Fiction

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“‘Cause I’m your superhero. We are standing on the edge…”

Well, it’s Friday the 13th.  That’s at least one good thing about today.  And, of course, next month will also have a Friday the 13th, as I’ve noted previously (I don’t know specifically in which post I noted it, and I don’t really have the urge to go figure it out, so I’ll leave that to you to do if you’re interested).

It is slightly interesting to think about the fact that, on average, one of every seven Februarys will have a Friday the 13th, but not all of those will then lead to a subsequent Friday the 13th in March, because every 4th February will have 29 days*, by the Gregorian calendar, which is the one the world uses overall.

So, the total fraction of years with dual Fridays the 13th would be something like 1/7 minus a further ¼ of that one seventh—so 4/28 (i.e., 1/7) minus 1/28 (1/4 x 1/7), which leads us to the rough conclusion that only three out of 28 years will entail February and March each having a Friday the 13th.  That’s slightly less than one out of every nine years.  And since I’m 56, which is twice 28, I should have experienced about 6 such years in my life (perhaps counting this year).

Mind you, the numbers aren’t quite right overall.  The Gregorian calendar waives the extra day in February on years that are divisible by 100, i.e., the turns of centuries.  However, there’s a further exception to that:  the turn of a millennium, like what we all just had in the year 2000, does keep its 29 days in February.  So that brings the average closer to the raw number, but doesn’t account for the extra  ones that happen at more ordinary turns of centuries.

Of course, the only turn of a century through which I have lived—and through which I am likely to live**—was indeed the turn of a millennium, so I guess for me, the fraction 3/28 should be fairly accurate.

I could, if I were so inclined, go back to the first year in which I experienced a February—that would be 1970 (AD or CE)—and work through them to find out just how many dual Fridays the 13th I’ve experienced.  With modern computer-based calendars it would even be relatively easy.  But I don’t think I am so inclined.

Okay, that’s enough of that for now.  Actually, it’s probably too much of that, at least from any normal person’s (i.e., not my) perspective.  On to other things.

I’m writing this post on my mini lapcom, and I wrote yesterday’s post on the lapcom as well; I am doing this partly to spare my thumbs, but also to try to encourage myself to use the lapcom more and maybe even to write fiction again.  I don’t know whether or not that will happen, but it’s also just more natural for me to use the lapcom.  I’ve been typing, in one way or another, since I was 11 years old, if memory serves.  Clearly I have not been using a smartphone nearly that long, because they have not existed for that long.

Also, even when I saw the imagined future tech on Start Trek:  The Next Generation of tablets with virtual keyboards, I thought they looked like a terrible idea.  How lame, how unaesthetic, just to tap at a flat screen with no real keys.  Also, the “keys” on such devices in the real world are too effing small to be used to type in any traditional way.  Not but what one can get to be pretty speedy with them—I can zip along pretty well on my smartphone—but it’s nothing compared to being able to use one’s whole set of fingers to write.

Although, I’ve often touted the value of writing things longhand before retyping them into the computer, especially for fiction, because it can slow one down beneficially.  I did that—because I had no choice, being at the time a guest of the Florida DOC—with Mark Red, with The Chasm and the Collision, and with the “short” story Paradox City.  I don’t know whether they come across as better or worse or indistinguishable from the stories I have written directly onto the computer.

I would say that they might tend to be shorter, but Paradox City is a nominally short story that was about 60 hand-written pages long, so that didn’t make things much shorter.  Also, I think The Chasm and the Collision is longer than Son of Man, but that may just be a function of the nature of those stories.

Certainly Unanimity is longer than anything else I’ve written, by quite a margin, but that surprised me as much as it might anyone else.  I just started writing the story and it ended up taking that long to tell it.  That happens.  Outlaw’s Mind began as an idea for a short story, but there was definitely a lot there implicitly, even in the original idea, that made it unreasonable to plan to make it “short”.

Anyway, if any readers of this blog have also read my stories and have noticed any tendency toward difference between the initially handwritten and the entirely computer written (meaning written on a computer, not by a computer, unless one is referring to me as a computer) ones, I’d be pleased to get your feedback.

In other personal news, well…my pain is leveling off a bit, though my leg joints still feel loose and floppy and unstable, so I have to be careful, and I have my general persistent tension and neuropathic discomfort in my lower body.  I’ve tried to adjust (and decrease) my workout a bit to compensate, and that seems to be doing some good, but I cannot go without working out, because that tends to make my pain worse.

My mood is pretty much as it usually is, but I’ll spare you that hellscape out of courtesy.

Tomorrow is Saturday, and I am not supposed to be working this weekend.  If that changes—in other words, if I do work—I guess I’ll write a post.  Though, really, I should try to get back into Outlaw’s Mind and finish what I had started earliest so I could then get on to newer things.  And if wishes were horses, we’d all be drowning in manure***.

Tomorrow is also Valentine’s Day, but this is of no relevance to me, and that holiday hasn’t been relevant to me for more than 15 years, possibly quite a bit more.  It is not likely to be relevant to me again this side of the grave (and even less likely to be relevant on the other side).

I hope you all have a good weekend, even those of you who have loved ones with whom you can revel in the romance of the holiday.  It’s not your fault that you piss me off.

*This means, of course, that there will be some March Fridays the 13th in years where there was no February Friday the 13th.  If my figuring is correct, those will be the leap-year Februarys in which the 13th falls on a Thursday.

**If I were to be alive in 2100, I would be 130 years old, which would make me even with the Old Took, and which would be substantially older than any human is known to have lived.

