I wrote yesterday’s post on my miniature laptop computer‒what I call a “lapcom” if you remember, and even if you don’t‒and today I am writing this on my smartphone, because I didn’t feel like lugging the lapcom when I left the office. It’s not done deliberately (by me), but I am curious about something.
You see, to my surprise, yesterday’s post appears to have been rather popular and successful. I say “to my surprise” because to me it felt rather disjointed and erratic and like it didn’t go anywhere. I’m not sure why that is or to what it is in response, or indeed, whether it was merely a fluctuation in a chaotic system and had nothing whatsoever to do with any particular thing I had done.
Still, as you may know, I do feel that I write differently when using different tools for doing it. On the lapcom, I tend more easily to run off at the page, if you will, because typing on a word processor is just so easy and natural for me. That doesn’t necessarily make the writing better, though. I fear that I get too verbose sometimes.
And, of course, writing on the smartphone is less fluid, more cumbersome. It also tends to exacerbate the arthropathy in my thumbs, for what are probably obvious reasons.
Pen and paper‒for first drafts, anyway‒ is certainly my most long-standing method of writing, and I don’t think I tend to get quite as carried away with that as with typing. I suspect, but don’t by any means know for certain, that the things I write by pen and paper‒the fiction, at least‒are somewhat better, or at least more fun, than what I write on either a phone or a computer.
Here’s a bit of a rundown. The following stories I wrote by hand in the first draft, having no other options: Mark Red, The Chasm and the Collision, and my long short story Paradox City. I also wrote my stories House Guest and Solitaire with paper and pen, the latter in one sitting, the former way back in high school.
I wrote the first draft of Son of Man at least partly on a very small smartphone that I really liked.
The Vagabond is a bit of a mixed bag. I started it while at university, and finished the first draft while in med school. Part of the first draft was written by hand (i.e., with pen on paper) but most of it was written on a Mac SE using the good old word processing program WriteNow. Does anyone out there remember that one?
The rest of my stories, at least the published ones, were written on mini laptop computers (well, some here and there would have been on full-sized ones) from the beginning. Most notable of these, perhaps, is Unanimity, which is very long. But many of my “short stories” were written on regular keyboards, including the other two stories in Welcome to Paradox City, and my “short” stories, Prometheus and Chiron, “I for one welcome our new computer overlords”, Hole for a Heart, Penal Colony, Free Range Meat, and In the Shade, the latter of which‒like House Guest‒appears only in my collection Dr. Elessar’s Cabinet of Curiosities.
Oh, right, and of course Outlaw’s Mind, Extra Body, and The Dark Fairy and the Desperado have all been written (so far) on the lapcom.
If anyone out there has read a sampling of some of these, or all of them, and can give me any considered feedback on any overall difference in quality between the means of writing, pros and cons, I would certainly appreciate it.
And if any of you haven’t read any of the above, well…what are you waiting for? If you’re a fan of fantasy/sci-fi/horror, you might like some or all of my stuff. If you’re not sure where to start, by all means, I’ll give you recommendations based on your personal preferences, if I can.
I suspect that The Chasm and the Collision would have the broadest popular appeal, especially for people who like the Harry Potter books and similar stories. Son of Man is probably my purest science fiction story, but this is not “space opera” type science fiction. “I for one welcome my new computer overlords” is basically science fiction*, too, in case the title didn’t clue you in.
Everything else is horror of one kind or another. Most of my horror is supernatural in one sense or another, and I veer into the borders of Lovecraft’s universes in at least two stories**. Mark Red is supernatural and in some senses horror-adjacent, since it involves vampires and so on, but it’s really more a teen/young-adult supernatural adventure, a story originally intended to be a manga.
My darkest story has no supernatural elements in it at all. That’s Solitaire; it can be had in stand-alone form for Kindle, and it also appears in the middle of Dr. Elessar’s Cabinet of Curiosities.
Well, that’s been about as much self-promotion as I think I’ve ever done here before. I didn’t really intend to do it, but once I got going on discussing my various story drafts, it just seemed to go that way. I hope I haven’t been too insufferable. I’m really not a raving egomaniac, though I may be some other type of raving maniac.
I hope you all have a good day.
*And I guess Extra Body is sort of light-hearted sci-fi. It’s even somewhat comical, as my story If the Spirit Moves You is a sort of supernatural comedy (expect no laugh-out-loud moments, though, since they are dry comedy at most).
**The Death Sentence, which appears in Welcome to Paradox City, and In the Shade, mentioned above and in my other collection.





