songs

by

Blog Post for 1-10-2025, Friday

I’m going to write a very brief post today, just since I didn’t write anything yesterday.  I was out from work with a rather severe exacerbation of pain, from head to toe.  I actually thought about just sharing here an embedded or linked connection to my “bad cover” of Hurt, by NIN/Trent Reznor (and which was so achingly covered by Johnny Cash).  I shared it directly on Instagram, partly just to see if it was possible to share whole longish “videos” there, and it was.  So I shared from there to Threads and Facebook, TWFKAT*, and BlueSky and so on.

I think I’ll embed that video here below, or rather, I’ll link to the YouTube video.

Anyway, then I just tried to lay down and rest, and I dosed myself up with stuff to try to help diminish the pain and to help me sleep (I didn’t really get any more sleep than usual, unfortunately).

You know what, I think I’m also gonna link to one of my own original songs on all these various new social media sites with which I’ve been halfheartedly dabbling.  I’ll link that here, too.

As for why I’m in so much pain, well, the abrupt shifts in weather haven’t helped.  Also, I tried a new form for my ab exercises, since I’m always trying to find ones that reduce my pain, but this one backfired.

Then, I had such a stressful day at the office (payroll, loud and chaotic noise, tinnitus acting up like a diamond tipped drill driving from one side of my head to the other, people acting like idiotic children) that at one point I beat myself in the forehead with my fist so often and so hard that I gave myself a mild case of whiplash and possibly a mild concussion.  I certainly felt loopy afterward.

Unfortunately, there was nothing immediately life-threatening, so, as Bob Seger put it, “here I am, on the road again”.

Anyway, I’m off work this weekend, and I’m still quite sore and whatnot, so hopefully I’ll get some rest but will also have the gumption to walk some.

Meanwhile…I guess I hope you all have a good weekend.  “Like and Share if you agree.”

*The Website Formerly Known As Twitter.  Presumably because of an overabundance of musk, my feed on that site is no longer showing any posts here on my site.  Right now, I can’t be arsed to try to figure out how to fix it.

by

Sleep that knits up the ravell’d blog of care

Hello and good morning.

As those of you who read this blog regularly know, I’ve been ill for almost two weeks now.  I can’t say that I’m fully recovered yet, but‒unfortunately‒I am getting better.  In the early stages of the illness, when I stayed at the house for two of the days of last week, I was at least able to get a bit of extra sleep, thanks to that tendency of the body’s response to illness.  Since then, though, I seem to have rebounded into worse than usual insomnia.  I feel truly horrible, and I also have a persistent cough that’s irritating.

I wonder if there’s anyone out there from my past who truly hates me.  If so, I hope they stumble across this blog, or have already done so, so that they can at least experience a bit of schadenfreude.  It would be nice to think that my pathetic discomfort and self-hatred were at least bringing some joy to the world.  It might be spiteful joy, but I’ll take what I can get.  It’s not as though I’m very good at bringing joy to people I care about and who care about me for very long, at least when they are in regular, close proximity.

My subconscious mind gave me a slight birthday present on Sunday, in that I woke up with a little tune in my head that I’d heard in a dream.  I wasn’t sure if it was something I’ve heard before, but I didn’t and don’t think so.  Anyway, I felt compelled to work out the tune and then put chords to it on Sunday.  Then, Monday morning, I very quickly worked out the guitar melody and chords and did a quick little production of that.  It’s only 16 bars long, so that was easy enough.

I posted the audio here on Monday.  I also made a weird little video with it on my phone; I’ve tried to play with Instagram lately, just because I have a default account since I have a Facebook account.  I posted the combined video there and on YouTube (see below).

I think it was too much of a distraction making my strange introduction and then adding the weird effects.  That was me just playing around with the Clip Champ app from Microsoft, just to see what I could do with it.  But my intro is longer than the song, and I don’t think it adds much.

Anyway, if anyone recognizes the tune from somewhere, please let me know.  If not, I guess this was my personal Yesterday* kind of moment, though my tune is much more banal than Sir Paul’s.  There’s no real shame in that, though.  The vast majority of all songs ever written are not as good as Yesterday.

On a whim, I worked out the tune of another (pre-existing) song on an online keyboard yesterday‒I don’t even recall what song‒but it was interesting that I ended up “singing” it in my head in C Major/A minor.  It wasn’t deliberate, and I only realized it as I finished working out the whole melody.

This was striking because that was the key signature that the above, dream-based song came out in, and in which it is played, above.  However, I know that is not the key in which I originally dreamed it, because as soon as I woke up with it in my head on Sunday, I opened my phone’s voice recorder and tried to sort of hum the tune into it.  I’ll put that recording right here, as evidence (or whatever).

As I knew my voice was hoarse, and I wasn’t sure how well it would come across later (even to me) it wasn’t long before I opened up the online virtual keyboard (it was too early to use the real one) and worked out and wrote down the tune.

Anyway, the point is, between the time I had hummed the tune directly after my dream, which I’m pretty sure was in the key in which I dreamed it, and when I worked it out on the virtual keyboard, I’d taken it from G-sharp major/F minor (which I think is roughly the key in which I hummed it) to C major/A minor.  I don’t know why this happened, but it does make nearly all the black key notes go away.  C major is the simplest, most basic key‒in a sense, anyway‒whereas G-sharp major has its root on a black key.

I’d like to imagine that my subconscious mind corrected it to an easier key signature for me, and that’s not entirely beyond the realm of possibility.  I’ve been playing piano since I was nine (not continuously) and cello since I was ten (ditto), if only at a very flippant and superficial level, never developing any real skill with either instrument (and I do not have perfect pitch in the sense of being able to tell you what note is being played when I hear it, but I can certainly tell if something it out of tune with itself and otherwise deal with relative pitch).  Still, my subconscious might very well have enough imprinted memory of notes and scales to steer me toward easier keys when I’m writing something or sounding out something by ear.