***And ironically, any wishes for the manure to go away would just make things worse!

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What’s Hecuba to him, or he to Hecuba, that he should blog for her?

Hello and good morning.  By no one’s demand, it’s time for another Thursday blog post.  On the other hand, it’s also not as though anyone has demanded that I not write a blog post.  This combination of facts suggests more or less complete, tacit indifference to my posting.

That’s okay, I guess.  And it’s not as though I could just arbitrarily change things on a whim even if it were not okay.  I suppose it might be doable for me to become unpopular, and to have people at least suggesting that I should stop.  I’d just have to start writing truly deplorable things.  Of course, it would be a challenge to be so deplorable as to engender bipartisan hatred.

It sounds somewhat intriguing, I must be honest, but it also sounds like a lot of work.  And I am just increasingly exhausted all the time, mentally.  I’ve used the following analogy before, and I don’t want to run it into the ground, but I feel very much as Gandalf described the Nazgul or any mortal who keeps a great ring of power:  they do not die, but neither do they grow or obtain new life; they merely continue, until at last every breath is a weariness.  Or, as Bilbo described what he was experiencing:  he felt thin and stretched out, like butter that’s been scraped over too much bread.  And as Bilbo concluded about himself, I need a change.

Alas, I have no friends among the high elves, so I can expect no welcome in Rivendell, nor am I friends with dwarves, so Erebor is not available to me.  I don’t seem to be good at maintaining connections with any people who are not nearby (whether they are real or not).  I didn’t quite realize this while I was growing up, because I was the youngest of three kids, and I lived in the same house and so stayed in the same school system until I was 18 (or very nearly).  The people around me were relatively constant for a long time.

As it is, though, I have a difficult time imagining what other people are doing‒even people I know very well‒when they’re not with me, or even that they’re doing anything at all, let alone what they might be thinking.  I think fiction at least helped train me to imagine other people’s thoughts in many ways, and I think that’s invaluable; I think reading* fiction should be encouraged in all autistic children if possible.

But it requires effort to imagine what someone might be thinking or even that they’re thinking or doing anything at all when they’re not with me.  This doesn’t mean I don’t care about them, or about other people; that’s orthogonal to the question.  The people who are important to me are very important.  But I can’t feel them from a distance, so to speak.

This, unfortunately, is why it’s not much use if someone says that there are people out there who care about you, to whom you matter, or words to that effect.  It’s certainly well-intentioned, and it is no doubt sincere.  But however true it is, the emotional valence is low.  I cannot feel that those people, whoever they may be, care about me unless I’m interacting with them, though I may know it to a high degree of intellectual credence.

Maybe this is part of why I find it difficult to believe in ghosts, or any kind of afterlife, or any of the many invisible cosmic imaginary friends that people call gods.  Not that I think that I’m missing out in this case; intellectually as well as emotionally, empathically, I have found no reason to believe in any such things (though I have enjoyed writing fiction about them).

Indeed, the more I look, the less likely they seem.  But I do not give them zero credence, though it may come vanishingly close to zero over time.  But to give something an actual credence of zero, in Bayesian terms at least, means to say that there is no evidence or reasoning that could make you consider the proposition even possibly true.  That sounds terribly irrational to me, I don’t know about you.  It sounds like dogmatism, like blind belief, and I have no desire for such things.  I have very little tolerance for them.

What was I writing about?  Oh, yeah, that feeling of separateness and loneliness, of being almost cosmically, solipsistically alone, even though there are people out there (mostly far away) who care.

I have probably used this analogy before, but it’s a bit like being adrift in a small open boat on the ocean, and you have a radio that can only send in Morse code, but you can receive audio messages that there are ships out there, and they care about you, they feel bad that you are floating out there alone in an open boat, they support you.  And you believe them.  And the moral support is nice as far as it goes, but it doesn’t rescue you from being adrift at sea, with only the resources in your little boat, and you don’t actually know how long those supplies are able to last.  But they are finite.

Oh, who knows?  And why should anyone care?  I don’t know.  I have a hard time making good arguments for caring about me.

TTFN

*Reading is, I think, far superior to taking in TV shows, videos, movies, etc., though those things can be great fun.  With written fiction, one can literally get inside the minds of the characters and be given insight into what and how they are thinking and feeling.  With TV and movies, those feelings can only be inferred at best, and only when the acting is tolerably clear and those emotions are definitive.  For people with difficulty judging other people’s faces at times, that can be less useful than reading.

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“You’ve been out ridin’ fences for so long now.”

As you can see, I followed through on my threat and did indeed write a post today (Saturday the 3rd of January in 2026) because I am going to the office today.  My new (and old) tinnitus persists, which is annoying, and I’ve still got some minor cold symptoms.  There’s no real coughing or sneezing, though, so I don’t think I’m terribly contagious.  If I am, well, I’ve spent a lot of time tilting at the windmill of getting people to take disease prevention and so on seriously, but things continue to get worse, so to hell with the world, I guess.  But it doesn’t really matter much.

I initially thought that I had only received feedback from one person here‒as I suspected might happen‒in response to my request for feedback on what I should try to restart writing.  That person made a recommendation/expressed his preference for what he thought sounded most interesting for me to work on.  But, alas, that’s only one person, so I couldn’t draw too many conclusions from that feedback.

However, it turns out that on Facebook I also received a comment from someone who probably didn’t see the comments here on my actual blog, so the comment was probably unbiased.  The interesting thing is that both people, in two separate spaces, said they were interested in the same story:  The Dark Fairy and the Desperado.

So, needless to say, I intend to start working again on Outlaw’s Mind.

