poems and songs I’ve written have tended to be highly intermittent and often rather peculiar.

But I nevertheless thought that, maybe, I could set myself the task of writing songs more rapidly, just the way for a long while I wrote fiction every day.  I couldn’t write a song a day, of course.  I thought about trying to maybe write a song a week*, but even that felt intimidating.  But when I thought about writing a song a month, that seemed too slow, somehow.

So maybe I would be able to achieve something in between, maybe a song every two weeks.  But who knows, if I don’t expect myself to produce and record the songs one a week, I might be able to crank out something once a week.

And it occurred to me, also, that for subject matter I could turn to a source that I use (AZ quotes) when I can’t think of a pertinent Shakespearean quote for the title of my Thursday blog posts.  I could flip a coin to narrow it down by halves to pick my subject from among the long list of such subjects for quotes on that page.  It’s probably better than trying to find a subject by picking a random word by flipping through the pages of a book with my eyes closed.

So, who knows, maybe I’ll do that.  Maybe I’ll try to write a new “song” every one to two weeks, at least the words and basic melody.  Who knows, maybe if I’m pleased with any of them, I might do more with them and actually “release” them.  Though I currently have two songs that I wrote and haven’t yet released already:  Mercury Lamp and Come Back Again.

This is getting way too long for a single blog post, isn’t it?  Sorry to keep you, if there is anyone out there who has actually read this entire thing through to the end.  Hey, if you have, and if you feel like doing so, why not leave a comment below on WordPress so I know.  I would ask perhaps for you to leave the first line of Mercury Lamp to prove you’d read that far (and listened) but it seems unfair to ask you to do two things during a busy day.  So maybe just try to write something that makes it clear that you’ve read here.

Now, I let you go, with apologies for being so long-winded.

*I’m not talking about completing a song a week, as in getting all the parts prepared and recording and mixing and all that; that would be utterly unreasonable by myself, even if I weren’t working full-time.  But words and basic melody could be done.

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“Friday night arrives without a suitcase”

I’m writing this today on my smartphone, but this time it’s happened more or less deliberately.  I had several things to bring back to the house last night, and they made my backpack significantly heavier than usual.  Though more than capable of carrying it, I decided there was neither need nor benefit in doing so, so I left the mini laptop computer at the office.

I don’t know about what topic to write today.  I have, of course, not started jotting down potential subjects for blog posts, as I mentioned yesterday (I think).  Or perhaps I have started, but I simply didn’t think of any such topics or subjects yesterday, and so I didn’t write any down.  Such ideas almost never occur to me ahead of time, anyway.  Maybe if I were keyed into that process, it would become more common.

I did write down a potential story idea (or really a story’s beginning) yesterday.  I still do that from time to time, even though I don’t have any expectation of writing any of them.  Here, I’ll show you what I wrote based on something I saw along the route back to the house that I hadn’t noticed before:

“Story idea:  a person who lives in a thoroughly flat area is on a walk and sees a partly obscured path or road that seems to go up a slope that shouldn’t lead anywhere.  He assumes it must just be a ramp that leads to a parking structure or building that’s obscured by vegetation, and he decides to head up and see where it leads.  There’s no signage or barriers to stop him, which seems a bit odd.  He goes up, but as far as he can tell, it continues to be a road, slightly winding, through woods, up a hill that cannot be there, and soon it becomes clear that it must be very big.  What is it?  Where does it go?”

There it is, a typical trigger for a story, of the sort that happens to me occasionally.  I doubt I’ll ever write it, or indeed any fiction ever again, but it still arouses intriguing thoughts and possibilities.  If any readers find that it triggers your own ideas for a story, feel free to use it.  I give you my blessing or permission or whatever it might be.  Even if we both (or all, if there were more than one of you) were to write stories based on that trigger, they would probably all be wildly different stories.  Indeed, it seems like the sort of exercise that might be done in some “creative writing” course, with everyone writing stories based on the same prompt.

I sometimes wish I would have such notions about songs to write (or poems, which is more or less equivalent for me…unlike a lot of songwriters, apparently, I come up with the words first, because I am a wordy kind of guy).  I sometimes wonder how songs are written by very productive songwriters or songwriting teams.

I have read quite a few books and so on about or by people such as the Beatles in general and Paul McCartney specifically, and Radiohead (they are my two favorite song creating groups, though there are, of course, many others including Billy Joel, Don Henley/Glen Frey/Eagles, Roger Waters/Pink Floyd, etc.).

But nothing I have read seems to resonate with me about how to write a song.  For one thing, the primary songwriters in neither the Beatles nor Radiohead actually “read music” as they say, whereas I was “classically trained”* on both piano and cello.  So it’s quite hard for me to separate the idea of songwriting from that background, even if I were to want to do so, which I don’t.

I also really don’t tend to come up with chord progressions until after I’ve come up with a melody, but that’s probably because the cello has been my main instrument in the past (and voice even more so than that).  One rarely plays chords on a cello and almost never can one sing chords**.

Okay, well, in case anyone was interested, that was a little bit of spontaneously written “under the hood” description of some of my creative “processes”, though it seems pretentious and even misleading to talk of such a thing as a process in my case.  I suppose, if I were doing such writing full-time, I would need to have, or would just develop automatically, a more rigorous creative process, especially if it were how I made my living.

Alas, that seems unlikely to be my situation at any point in my future, though it would be nice if it happened.  We’ll see how that goes, but I can’t in good faith recommend that anyone bet on it, let alone that they hold their breath waiting.

I hope you all have a very nice weekend, or that you all have very nice weekends, which are two different ways of giving the same well-wishing that have a slightly different feel, but which empirically must mean the same thing.  In any case, please be well.

*That sounds much more high-falutin’ than it really is.  It just means that I took piano lessons and I played in orchestras at school, in which we were taught formally about musical notation and timing and‒to some degree‒music theory.

**Unless one is doing overdubs with one’s own voice, singing harmony parts.  I’ve done that on “all” of my songs, and it can be quite fun and very neat.  It was also really fun to reproduce the Beatles’ harmonies on my covers of Something and You Never Give Me Your Money.  On my songs, the harmony tends to be improvised; I certainly don’t consciously plan it ahead of time.  Some things, like the whistling in the bridge of Like and Share, just happen spontaneously.  I don’t write songs often enough for me to explore how such things happen.