All of this, though, is just a meandering distraction.  I’m not likely to do anything more with my dream-based tune, even if I become more firmly convinced that it’s mine.  I’ve occasionally found myself humming some impromptu lyrics to it in my head, but they are horrifyingly bad and stupid.  Compared to them, McCartney’s first lyrics to Yesterday‒“scambled eggs…dah dah dah dah dah, I love your legs”‒are worthy of Shakespeare or Milton.

So I’m not going to tell anyone what those are.  Anyway, sixteen bars do not a song make, as Yoda might say, so if I were going to turn it into something, I’d need to extrapolate.  That’s not hard to do once you’ve got a basic melody, but it requires you to have the drive to make a song.

I have no such drive for anything, really.  I can barely write this blog, and I am only doing it because I am a creature of habit and routine.  I am thoroughly exhausted by my worsening sleep, and I feel as though I’m experiencing the world through a multi-dimensional haze.  I’m also very depressed and I miss my kids and all the various other people for whom I’ve been too unpleasant for them to want to stay around anymore.

From day to day, and for a very long time, I have been thoroughly alone, and I fear that serves the greater good of the people who matter to me.  Even this week at work, since I’ve been here every day, has been far less successful than the days when I was out of the office.  Everything tends to be better when I’m not around.

I’m not living; I’m just waiting to die.  It’s taking a long frikking time, though, and I’m running out of patience and energy.  But I still can’t seem to sleep.  As the Ramones sang, “I wanna be sedated”.  I wonder if Michael Jackson’s old doctor is making house calls**.

TTFN

*Every Breath You Take had a similar origin.

**Is it too soon to be joking about him?  I have long been personally affronted by the fact that he spent less time in prison than I did.  Then again, he wasn’t in Florida.

by

There’s the respect that makes calamity of so long blogs

Hello and good morning.  It’s Thursday, and so it’s time for another weekly blog post.  Last Thursday I was out sick, so I only posted a very brief, almost telegraphic announcement of the fact that I wasn’t going to write a “true” post that day, and I said that I might write a true post on Friday if I was feeling better.  Of course, I was not feeling better by Friday, so there was no such post.

I’ve nearly recovered from my acute illness—probably some respiratory virus, but nothing too terribly severe—and now I am more or less back on my normal schedule.

Speaking of being “back”, though, my back has been acting up severely this week, and in an atypical fashion.  I’m not sure what triggered it.  Possibly it’s just due to being sick, with the coughing and the lying around more than usual and so on.  Possibly it’s something else.  Anyway, I’ve had to go to a combination of near-overdoses on my various OTC pain medications, and that’s not wonderful.  It got so severe yesterday that I was actually saying out loud that, if it didn’t improve, I was going to have to find some relatively high parking garage nearby and jump off it.  I was not exaggerating, as I think was obvious to those around me.

It’s easy enough to wonder why I don’t do that anyway, given that there is very little in my life that’s positive, and what positivity exists is episodic, and it can’t make up for the constant negatives of pain and illness and sleeplessness and depression and so on.  The closest I come to any comradely activity is streaming YouTube videos of people reacting to songs or movies that I like.  It’s almost, but not quite, exactly unlike watching a movie with a friend who has never seen it before.

Speaking of paraphrasing or otherwise referring to The Hitchhiker’s Guide to the Galaxy, I’m most of the way through the first run of editing Extra Body.  There’s a long way to go, since I usually do as many as seven such iterations before considering my editing done.  I figure by that time I’ll usually have lost any proprietary affection for a story and it will begin to bore me, so it’ll be easier to cut out extraneous material.

That’s the principle, at least.  I don’t know how well it’s worked hitherto; I’m too deep inside the process to trust my evaluation.  I did at least transcribe the material I had written so far, in passing, on HELIOS, so that if/when I’m ready, I’ll be able to pick up writing that by hand in its first draft.

Extra Body is my first non-horror story in a while (unless you count the beginning I made on writing The Dark Fairy and the Desperado, which is certainly not horror, but is also certainly nowhere near done, if it ever will be).  It’s hard for me to tell if it’s a good choice to have reverted to a sort of lighthearted science fiction story set in the modern world, but at least I was able to squeeze the first draft out.

Of course, I’m paring down the word count as I go.  As I’m sure is obvious to all of you, I get rather wordy when I write, especially when I’m using the computer keyboard, since I type quickly and usually can do so more readily even than I can speak out loud.

I’ve been reading some more books about quantum field theory (and related subjects) lately.  It’s still very intro level stuff, of course, but either because recurrent exposure to increasingly technical material is gradually sinking into my head, or because I’m just getting a tiny bit “smarter” overall over time, I’m actually finding some of it more familiar and understandable than before.

I must say that I was a little bit proud of myself not too long ago when I was thinking about how complex numbers are represented using a two-dimensional plane, with internally consistent mathematics and whatnot, and I wondered if one could have three-part complex numbers.  I soon realized that only even-numbered ones would work, and then I learned that these were indeed a thing (i.e., quaternions) and that indeed only even-numbered versions of such things can work.  Of course, it’s very difficult to visualize something that has four dimensions, so you just have to do the math, and I haven’t started to work on or learn that seriously, but I played with some “higher order” complex-number multiplications a few times, which was how I saw that only even-numbered ones, with separate “imaginary” roots would work.

On a vaguely related note:  I was listening to Sean Carroll’s podcast yesterday evening.  He was speaking to Doris Tsao, a neuroscientist who specializes in facial recognition and processing centers of the brain, and she mentioned that the attributes of a face can be thought of as many-dimensional, in the sense that there are numerous “variables” that can be represented about any given face, and that they effectively comprise a higher-dimensional space.