I’m kidding.  I’m not that perverse.  I feel a bit disappointed that no one could really even consider my other story HELIOS, but no one else but me really knows anything about it.  That story was originally‒way back in the depths of time‒a comic book superhero story that I invented and for which I even drew some comic book style drawings when I was in grade school and maybe into junior high.  But the modern version of the story, though arguably still a kind of superhero, or at least superhuman, story, is much more sophisticated than the inevitably derivative character I had invented as a child.

Anyway, HELIOS is probably my oldest story notion that I’m considering writing again nowadays, even older than Ends of the Maelstrom.  That doesn’t mean it’s my favorite or anything, it just means there’s a wee bit of nostalgia in it.

So, I shall begin rereading and editing and then, hopefully, writing more on The Dark Fairy and the Desperado.  This story was conceived as a manga, and so it is not a single-book notion, but is planned as a series of some form or another*.  That might be very good, actually, because it would mean I can publish it in smaller chunks, so to speak.

Unanimity took forever first to write and then to edit, but it was one self-contained story with a beginning, middle, and end (half a million words long overall).  I can make the first volume of DFandD end with the ending of the “heroes’” first quest, which has already begun so far in what I’ve already written.  Maybe that will be good.  I can even put some illustrations in the book (maybe) since I have done some of them**.

Anyway, that is currently my plan, if it merits the term.  I’ll try to work my work on that work into lull times at work***, and make some progress on it.  Then maybe it will take off and become hugely, internationally popular, and I’ll become rich, famous, and powerful.

Stranger things have happened, after all‒and that series has done quite well, I understand, though I lost interest in it not even halfway through the first series.  I think it’s the sort of show that I could only enjoy if I were watching it with someone.  In many cases, watching shows or movies or similar is my only way to connect with other people and with the shows or movies.  I have to have some means to connect; I cannot seem to do it on my own, and I don’t know if I ever have been able to do so.

Anyway, I guess that’s my plan for the moment.  It will always be dependent upon my physical and especially my mental health.  But that goes for everything.

Anyway, I hope you all have a good weekend.  Here, in closing, is a recording of me trying to practice the song, Desperado, which would make a lovely theme to a TV series based on my stories, I think.  I’ve gotten better since I recorded this.

*This was the idea for Mark Red as well, for which I have at least two more books lying fallow.  Unfortunately, no one loves that story apart from me, so it doesn’t look like the other two volumes will be written anytime soon, if at all.  It probably suffers from the fact that it was the first book I published, and so there were rough edges.  Qué lástima.

**As an aside, I wish I still had an illustration of the Vagabond that I did years ago, because I wanted to use that as the cover picture when I published the novel, but alas, it is gone with almost everything else I used to own.

***Yes, that was deliberate.  Sorry if it comes across as awkward, but I tend to like to play with words.

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Wednesday woes of a weary worrier who wishes he would write more worlds

It’s Wednesday now, and I’m writing this on my mini lapcom for the first time in 12 days.  Well, actually, I’m writing this for the first time, full stop.  I’ve never written this particular blog post before.  But I haven’t written anything at all using the lapcom—the mini one, anyway—since December 5th, twelve days ago.  I know because that was the last time I wrote a blog post on the lapcom, a fact easy to discern since I save all the files with the date as part of the title and list them in order from most recent to oldest in my blog post saves file.

Am I ruining the magic?  I work with this stuff, you know.

Anyway, I’m not going to get into explorations of the nature of days or human interactions and inadequate equilibria like I did yesterday.  At least, I don’t think I’m going to do that.  I wasn’t planning  to do it yesterday, though—it just sort of spewed out when I opened my figurative mouth, as much to my surprise as to yours—so I cannot rule out the possibility entirely.  Still, it would be a strange thing indeed for me to start writing about the same subject(s).  I don’t even remember very clearly what I wrote yesterday.  That’s one of the side-effects of writing it all down:  I don’t need to use my own disk space to store it in my head.

But I don’t feel like writing anything about external reality on any kind of large scale today.  I don’t really feel like writing anything at all; I’m just doing this out of habit, which has tremendous power over me.  Of course, it’s my habit, initiated by me, so in a way I’m saying that I have tremendous power over me.  Unfortunately, that power is not something readily consciously seized.

I had a good habit going when I was writing fiction for a long time there.  Starting when I was up at FSP West I wrote three to four pages of fiction every day, and kept that up for nearly ten years, I think, writing or editing on every work morning but Thursdays, and I produced a lot of material given that time frame.  Here, just take a look on Amazon at my list of author’s works*.  There are many titles there.  Mind you, there is some redundancy, in that my short stories that are available individually only for Kindle are also collected into Dr. Elessar’s Cabinet of Curiosities** along with two stories that don’t appear elsewhere.

I was “triggered” to think about such things yesterday afternoon when my coworker was telling me about watching It: Welcome to Derry, and discussing how other things from the Stephen King universe are involved in it, as well as other characters.  It sounded pretty nifty, though I don’t know that I’ll ever watch it.  What it made me think most, though, was how my fictional universe(s) is/are interconnected in many ways, and that they’re all also connected back to the first full-length novel I ever wrote back in high school, called Ends of the Maelstrom.

I lost the original draft of that when I lost nearly everything else I owned—and things far more important even than all that—back in 2012.  But I know the story, of course, and I could probably rewrite it more or less as it was, if I just chose to do it.

But I bemoaned the fact—as I said to my coworker—that I don’t seem able to write fiction anymore, even though thinking about that combined universe writing makes me think about my many unwritten stories.  As I said to my coworker, I really wish I could finish Outlaw’s Mind, though it will end quite sadly, and is already very sad.  I gave him some minor spoilers, which I felt were fine, since he’s unlikely to read any of it, ever.