Then she turned the matter around and noted that there are apparently those who consider using such things as faces as ways of intuiting mathematical or related systems with higher dimensions, thus representing them in ways that the human mind is capable of visualizing.  I though that was a fascinating notion*.

It reminds me little bit of the concept of the “memory palace”, a mnemonic/rhetorical tool that originated in ancient Greece (so I understand) in which one associates the aspects of, say, a speech one is going to give with imagined artifacts or decorations in some imagined hall or room, so that the aspects of that speech can more readily be remembered and brought to mind when needed.

There are several fictional characters, most notably Hannibal Lecter and the BBC’s Sherlock, who use rather exaggerated versions of these memory palaces.  The one described in Hannibal is more coherent than the one in Sherlock, but they both take great liberties with how the concept was originally used.  Nevertheless, for the longest time, thanks to the amusing tableau** Thomas Harris described for how Hannibal Lecter had “stored” Clarice Starling’s (fictional) home address, I could readily reconstruct her address at will.  I think I may still be able to do it.  It should be something like “#33 Tindall Ave, Arlington, Virginia, 22308”.  If anyone wants to check my recollection, that would be welcome.  I’m not certain I got it right.

I’ve usually found such mnemonics more trouble than they’re worth.  It’s easier for me to connect concepts in the real world, building mental models of the way things work rather than trying to memorize.  This means I probably don’t learn as quickly as some do, but I learn deeply when I do, and it’s easier to connect one model to another and to spot analogies and similarities and possible connections between systems that might at first seem unrelated.  That was quite useful in medical practice, as I’m sure you can imagine.

Oh, I almost forgot:  Welcome to the first day of August in 2024!

That’s all I have to say about that.

Apparently the summer Olympics are currently taking place, but I’ve been unable to muster any interest in them, though I used to love them, and I find that the manufactured controversies about some apparent misconstrual of the opening ceremony or some such (and the juvenile ripostes by political antagonists of the original misconstruers responding to the supposed offense) all serves simply to reinforce my feeling that not just the human race, but indeed all life of any kind, is a bad idea.  Thank goodness for the apparent inescapability of the second law of thermodynamics.

Anyway, I feel I’ve been meandering about here, randomly bouncing from topic to topic, without any consistency or coherency, so I’ll bring this to a close soon.  I fear that this once-weekly blog posting suffers from the fact that there are topics I probably would have brought up as solitary daily blog posts when I was doing them, but that I now want to try to squeeze in here.

I just can’t write (or edit) new fiction and write daily blog posts too, not while I’m forced to keep my day job.  If anyone out there wants to pay for my living expenses and support me so I can both write new fiction and write daily blog posts while still studying physics and programming and the like in the meantime, please, let yourself be known!  I’d be pleased to hear from you.

Otherwise, I’m pretty sure none of this is going to last very much longer.  My pain and dysthymia and alienation and insomnia are increasingly unpleasant, and there are fewer and fewer things in my life that compensate.

Here’s to Macbeth’s proverbial last syllable of recorded time.  L’mavet!***

TTFN

*It does come up against difficulties when considering the notion of orthogonal axes of vector spaces being able to be rotated into one-another.  It’s hard to see how one could intuitively consider rotating the variables of, say, eye size and cheek color into one another, or what an inner (or “dot”) product or cross product of two such variables could mean…though with the latter, it makes the use of the “right hand rule” an amusing invocation of a slap in the face…or at least poking someone’s cheek.

**Involving Jesus (age 33) marching along with a .308 Enfield rifle at shoulder arms, followed by J. Edgar Hoover in a tutu, followed by Clarice driving a “Tin Lizzy” model T Ford, going past Arlington National Cemetery.  Something like that, anyway.

***This is an expression I invented this morning, the counter-toast to the famous L’chaim, which in Hebrew means “to life”.  Then, being me, I jotted down some words for the first verse of a parody song of “To Life” from Fiddler on the Roof:


“To death!  To death!  L’mavet!

L’mavet, L’mavet, to death!

Here’s to the father I tried to be

Here’s to that travesty

Drink L’mavet, to death,

To death, L’mavet.

L’mavet, L’mavet, to death.

Death has a way of releasing us

Luring and teasing us

Drink L’mavet, to deeeeeaaaath…”

That’s as far as I got, but I did only work on it for about five minutes, so, it’s not too bad.

by

Monday reflections and a song parody

It’s Monday morning, the morning after the Super Bowl, in case you pay attention to such things.  It was a pretty good game, I guess‒I watched it‒but it never felt very exciting to me at all.  Not much seems very exciting to me, honestly.  I had gone for a couple of long walks and bought some snacks and ordered a bit of indulgent food for the game, but I’ve ended up throwing most of that away.  I guess that’s probably good, in the sense that I don’t need the extra junk food calories and whatnot.  But it is a shame to waste the food.

Still, food waste is not the biggest problem.  Even in the places in the world where there is starvation, the problem is not that there is no capacity to get the people food.  The problem is political‒local and geo‒in addition to economics that are born of twisted politics.

At least food waste is, more or less by definition, biodegradable.

I haven’t written any new fiction, of course, but I did something slightly creative yesterday morning.  Somehow, the Carpenters’ song Close to You got in my head.  As its lyrics passed through my thoughts, I again had the impression‒which often happens with this song‒that the person being described seems to have sinister, supernatural powers, or at least is surrounded by supernatural portents.  Then it occurred to me that the words “close to you” and the word “antichrist” have the same number of syllables and the same (rough) stresses.  So, inspired by these two facts, I wrote a parody of Close to You called, of course, Antichrist.

As someone who has long enjoyed horror fiction and who at an early age familiarized himself with the “Revelation of Saint John the Divine” as it is sometimes known‒the last book in the standard Christian Bible‒the lyrics came rather easily.  I’ll share them below.  I vaguely entertain the notion of actually recording my parody, doing all the various parts and whatnot, but since I haven’t been practicing or playing guitar more than once every few months, and have done the keyboards even less, I wouldn’t hold your breath waiting for that to happen.

I also thought once again yesterday about some slight tweaking to the plot of my “super hero” story HELIOS.  This is an idea that took root originally waaaay back in my childhood, and was one of the “comic book characters” I used to draw, and for which I made some partial comic books and even an arch-enemy.  But the more current version of the idea isn’t really a superhero story, certainly not the type that would involve costumes and secret identities and whatnot.  I even thought, for a moment, that I just might start working on that story soon.

That didn’t last long, though.  I just don’t feel any motivation to do it.  If five living people, total, have read any or all of my books or stories, I would be surprised.  So, writing them is a bit like taking all the pages of the finished works and scattering them into a hurricane.  They just all go off somewhere and become mere parts of the detritus of reality, their information lost to all but Laplace’s Demon.  And, presumably, He wouldn’t appreciate them as stories, even though He could keep track of each and every force and particle they entailed.

Maybe the fact that these thoughts and stirrings happened on the weekend, and after one full day off, means that if only I had some regular mental rest, I might find the energy to start writing fiction again, or playing music, or some other, similar creative endeavors.

I doubt that will happen, though.  I’m in the middle of the ocean treading water as it is.  How am I supposed to locate a place to rest?  The odds of me happening upon some Gilligan’s Island type of refuge are pretty low.  I’m just biding my time, waiting for fatigue and hypothermia to get the best of me.  In a real ocean, that would have happened a long time ago.  Unfortunately, metaphors are not as lethal as one might like them to be.

Anyway, there’s not much more to say.  I guess I’ll close by giving you the lyrics of my parody.  Here it is:

ANTICHRIST

A parody of Close to You (by the Carpenters)

–

Why do crows suddenly appear

Every time you are near?

Seems to me

You’ve got to be

the Antichrist.

–

Flaming stones fall down from the sky

Every time you walk by.

Plain to see

You’ve got to be

the Antichrist.

–

On the day that you were born the demons got together

And forged a waking nightmare built for strife

With storm clouds heralding your birth and armies of the dead that came to life.

–

Businessmen and others who want power

Before you now will cower

They just know

It must be so

You’re the Antichrist.

–

When at last the time arrives to show your true dark nature

all of those who bear your mark you’ll pierce

With fire and brimstone in your breath and ten horns on your seven heads so fierce!

–

Then the world meets its final end.

Into Hell it descends.

There awaits

Your dismal fate,

Antichrist

–

Seems to me

It sucks to be

The Antichrist.

–

Waah, Antichrist

Waah, Antichrist…

by

This is NOT a quote from Shakespeare (as far as I know)

Hello and good morning.  It’s Thursday, the first of February in 2024 (AD or CE) and I’m writing a blog post for the day even though I’m not at all sure of any good reason to do so.  I even began it in the traditional way (“Hello and good morning”) in which I have usually started my Thursday blogs, going back to when Thursday was the only day of the week I wrote them, reserving all other days for writing fiction.

I don’t think I’m going to do a modified Shakespeare quote for the title, today, though.  It’s too much of a pain and takes too long, since all of the most obvious ones have already been used.  I suppose I might change my mind before the time I publish this, in which case, you will already know, though I do not know as I’m writing it.

As the 11th Doctor said:  “Time travel; you can’t keep it straight in your head.”

Yesterday’s blog post title was an actual quote from the song I referenced in the footnote.  It’s a good song (off OK Computer).  Radiohead did an amazing job making sounds that were evocative of the notion of aliens and the like, and it has the wonderful little riff at the beginning and end.

That album really is one of the greatest albums ever.  It’s not a concept album.  Radiohead is too eclectic a band, I think, ever to try to make a concept album, though their albums tend to have an internal cohesiveness to them.  They often are very careful and strict about the order in which to put their songs, and which ones to include.

For instance, in OK/not OK, their rerelease of OK Computer a few years ago, they included several songs on the “not OK” portion that they hadn’t included in the original, some of which they left out because they didn’t match the tone of the album.  I certainly understand where they were coming from, but it’s a mild shame to have had to wait so long for songs such as Polyethylene (Parts 1 & 2), Man of War, I Promise, and Lift.

That last one is one of my very favorite Radiohead songs.  It sounds too upbeat and hopeful for the tone of OK Computer, but I take that as “deliberately” misleading, a slightly different version of what they did with No Suprises (in which the song sounds like a beautiful lullaby, but the lyrics tell a very different story—I did my own “live” cover of that song, because it’s so representative of how I feel much of the time).  Alternatively, one could say that the tone of Lift is positive because the singer takes a very different attitude toward the subject matter as I take it from the song compared to most people, and is optimistic about it.

I interpret Lift, consistent with my biases and attitude, to be a song about escaping from life (by dying).  “This is the place.  Sit down.  You’re safe now.  You’ve been stuck in a lift.  We’ve been trying to reach you, Thom*.  This is the place.  It won’t hurt ever again.”  And, of course, later there’s the line, “You’ve been stuck in a lift, in the belly of a whale, at the bottom of the ocean**.”

I interpret this as expressing the thoughts of someone who’s finally getting out of all the stress and pain and horror of life (the lift, the two words being only off by one letter) into the safety and freedom from pain that is death.

On the other hand, the song ends with the words, “Today is the first day of the rest of your days.  So lighten up, Squirt.”  That could be taken as life-affirming and optimistic, and I’m by no means certain that Radiohead intended the song to be about what I take it to be about—my biases are clear and obvious, even to me—but that last line can still work in my interpretation.  After all, he doesn’t say it’s the first day of the rest of your life but of the rest of your days.