Of course, not too long ago I wrote my little sci-fi story Extra Body, which is really meant to be kind of funny, in a way, but I couldn’t even get to the point of editing that very much, let alone publishing it.  And I haven’t made any further progress on DFandD.

I wish I had the energy to write new fiction, but all my energy reserves seem to be used up, or at least I am trying to get the dregs out of the container every day.  But every day it gets harder just to make it to the next day.  I’m exhausted, I’m always in pain, I have no real rest and nothing to which I look forward.  If I had a simple “off” switch, I might just flip it.

The trouble with that, of course, is that if it literally just stopped me, it might be possible for someone else to flip it back on and I would have to resume just as I had been when I flipped it off (so to speak).  It might be better to go into a cocoon like Adam Warlock and metamorphose into the next stage of my existence, but I don’t appear to have that option.

I’m very tired.  So very tired.  Indeed, I’m so tired that I’m writing sentence fragments.

Maybe I’ll try to share my various works on social media, to see if anyone picks up on any of them.  I doubt they will, but it’s possible.  After that, I don’t know.  It’s nearly the end of another pointless year, albeit one with one saving grace, perhaps two.  I don’t really look forward to seeing the next year.

But I probably will see myself to writing tomorrow’s blog post.  In the meantime, I hope you’re all doing okay.

*There’s some book in there by someone else that has a sort of similar title to one of my books (Son of Man), but the author’s name is nothing like mine, so I don’t know what the heck is up with Amazon’s software that it put that there.  It’s sort of annoying, but it’s not worth the effort to try to get them to fix it.  They didn’t even carry any Hanukkah-themed gift card boxes or envelopes this year, which really makes me feel a bit disinclined to buy from them as much as I have in the past.

**That one is available in hardcover, and it ought to arrive before Christmas for most people if you wanted to order it as a gift for someone.

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Another day, same old stories

Well, it’s Tuesday the 2nd (of December) and that two/Tue coincidence has to be worth something doesn’t it?  I suppose it would be better if this were February (the 2nd month), but perhaps it’s enough to note that the difference between the official number of this month (12) and its nominative number (10) is 2.  Anyway, having two twos might make more “sense” than having three of them.

Is that important?  Almost certainly not.  In 56 years of time and space, I’ve never encountered anything that was truly and objectively “important”.  But it is the sort of thing that engages my (admittedly rather odd) aesthetic sense, and this is my blog*, so I will indulge myself.

Anyway, it’s the second day of the work week, and I’m going to work.  The reason I go to work is, at root, nominally to keep myself alive and “thriving”, so I can…what?  Keep working?  I don’t have any other, deeper or longer-term reasons.  It’s fairly absurd when you think about it.  It’s a self-referential, almost tautological, ouroboros-like situation.

By the way, I don’t see any reason to think that this state of affairs is the product of some conspiracy‒centuries or even millennia long as it would have to be‒by the powerful to keep the masses toiling away for their benefit.  For one thing, as we can all plainly see (I hope) the powerful are at least as idiotic and moronic and clueless as anyone else, and they probably tend to be less self-critical, so they are more prone to do really stupid things without anyone protecting them from their own stupidity.

They no more really, actually control anything‒including themselves‒than a queen bee (or ant or termite) runs its hive/hill/colony.  The queen just happens to be the breeding female.  And even that is not a role based on any merit, other than being capable of developing active ovaries.  The queens are “chosen” randomly, as far as we can tell.

It’s all just shit that happens in a region of spacetime in which entropy is moving from low to high, as it tends to do, but in which there’s enough movement involved in the process to allow for locally highly complex phenomena based on carbon’s extraordinarily fecund chemistry, which occasionally forms self-replicating molecules that undergo natural selection.

But people tell stories about things.  It’s one of our strongest attributes, and it serves in us roughly the same “purpose” as the various pheromone trails and hive dances in the aforementioned ants and bees and termites.  Our stories allow us to act in concert with many other people, on a scale that puts even the social insects to shame.

We often believe that our stories are true, at least to some degree.  And some of them, in a limited sense, really are “true”.  But most of them are just stories, made up “just so” explanations of things we either haven’t figured out or that have a nature too complicated or too daunting for us to want to face them as they are.

As someone who has a penchant for creating stories, I can tell you, it’s quite easy to make up plausible-seeming, internally consistent tales about worlds and characters and events, real or otherwise, that have little to do with reality other than that it is a fact of reality that I made up those stories.

I consider all religions and all their related tales to be part of this phenomenon.  This is not an insult to them per se, and the tendency for people to take it as an insult or an attack belies the faith such people claim to have in their religions.  But people who really think a particular thing is true don’t have to defend it with anger, let alone violence.

Imagine if the classical physics people had crucified Planck for solving the “ultraviolet catastrophe” by positing that only certain chunks (quanta) of energy can be produced, or if they had burned Einstein at the stake for not only showing that light comes in such quanta but that matter is also finely divided***.

Science does also work with stories.  Every hypothesis is a story, and some of them can seem extremely compelling.  Some of them we really want to think are true.  And that’s why, ideally, science takes every such story and pokes the hell out of it, trying to show if and where it’s wrong, where it’s internally inconsistent, where it doesn’t match what actually seems to happen in the world.  It’s not perfect, but it does improve in an incremental, ratchet-like fashion, at least as long as we hold to the rigorous, ruthless, but honest criticism of those stories.

With that, I’ll draw the main body of this post to a close.  I have no idea why I’ve written what I’ve written, or at least I don’t know very well.  I doubt there’s any internal consistency or coherence to it, but I guess that supports my point.