I’m overreading things, probably.  In any case, it’s a great song, and if you want to interpret it in a positive, life-affirming way, by all means, please do so.  It’s art, innit?  You can interpret it according to your impressions.  Just remember, this was a song from the time in which the band created (or at least finished) such tracks as Exit Music (For A Film), Climbing Up the Walls, Let Down, Fitter Happier, and of course, the aforementioned No Surprises.

As for other “not OK” songs, I really love Man of War, which was reportedly inspired by James Bond.  The video for the modern release is brilliant and haunting.  I also really like both to listen to and to play and sing Polyethylene (Parts 1 & 2), though I haven’t done so in quite a long time.  I did a video of myself playing and singing it once, but it’s not up on YouTube.  I didn’t think it was very good, and I think my voice broke at one point.  I might have shared it here, though.  Yes?  No?  I’ll try to find out before I publish this.  If so, I’ll put a link:  Here.

If not, I won’t***.

By the way, I’m writing this post on my laptop computer (is it an OK computer?  It’s pretty darn good, at least), for the same reason I did so yesterday:  to give my thumbs some rest.  That does seem to be doing at least some good.  The bases of my thumbs are still quite sore when I rub them, and they feel stiff, but at least typing doesn’t make it worse, since I don’t use my thumbs during regular typing.

Anyway, that’s probably all I need to inflict on you today.  I did not know, when I started this post, that I would be mostly discussing Radiohead songs.  I do really like them, though.  And the new mini-band, The Smile, that Jonny Greenwood and Thom Yorke have formed, along with Tom Skinner, has some good songs as well, though I haven’t listened to all of them.  Their recent video for Friend of a Friend has the trio performing for what seems to be a group of elementary school students, and at the end, after bowing to the pleased audience, Thom has a nice little smile on his face.

Who could not smile after having a bunch of young kids cheer for your song?

Anyway, that’s enough for today.  The train is going to be here in a moment, and it’s not as though I have any further agenda.  My pain is nearly back to its usual baseline level, which is not great, but at least I’m more or less accustomed to it.  I’m not going to insert a picture in this blog post, unless I change my mind, but if I do, you’ll already know.

I may write a post tomorrow, but I may not.  It’s more likely than the possibility of me writing some fiction tomorrow, though, sad though that fact may be.

TTFN

*I usually sing it as “We’ve been trying to reach you, Rob.”

**This line “reminds” me of the ending of Weird Fishes/Arpeggi, another brilliant song, which closes with the words, “I…I hit the bottom…hit the bottom and escape…escape.”

***I have no such link, but I do have the original video file.  I decided not to share or upload that, but quickly rendered the audio from it, did a little noise reduction, compression, added some reverb and so on.  You can hear my voice really break at 2:13 or so, but that’s not the only time.  I think you can hear why I didn’t put this video on YouTube, but I like my little comment at the end, so I didn’t even edit out my cringey “Ohhhhh”s, though they are embarrassing.  Here it is:

by

Candles and tears and songs and memories of the late, great “Johnny Ace”*

It’s Friday morning, the end of the work week for many—though not for me, this week—and it’s also the first full day of Hanukkah.  I won’t post any more pictures of dreidels and so on, but I may still remind my readers daily while the holiday lasts.

It’s not as though the world is politely restrained about the other upcoming major festival, after all.  Though, of course, Hanukkah isn’t really that major a festival in Judaism, compared to things like Passover or Yom Kippur and such.  It’s just become major in competition, if you will, with Christmas, as a children’s holiday.

I don’t have any issue with that.  The more reasons one can find to celebrate with friends and family and encourage joy in the darker days of the year, the better, as far as I can see.  That growth curve might level off and even dip downward eventually as one piles on more and more such reasons for celebration; reality is rarely governed by truly linear equations, after all.  But I don’t think we’re anywhere near the peak of the curve, so have at it.

Today is also the anniversary of what was, in my memory, the most horrifying news event in my young life:  the murder of John Lennon**.

I’ve said it before, the Beatles were my first true religion, in a sense.  I cannot recall ever not knowing almost all of their songs by heart.  I was the youngest of three children, I was born in 1969, and my sister and brother were big fans (for as long as I can remember, anyway, which is of course, not as far back as they can).  So the Beatles were ever-present.

The number two spot in my list of favorite bands has varied over the years—the Police, Pink Floyd, now Radiohead—but the number one position has never been seriously challenged, even as I’ve heard more bands, even as I’ve heard and played more music of all kinds, from “ancient” to modern, from western to middle-eastern and eastern and so on.

Of course, the Beatles have recently had their latest new number one single, Now and Then, which was grown from the root of a recording John had done on a cheap cassette tape*** in the late ‘70s.  I won’t say it’s on a par with In My Life or I Feel Fine or Come Together, but since John Lennon was stolen from us by an insect—as it’s put in Elton John’s song, Hey, Hey, Johnny—it’s what we have, and it’s not bad at all.

Still, it’s terribly sad to think of what the world may have missed.  Not long before he was murdered, John had gotten back into the recording studio after a long hiatus, releasing his album, Double Fantasy.  Who knows what might have happened had he lived?  A true Beatles reunion of some kind or another might have been in the offing, and in any case, it’s almost certain that John Lennon would have created much more music in the four plus decades since 1980.

One often sees memes with clichés about how, if one has left one person’s life better before one dies, then one’s life has been worth living.  Imagine then the massively negative weighting of the life of the person that stole from the world potentially forty years’ worth of John Lennon’s music.  And that suppurating rectal fistula that did it—who, as far as I know, has never contributed anything to anyone, least of all himself—is still alive.

If I found myself responsible for his medical care, I probably would do my duty and care for him to the best of my ability, since a shit-stain such as he would not be worth violating my medical principles.  But goodness, it would be tempting to give him an IV infusion laced with fluid from a campsite outhouse.

I imagine (sorry, that wasn’t intentional, but I’m leaving it in) that John himself would probably counsel against even the notion of revenge.  Then again, in his cautionary song, Revolution 1—the first version, that is, on the “White Album”—he seemed conflicted, singing, “But when you talk about destruction, don’t you know that you can count me out…in.”  That little second thought doesn’t appear in the more rocking single version of the song, but remember, this is the guy who wrote Norwegian Wood, with shades of perhaps not-entirely-figurative arson, and even Run For Your Life, for crying out loud.  Still, I suspect that he would have wanted to be the sort of person who would not wish to seek revenge, even against his own murderer.

Then again, that snotty-faced heap of parrot droppings that killed him also robbed Sean Lennon of years and years with his father, and robbed John of such years with his wife and his children, and all because that endometrial teratoma that had been mistaken for a human child was so pathetic that he wanted to kill celebrities as a way of becoming famous.

Anyway, that’s enough of that.  I remember John Lennon, and enjoy his music, far more often than I indulge in violent fantasies about what to do with the “man” who killed him, and that’s certainly as it should be.  I will listen to some of that music today.  And I will have a peaceful Friday (probably), and I will work tomorrow.  So I will write a post tomorrow.

Until then, have a good day, if you can.

johnlennon-RIP without words

*This refers to the song by Paul Simon, which commemorated the deaths of blues musician Johnny Ace, and of JFK, and of course of John Lennon.

**I consider the murder of an artist such as John Lennon to be much more repulsive and distasteful than, say, the murder of a political figure or instigator of social change, or even a religious figure (depending on the religion).  The latter types of people are, to borrow a phrase from The Godfather, “in the muscle end of the family”.  Artists are creators, sometimes of breathtaking beauty.  To seek out and deliberately kill an artist (without some extraordinarily good reason) is an insult against the very value of joy and beauty and existence itself.

***It’s quite interesting to remember that my brother and sister and I used to make various recordings of various things, also on standard cassette tapes.  Sometimes we sang, sometimes we did little shows, sometimes we recorded the sound of TV shows such as The Incredible Hulk so we could listen to them when going to bed.

by

I searched for form and land; for years and years I roamed

It’s Friday, and since I don’t work tomorrow (on what would have been my Mom’s birthday), it really is the last day of the work week for me.  Not that I have anything planned for the weekend, other than doing my laundry on Sunday morning.  I don’t know whether I feel worse on the Fridays before I work on Saturday, or on Fridays before I don’t, but neither one is worth anticipation, and today is no exception.  I feel quite blah.

I did not walk (nor jog) to the station today.  I got slightly stiff, and had a mild exacerbation of my back pain, during the day yesterday, and decided I would give myself a break this morning for my body to do any adapting and recovery it needs.  It’s a bit of a shame; the weather is semi-cool and there is a nice wind blowing, so it would have been pleasant for walking.  Depending on how I feel this afternoon, I may walk back from the train, but then again, I deliberately wore boots today to discourage myself from not letting myself rest.

Also, of course, I like my boots, and wanted to wear them.  As you can see, I have not given them away or otherwise disposed of them yet.

I’m trying to do the whole “I love the world” thing, but I’m having trouble with it.  I haven’t given up yet, but my mood seems to get in the way even of that much.  It’s apparently hard for me even to say that I love the world, let alone myself.

I wish my mood were more consistent.  Little moments where mantras work and when I feel that I’ve made some progress give me a false shot of hope, but then‒as always‒I wake up ridiculously early in the morning and just watch the clock until it’s late enough that I can say, “Fine, you might as well just get up.”  Then I find every little thing stressful and irritating.  Maybe I give up trying to give myself calm, positive self-messages and just try to get in some regular mindfulness meditation and/or self-hypnotism.

Or maybe I should just give up, full stop.

I would obviously like it if I were to be able to be in at least a neutral mood most of the time.  Of course, it would be preferable to be able to be positive a goodly amount of the time, but that’s a lot to ask.  It would even, as I said, be acceptable just to be glum all the time so that I didn’t get all the yo-yo action that drives me ever crazier.

No, I don’t appear to have any clear form of bipolar disorder, based on clinical criteria, just in case anyone’s wondering.  I’ve been seen and evaluated by a decent number of mental health professionals, and though, of course, they could be wrong, they seem to have a consensus about my dysthymia and depression, and none of them seem to consider any form of bipolar to be an issue.  Although maybe I’m masking symptoms and signs of that, even from myself.

It seems unlikely, but I’m apparently pretty good at masking in general, so who knows?  Not me.  We never lost control.  You’re face to face with the man who sold the world.

Sorry, I slipped into quoting a David Bowie/Nirvana song there.  It’s a good song (both versions) and it’s fairly simple to play and sing, so that’s nice.  I haven’t ether played or sung it in quite a while, but I listen to it from time to time.

I think it’s interesting that, in the Nirvana version, Kurt changed the line in the second verse from “We must have died alone, a long, long time ago,” to “I must have died alone, a long, long time ago.”  He definitely gave away some of his internal issues in his choice of lyrics in a lot of his songs, and apparently, even in his covers.  It didn’t do him much good, unfortunately; he certainly didn’t seem to get the help he needed.

I guess it’s hard.  The world is very big and impersonal, and though it is beautiful in all sorts of ways, it does not seem to give a flying f*ck at a rat’s a*s about any particular, extremely finite, living creatures.

Anyway, I guess it’s fitting for me to end the week on a downer, since I tend to start the week on a downer, and the occasional upbeat posts are the exceptions.

I’d like to say something snarky and dismissive and contemptuous to close out, but I really do hope that everyone who reads this has a good weekend, as do all the people whom all the readers love and about whom they care, and then on out to six or so more layers.  What the heck, why doesn’t everyone have a good weekend?  I, myself, don’t expect to do so, but it would be at least some consolation if everyone else in the world did.

See if you can all do me that favor, please.

by

“Who knows? Not me.”