Please try to have a good day.

[Aside: a thought occurred to me yesterday that, as we approach the era of humane, lab-grown meat derived from animal stem cells, what, if any, would be the moral implications of using human stem cells, taken from a volunteer‒I’m willing‒to grow meat in the lab and have people eat it?  There’s no risk of parasites or infections, assuming reasonable genetic screening, such as might explain an evolved revulsion for cannibalism.  There’s no one being harmed.  What do you think?  I’m not concerned with whether you feel it’s somehow “icky”; that’s just misfiring evolution-based taboos.  Do you think there is any moral reason not to grow and eat such meat?  If so, what are they?]

*There are many others like it**, but this one is mine.

**Are they really like it, though?  You tell me.

***These are two of the things Einstein demonstrated during his annus mirabilis (i.e., “miraculous ass”***) in 1905, the same year he published his paper introducing special relativity.

***That’s not really what it means.

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For they blog between term and term, and then they perceive not how time moves

Hello and good morning.  It’s Thursday, so of course I’m writing my “traditional” blog post, with my “traditional” salutation and ending.  I haven’t written the ending yet, but I will, and of course, when you’re reading this, I will have already written those four closing letters—like a vortex manipulator, it’s a kind of cheap and nasty time travel.

I’m writing this post on my mini lapcom, the device formerly known as a laptop computer (to me, at least), because I thought it would be good to write my traditional Thursday post on my traditional type of device.  It’s all very exciting, obviously.

Except of course that it is not exciting.  Nothing is exciting.  There are many worrisome and alarming and infuriating and disgusting things happening in the world and in my pseudo-life, but they are not exciting.

I can’t even feel one of my turns coming on.  Rather, I think I’ve been in “one of my turns” in a low-key way for quite some time now.

I’m very tired.

I wish getting out the lapcom got me fired up to write some new fiction.  I certainly have plenty of story ideas and plots and whatnots in the back of my mind.  But I have no energy to act on them.  By the end of any given workday, I can barely drag myself onto the train to go back to the house, to be honest.

Then, of course, there’s the current washing machine problem.  The machine has finally been delivered, but the old, broken machine is still in place, so the new one hasn’t been installed, and I’m not sure when it will be.  I’m eating into my savings, such as they are, buying new clothes in the meantime.

The need to buy new clothes is particularly irritating, because—quite apart from the expense—I had no desire to buy any, possibly ever again.  New clothes are for people who have a future toward which they look with at least some degree of positive anticipation.  I do not see my own future with any good feelings.

Speaking of the future and not having one and also writing fiction, I thought of an amusing, cautionary tale, a fable of sorts, recently.  Imagine a young man—this sort of story really only works with such a protagonist—who finds a literal genie in a lamp and is given the traditional three wishes.

For his first wish, this young man asks for the ability to stop other people (and things) in time, imagining/planning various nefarious deeds he might undertake while people are “frozen”.  The genie is puzzled and seems troubled, but he grants this first wish.  Soon, the young man finds himself in a situation where he wants to test the power, but when he turns it on a chosen target, as soon as he does, the person just…vanishes.

The young man summons the genie, saying the power didn’t work, panicking a bit about what happened.  The genie explains that the person for whom he stopped time vanished because they simply did not continue past the point in time at which they had been frozen.  So, they did not exist in any future time, and they never would.

The genie had wondered why the young man wanted that power, but he had granted it.  Unfortunately, this deed cannot be readily undone; they cannot bring the person out of the past using the young man’s power as it is.  To change that power and to bring the person back would require the use of the two remaining wishes.

Will the young man choose to do it?  Will he correct his error?  Or will he continue to have the power, now using it as a weapon rather than the for the lascivious means for which he had imagined using it?

I admit, it would be kind of interesting to have such a power.  It’s reminiscent of the ability to send people “away” that the main character had in Stranger in a Strange Land.

What would you do with such an ability?  I would probably use it in morally questionable ways, myself.  But there certainly are people about whom it can safely be said that the world would, overall, be better off if they stopped moving forward through time.

Incidentally, this process would not run afoul of the principle of conservation of energy.  That conservation principle, like all physical conservation principles, is dependent upon the symmetry of the system—this was demonstrated by the genius Emmy Noether in her famous theorem.

The conservation of energy is (or, rather, it would be) a consequence* of the time symmetry of the universe.  But the universe is not symmetric in time, not on large enough scales.  So, on large enough scales, energy (and thus also mass) is not conserved.  Locally it tends to be, because locally, time is symmetrical to a good approximation, rather as the local surface of the Earth is approximately flat on a small enough scale…or rather like the way a small enough portion of any continuous curve can be arbitrarily closely matched by a straight segment on a small enough scale.  This latter fact is the source of the power of calculus.

But just as one can have a local hill or curved shape on the surface of the Earth, one could—in principle—violate local conservation of energy given the right available manipulations.  Now, we in the real world cannot do such a thing, at least not right now, but presumably it would not be beyond the power of a genie.

Okay, well, that’s all pretty stupid, I know, but what do you expect?  It’s me, after all.

I hope you or y’all have as good a day as you possibly can, which you will have, since there is no other possibility.  That doesn’t mean it will be a good day.  It will merely be the best possible day you can have, even if it’s horrible.  Still, I do hope that for you, at least, it will be good.

TTFN

*An interesting term to use, given the current subject.  It has a relation to the order of things in time:  con (with) sequence (ordering of things).

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“What hears with their ear? The abyss between the stars.”