I didn’t walk the full five miles from the train to the house yesterday afternoon‒I walked about three or three and a half‒because I didn’t want to give myself any blisters or abrasions from walking too far for the first time in a new pair of boots.  But I seem to have stopped well in time for that, since there are no blisters or even sore spots on my feet now, and my ankles and right Achilles tendon appear to be in good nick.  Also, and most importantly, though I had a bit of tension in my right side along my back upon returning to the house, that went away nicely with a bit of stretching and replenishment, so that’s pretty good.

Anyway, lesson learned:  it matters if the boots you wear are even a little bit oversized if you’re going to be walking any very long distances in them.  It looks like these new, half-downsized ones will work well.

It’s been sloppy and wet here in south Florida these last several days, but there does seem to be a slight increase in morning breeziness.  And, of course, since Saturday, the time of darkness has been slightly greater than the time of daylight, and its dominance is increasing at the most rapid pace at which that will happen.  This is because, for a sinusoidal curve, the fastest rate of change is when it crosses the x-axis (at the equinoxes in this case), and the slowest rates of change are at the peak and at the nadir (the solstices in this case).  So, for a little while now, the nighttime will be growing rapidly before it settles out, steadily and gradually, as we barrel toward the end of the year.

After mentioning the fact that I don’t play the guitar in the morning anymore, yesterday I decided to fire up the axe for a bit.  Remarkably, it was still almost perfectly in tune!  Probably it helps that the office is kept pretty much at a constant temperature.  Also, I had left the capo on the fourth fret the last time I played.  That was for playing the chords and stuff from the Nirvana version of The Man Who Sold the World.  I didn’t start with that yesterday, instead playing through a few iterations of Nothing Compares 2 U.  It’s a lovely song.  I like the Chris Cornell version best.  Of course, now Prince (the songwriter and original performer) and Chris Cornell and Sinead O’Conner (who had a big hit with her cover of it) are all dead.

Then I did play some of The Man Who Sold the World, and then Ashes to Ashes, both Bowie tunes, at least originally.  And, of course, Bowie and Kobain are also both dead, though they died under very different circumstances.  Then I got my guitar book out and played a little Just the Way You Are, and Sorry Seems To Be the Hardest Word, and Here, There, and Everywhere, by Billy Joel, Elton John, and Paul McCartney‒all of whom are still alive!  That’s just weird, isn’t it?  Imagine that!

Of course, the latter song is credited to Lennon and McCartney, but that was a formality according to their agreement for all Beatles songs they wrote.  It was a McCartney song, and it was apparently the only song of his for which Lennon directly complimented him.

Considering the quality of Sir Paul’s work overall, that’s a hell of a statement, in more than one way.  First off, it must have really impressed John (rightly so) for him to make a point of telling Paul that it was a good song.  But it seems harsh that John never complimented any others, at least to Paul’s face.

Then again, he was British, and emotional expressiveness (other than through song and theater and literature) is a major national deficit by most accounts.  Maybe that’s why they do so much good music and poetry and drama and comedy and the like.  I often get the feeling that part of the reason Thom Yorke’s singing is so powerful and conveys and evokes such emotion in the listener is that this is Thom’s only real way of expressing himself deeply.  And, of course, he does seem almost possessed when he’s performing.

As a YouTube reactor (I cannot recall which one, for which I apologize) said of his singing, “He’s feelin’ it when he’s singing…and he makes you feel it, too!”

Now, John Lennon did compliment Paul to other people‒during interviews, for instance.  Though even then, he was far from effusive.  That was just his way, I think.  He had a very troubled childhood, and emotional expression was probably difficult for him, even for a Brit.

Then again, he wrote some incredibly expressive songs, from If I Fell to In My Life to Julia to Across the Universe, all the way up to Starting Over and Woman, with scads of others thrown in for good measure.  If being closed off and repressed helped lead to the creation of those truly great works of art, the world at least can hardly feel too horrible about it.  Though it would be nice if a person could be well-adjusted and have the ability to express and receive affection easily and still produce great art (and ideally, of course, not be murdered by a slimy little worm of a creature who claimed to be a fan).

Alas, though it seems possible in principle, it doesn’t seem to happen often, if at all, in practice*.  Shakespeare supposedly wrote Hamlet, and some of his other great tragedies, partly in response to the death of his son, Hamnet.  And of course, I, his much later and far inferior admirer, only really started to write and publish stories that have always been in my head once my life, my family, and my career had been wrecked, and I was in prison.

We can be thankful, if saddened, for the great art that was born of Shakespeare’s sorrow, and of Lennon’s.  In my case, on the other hand, it was almost certainly not worth it, particularly for me.  But I can’t change any of that stuff, either.

Life’s like that, I suppose‒to quite the end of one of my own short stories, possibly the darkest one I’ve ever written…which, weirdly enough, first came out of me years ago, while I was happily passing the time keeping my then-friend and soon-to-be fiancée company while she did some overnight work for a summer job.  I don’t know where it came from, except that I did often like to play solitaire (with real cards).

Anyway, that’s enough for now.  Have a good Wednesday.

*As Einstein is reputed to have said, “In principle, principle and practice should be the same, but in practice, they often are not”, or something like that.  He was a clever fellow.

by

But if of ships I now should sing, what ship would come to me?

It’s Friday, September 22nd (in 2023 AD or CE…I don’t know what year it might be by Shire reckoning), and that day is the birthday of both Bilbo and Frodo Baggins, the primary characters of The Hobbit and of The Lord of the Rings*, respectively.  They are not close in age, though Bilbo had adopted Frodo as his heir.  In the first chapter of LotR, we find the two celebrating their mutual birthday, when Frodo is turning 33 and Bilbo is turning 111 (eleventy-one, as hobbits apparently say) with their combined ages coming to 144, a “gross”.  So, the age gap is 78 years, but it seems smaller because Bilbo’s life has been stretched by his ownership of the Ring.