Well, I did bring the mini lapcom with me when I left work yesterday.  Nevertheless, I am writing this blog post on my smartphone.  There are specific, calculated reasons for this, but I’m not going to bore you with them, because they are only relevant to me.  But please, do tell me if you notice that this change has affected the quality of my writing, for better or for worse.

Okay, that’s that out of the way.  Now, on to more interesting things.  It’s the first day of October, my favorite month, although the reasons it has always been my favorite month are almost all effaced here in south Florida, in the current state of my “life”.  Still, it is the month of Halloween, and of Cooger and Dark’s Pandemonium Shadow Show, and all of that, so it still holds its position as number one month, as well as being the eighth and the tenth.

A few years ago‒it feels longer‒I set myself the task of writing a “short” story to honor the month of October (though the story didn’t have to be set in the month of October).  That led to Hole for a Heart, which is not my darkest story*, but my sister says it’s my scariest story.  I’m sure that’s pretty subjective, but it warms my own heart-shaped hole at least a bit to have written a quite scary story.

I wish I had the gumption to write something new again for this month.  If I did, the lapcom would be better for writing fiction than the smartphone, though the latter might keep me from going too ham on the whole thing, i.e., writing too much.

But I have a sort of feeling of learned helplessness about writing fiction, as well as about music (writing it and even just playing it) and art and science and everything else I do.  I put a lot of energy into things with almost no return, certainly not one commensurate to the effort involved.  Eventually, I just feel like an exhausted rat lying in the bottom of his cage, knowing that no matter what choice he makes or action he takes, he will be randomly shocked and otherwise tormented.

It’s not that he doesn’t care about the pain or the other stuff, he just knows the pain will come no matter what, and that has taken almost all the possible joy from being creative.  This is especially so when the creativity goes almost entirely unnoticed, like a sculpture made on the ISS and then promptly launched from there into deep space without anyone having seen it but a handful of astronauts.

I don’t know what it might take to rekindle (no pun intended) my writing or other creative sparks.  Maybe if I just had less pain it would do.  Unfortunately, the pain seems just to add new flavors and textures to itself over time; it doesn’t diminish.

I guess maybe that could be considered creative in a sense.

It’s a curious sort of irony, but I know that writing fiction seemed to stave off my depression, at least a little.  One might think it would be exhausting, writing 1400 to 2000 words every workday (except when editing/rewriting, which was its own grind).  Maybe eventually it was, and that was what led me to stop finally, since there was no real reward to it after a while, since almost nobody buys the books and/or reads them.

I don’t regret having written my stories, of course, nor my songs, nor any drawings I’ve made, nor my blog(s).  But over time I’ve had rapidly diminishing relative returns on the fiction writing and on the music and such.  The returns on this blog, relative to the effort, are shrinking more slowly, and occasionally there seems even to be an uptick, but the overall trend of basically everything except my personal knowledge** is downward.

I don’t know when the y-axis overall will cross the origin‒for many particular things, I think it has long since done so‒but I suspect it’s a finite distance, and I’m not decelerating, so I will cross it eventually.

Sometimes‒indeed, pretty much every day and twice on Sundays, ha ha‒I think to myself the metaphorical equivalent of “Where is that fucking x-axis?  It’s time for this to be finished already.”  If I had a goal, or anything significant toward which to look forward, things would probably be different.  But I don’t, and they aren’t.  That’s logic for you.

Well, anyway, this evening begins Yom Kippur and my fast.  Whatever you all are doing, I hope you have a good day.  I expect that I will be writing to you again tomorrow.

*That would be Solitaire.  I’ve told the story of that tale’s origin here before, I think, so I won’t get into it now.  If I am misremembering, let me know, and I’ll try to tell you the curious but not very exciting tale of a very dark tale indeed.  Oh, and if you want to read either of those stories but don’t want to do the Kindle thing, they are both featured in Dr. Elessar’s Cabinet of Curiosities, which is so far my only work you can get in Kindle, paperback, and even hardback!

**I do think that I am always learning new things and improving my understanding of things I knew from before, and I have a good memory, especially for things in which I’m interested.  That’s all well and good, and I’m glad of it, but knowledge in my head is only as good and as durable as my head is.  Eventually, as Roy Baty said, all these moments will be lost in time like tears in the rain.

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Discussions of my “first draft” styles and a bit of shameful self-promotion

I wrote yesterday’s post on my miniature laptop computer‒what I call a “lapcom” if you remember, and even if you don’t‒and today I am writing this on my smartphone, because I didn’t feel like lugging the lapcom when I left the office.  It’s not done deliberately (by me), but I am curious about something.

You see, to my surprise, yesterday’s post appears to have been rather popular and successful.  I say “to my surprise” because to me it felt rather disjointed and erratic and like it didn’t go anywhere.  I’m not sure why that is or to what it is in response, or indeed, whether it was merely a fluctuation in a chaotic system and had nothing whatsoever to do with any particular thing I had done.

Still, as you may know, I do feel that I write differently when using different tools for doing it.  On the lapcom, I tend more easily to run off at the page, if you will, because typing on a word processor is just so easy and natural for me.  That doesn’t necessarily make the writing better, though.  I fear that I get too verbose sometimes.

And, of course, writing on the smartphone is less fluid, more cumbersome.  It also tends to exacerbate the arthropathy in my thumbs, for what are probably obvious reasons.

Pen and paper‒for first drafts, anyway‒ is certainly my most long-standing method of writing, and I don’t think I tend to get quite as carried away with that as with typing.  I suspect, but don’t by any means know for certain, that the things I write by pen and paper‒the fiction, at least‒are somewhat better, or at least more fun, than what I write on either a phone or a computer.

Here’s a bit of a rundown.  The following stories I wrote by hand in the first draft, having no other options:  Mark Red, The Chasm and the Collision, and my long short story Paradox City.  I also wrote my stories House Guest and Solitaire with paper and pen, the latter in one sitting, the former way back in high school.

I wrote the first draft of Son of Man at least partly on a very small smartphone that I really liked.

The Vagabond is a bit of a mixed bag.  I started it while at university, and finished the first draft while in med school.  Part of the first draft was written by hand (i.e., with pen on paper) but most of it was written on a Mac SE using the good old word processing program WriteNow.  Does anyone out there remember that one?

The rest of my stories, at least the published ones, were written on mini laptop computers (well, some here and there would have been on full-sized ones) from the beginning.  Most notable of these, perhaps, is Unanimity, which is very long.  But many of my “short stories” were written on regular keyboards, including the other two stories in Welcome to Paradox City, and my “short” stories, Prometheus and Chiron, “I for one welcome our new computer overlords”, Hole for a Heart, Penal Colony, Free Range Meat, and In the Shade, the latter of which‒like House Guest‒appears only in my collection Dr. Elessar’s Cabinet of Curiosities.

Oh, right, and of course Outlaw’s Mind, Extra Body, and The Dark Fairy and the Desperado have all been written (so far) on the lapcom.

If anyone out there has read a sampling of some of these, or all of them, and can give me any considered feedback on any overall difference in quality between the means of writing, pros and cons, I would certainly appreciate it.

And if any of you haven’t read any of the above, well…what are you waiting for?  If you’re a fan of fantasy/sci-fi/horror, you might like some or all of my stuff.  If you’re not sure where to start, by all means, I’ll give you recommendations based on your personal preferences, if I can.

I suspect that The Chasm and the Collision would have the broadest popular appeal, especially for people who like the Harry Potter books and similar stories.  Son of Man is probably my purest science fiction story, but this is not “space opera” type science fiction.  “I for one welcome my new computer overlords” is basically science fiction*, too, in case the title didn’t clue you in.

Everything else is horror of one kind or another.  Most of my horror is supernatural in one sense or another, and I veer into the borders of Lovecraft’s universes in at least two stories**.  Mark Red is supernatural and in some senses horror-adjacent, since it involves vampires and so on, but it’s really more a teen/young-adult supernatural adventure, a story originally intended to be a manga.

My darkest story has no supernatural elements in it at all.  That’s Solitaire; it can be had in stand-alone form for Kindle, and it also appears in the middle of Dr. Elessar’s Cabinet of Curiosities.

Well, that’s been about as much self-promotion as I think I’ve ever done here before.  I didn’t really intend to do it, but once I got going on discussing my various story drafts, it just seemed to go that way.  I hope I haven’t been too insufferable.  I’m really not a raving egomaniac, though I may be some other type of raving maniac.

I hope you all have a good day.

*And I guess Extra Body is sort of light-hearted sci-fi.  It’s even somewhat comical, as my story If the Spirit Moves You is a sort of supernatural comedy (expect no laugh-out-loud moments, though, since they are dry comedy at most).

**The Death Sentence, which appears in Welcome to Paradox City, and In the Shade, mentioned above and in my other collection.

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Let him that hath understanding count the numbers of the words

It’s Friday, and I’ve already heard, from the boss’s own mouth, that we are not going to be open tomorrow.  I think everyone at the office (including the boss!) has been working quite hard this week, and they’ve been doing things they wouldn’t usually be doing in addition to their regular duties, which they’ve all (well, almost all) been doing quite well.  Everyone could use a break, and I am certainly no exception.

I’m planning to make this post pretty short, today, because I am under the influence of steadily accruing fatigue.  Of course, I’ve said such things before, haven’t I?  And then I often go on and on and make quite a long post.

I wonder how many words I’ve written on this (and my other) blog since I returned to the outskirts of this world in about 2015.  I can do a little “back of the envelope” calculating, I guess.  I’ll slightly overestimate the daily word count as an average of about 1000, then balance that by underestimating the number of days I write per week at just 5 even, so that would be 5000 words a week or 260,000 words in a given year if I were only writing the blog, not working on (or counting) fiction.  So, that would make probably something over a million words since I started blogging, probably more (there were long stretches when I only wrote one post a week).

Of course, just one of my fiction works was half a million words long (though I had to split it into Book 1 and Book 2 to be able to publish it).  I wish I could have kept writing fiction, but it gets so dispiriting just to fire your fiction out into the void, and I am not good at promoting myself.  I think if I had just one actual fan, someone who liked my stuff for its own sake and wanted to read more just because they like my writing (even though they don’t know me or owe me) then I would probably be motivated and keep writing fiction.

Speaking of fans and promotion and all that sort of stuff, there was a weird thing that happened on Wednesday.  WordPress gives you daily statistics bar graphs when you sign into the account, and normally, my blog gets in the high 20s or 30s of visitors every day, but on Wednesday there were over 900 views or visits or whatever they call them.  I have no idea how that happened or what it might signify.

Possibly it’s a glitch, or perhaps there’s some form of LLM searching through blog posts.  Who knows?  It’s curious, though.  So, if any of you has any ideas that seem plausible, I would be interested in hearing your thoughts; please leave a comment below.

Okay, well, I guess that’s about it.  This work week has not been as horrible as the last one, but it has not been easy.  I really look forward to being at least able to sedate myself with Benadryl and the like this weekend so I can try to recover as much as possible.  I wish the AC in my room were working, but at least I have a good quality, powerful floor fan.  Unfortunately, it’s not a fan of my fiction, ha ha, but it is good at what it does.  Still, I have to be careful, because there’s somewhat more of a risk for dehydration with a fan.  That’s okay.  I mean to keep myself aggressively hydrated.

I hope you all have a very good weekend, whether there are 900 of you or 90 or 9.  Heck, if there were 9 billion of you, I’d still want you all to have a good weekend.  Imagine that, if the entire human race (and then some) all had a very good weekend.

Maybe someday.

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“You gave me no warnin’ of what was to be”

“Monday, Monday…so good to me.”  So sang The Mamas and the Papas, though I’ve always thought those lyrics were strange.  I mean, who thinks that way about Monday?  The singer(s) is/are disabused of their fondness for Mondays already by the end of the first verse, at least if I follow its meaning, but I’ve never met anyone, as far as I can remember, who expressed such initial fondness for Monday, the beginning of the school/work week.

Looking back, I myself am probably the person who came closest to feeling that way of all the people I’ve known, back when I was in grade school and high school.  I’ve never had a great relationship with idle time, honestly, and I liked to learn, so Monday was good.  Also, my friends were at school.

I don’t know what to write about today, to be honest.  I’m working on my “project” of course, and taking steps toward its resolution.  I don’t think very much has changed yet, if anything.  I can certainly tell you that, so far, my pain has not diminished.  But I wouldn’t expect it to have disappeared so quickly with minimal (if any) physical alteration.

I’m getting a bit lost about things with which to fill my mental time.  I’m not really reading much anymore, fiction or nonfiction.  I did start rereading Unanimity:  Book I over the last few days.  I’m liking it, as far as it goes, though I appreciate when we leave Charley Banks’s point of view and get into the heads of the various other characters.  Charley is both the initial protagonist and the definite villain of the book, and boy does he do some truly horrible stuff, and it can be disquieting to be in his POV.

I’ve said to others that while of course the villain and title character of The Vagabond does or means to do more terrible things and more willfully so than Charley, the horror in The Vagabond is mainly supernatural style horror.  Charley, on the other hand, does horrific things that humans could, in principle, do to other humans.  In that sense, it’s a quasi-realistic horror story.  It’s not fully realistic, like Solitaire, but superficially nothing flagrantly supernatural happens.

Mind you, though it may carry the trappings of sci-fi horror, the things that happen in Unanimity are, in my mind at least, really not scientifically plausible, so I consider it supernatural horror.  This is in contrast to The Chasm and the Collision, which seems like a fantasy adventure story but which is, if you look closely, a science fiction story.  It’s wildly speculative science fiction, but so is Stranger in a Strange Land.

Anyway, I obviously don’t have much of consequence to cover.  It’s not as though my discussion is going to give anyone any new insights into my books, because no more than a handful of people have ever read (or ever will read) any of my books.  So I’m mostly just spitting in a high wind and seeing where it lands…which won’t matter, because no matter where it lands, it’s almost immediately going to dry out and be nothing.

Whatever.  I apologize for my constant grumpiness.  I am in pretty significant pain already today, but I’m trying* to work on it.  I’m constantly trying‒trying new shoes, new socks, new spandex joint braces, new medicine combinations, new forms of exercise and ways of doing the exercise I already do, avoiding specific foods, all that stuff and more.  I do not just saunter through life shrugging about my pain and my depression and my horrible social anxiety and giving up and not trying to improve.  I don’t give up on tasks very easily, and I try hard to be as rigorous in my attempts as is feasible in one life without the ability to do controlled (let alone blinded) trials.

I’m not optimistic about good outcomes when it comes to my present goal/strategy/plan of either improving my pain or killing myself.  People who say that, after enough torture, someone will beg for death are not lying.  Everyone has their limits, though some people’s limits are awe-inspiring, and death comes to them before they break.  But to have that strength requires some kind of meaning or purpose or at least a social connection.

We’ve all surely seen human interest reports of people who face terminal (or merely deadly) illnesses or accidents or losses but keep upbeat and positive  and either defeat their illness or come to terms with it or die with dignity in an inspiring manner.  Such stories almost always (in my limited sample, anyway) show people who have strong social supports, of friends or families or groups with solidarity and purpose.

You never see shows about the people who are alone and face a terminal or painful illness without even medical insurance or friends or family or other support nearby.  That’s because those people die like they lived‒alone and unnoticed.  Also, one can’t easily sell advertising with an after-school special about the secluded man who dies of complications of cancer and is only found when his rent is overdue or because the neighbors make a complaint about the smell that turns out to be his rotting corpse.

That’s enough for today, I think.  I’m sure you’re all inspired and uplifted by my beautiful words (ha ha).  I hope that you are inspired and uplifted by something, anyway.

It may be a fool’s errand, philosophically, to try even to begin to discern who deserves happiness.  But heck, you might as well try to be happy if you can, as long as you’re not doing it by making other people less happy.  Mutual exchange to mutual benefit is entirely possible, and is responsible for many if not most of the good and pleasant things we have in the world.  The universe may be truly zero sum and zero outcome in the end‒if the 2nd Law of Thermodynamics holds true‒but it can nevertheless have a positive integral, the sum of the area under the curve across time.  It is mathematically possible.

There’s nothing that guarantees it, of course.  It can also have a negative overall integral in principle.  Whether that will be the case or the other will depend, at least locally, on human behavior and choices.

I’m not optimistic.

*Fuck you, Yoda, you’re just wrong about the “trying” thing.  It was your self-important arrogance that contributed more than anyone else’s input, to the decadence of the Jedi that left them vulnerable to the Sith.