An interesting thing to note (for me, at least) is as follows:  since 33 is clearly divisible by 3, and so is 111 (its digits certainly add up to a multiple of 3), then the difference between them, 78, must also be divisible by 3.  Which it is, of course.  78 is 3 times 26, 111 is 3 times 37, and of course 33 is 3 times 11 (which is, of course, 37 minus 26).  This also means that the combined total of 144 is 3 times 48, which it is.

That doesn’t work the same way in reverse, of course.  Just because the difference between two numbers is a multiple of 3 doesn’t mean the numbers themselves are (though if one is, the other is).  As a relatively extreme example, 137 and 149 are both prime, but their difference (12) is a multiple of three.  Obviously, no prime numbers (other than 3 itself) are multiples of 3, by definition.

On the other hand, the difference between any two primes, as long as neither of them is 2, is an even number, since all prime numbers larger than 2 are odd numbers (the even numbers all being divisible evenly by 2), and the difference of any two odd numbers is always going to be even.

Okay, sorry to bore you with all that.  I like trivia about numbers, and especially prime numbers.  I particularly like those primes that others disrespect, or at least I want to show them respect, as it were.  I think I’ve mentioned here before that I used to always try to put 13 gallons in my gas tank whenever I “filled it up”, back in the day.  It didn’t mean anything‒I have no suspicion that there are any mystical qualities to any numbers‒I just thought it was fun, to the point of my being disappointed when I couldn’t do it.

Anyway, today is a memorable day, at least for Tolkien fans (of which there are many), and tomorrow is the equinox, the start of Autumn in the northern hemisphere, and of Spring in the southern hemisphere.  Then, starting Sunday night at sundown, as I mentioned recently, is Yom Kippur.

So, this should be an auspicious weekend for embarking on momentous “journeys” of one kind of another.  But I’m stupidly going to have to wait, out of deference to my coworker.  He went home sick after lunch yesterday, but hopefully he will be in today**.  This is his weekend to work, and I have no desire to cover for him, because he obviously won’t be working next weekend, which would make three weekends in a row for me.

I’ve worked worse and harder schedules, of course, but I was younger then, and I had actual reasons for working and staying alive.  I was literally saving other people’s lives as well, and I was also relieving suffering, to the degree that I could.  Now, I’m a few decades older, and I have no particular reason to work even just to keep myself alive.  I’m not doing any good for anyone, least of all myself.  I’m almost certainly a net detriment to the people who have to interact with me‒this seems a fairly firm conclusion, given that most people have eventually wanted to get away from me, even people who love me, like parents and spouse and children.  I’m definitely not of much benefit to the world at large, either.

I plan to fast on Yom Kippur, which I usually do, though I’m not observant in any other way, anymore.  I think the fast is a useful, or at least interesting, thing.  Since it’s only 24 hours, it’s a full fast, meaning no food or water or anything else, though one is expected to take any medicine one usually takes.  The preservation of life supersedes all competing mitzvot.

Anyway, sorry, I’m being boring again, I think.  I meant to say that I may not write a blog post on Monday morning‒just as a little nod to the day‒or I may write one early, on Sunday, and put it up with a delayed publication time, so it will show up Monday morning.  Or I may just write one on Monday as usual.  It’s not as though I have any true, deep connection to any form of ritual or observance.  Why should I fool myself or anyone else?  I certainly don’t think any external, let alone supernal, aspect of the universe cares about my actions in any sense, or even about my existence itself.

I guess we’ll all have to wait and see what I do.  Maybe something will happen and take it all out of my hands.  That would be okay.  Or maybe I’ll lose my tenuous grip on what remains of my will to live and decide that I don’t care about inconveniencing anyone anymore.  I’ve spent a lot of time and energy in my life trying to make things as easy as possible for other people, and (as I said) to relieve suffering when I could.  It wears me out.  It has worn me out.  And it’s not as though it’s had much in the way of compensatory positive effects on my own life, though I guess I should never have expected to be rewarded or admired for things that were, in the end, my decisions carried out because they were what I thought I should do at any given moment.

The universe is uncaring, and humanity as a whole often instantiates that fact quite glaringly, though they do‒occasionally‒display behavior of a nicer, kinder type.  There often doesn’t seem to be enough of that aspect to go around, even on Earth, let alone on a universal scale, but then again, benevolence and beneficence are not substances, and there are no conservation laws concerning them.  They can, in principle, increase without limit.  They can also diminish and even vanish utterly.

If I had to bet on which I thought was more likely, all things considered, I would probably bet on the latter, but I would hope to lose.  I’m okay with losing things like that.  Hey, as the theme song from MASH notes, I’m going to lose at this game anyway.  So there’s not too much point, in and of itself, of trying to drag it out for its own sake.  It’s one thing if there are other variables, other pressures, other forces, other fields, other considerations‒those can make the game worth playing for as long as one is able.  But the game, in and of itself, is not necessarily an inherent good.

That was slightly cryptic, I guess.  Sorry.  I have a hard time saying clearly what I mean, partly because I’m often unsure, myself, and at other times because I simply can’t seem to express my feelings well.  Occasionally, I think I’ve done it reasonably well in my songs, like in this one, or this one, or cover songs like this one and this one and this one and this one.  But those don’t garner much of an audience***, so it doesn’t really matter, as anyone can see.

Enough!  I’ve already wasted too much of your time.  Have a good first day of Autumn tomorrow, enjoy your celebrations of Bilbo’s and Frodo’s birthday (you do celebrate it, don’t you?), and if you observe Yom Kippur, then g’mar chatima tovah and good Yom Tov.

bilbo frodo birthday adjusted

*Though, of course, while the title character of The Hobbit is indeed Bilbo Baggins, the title character of The Lord of the Rings is the villain, Sauron.  Just imagine if the Harry Potter books had been titled, for instance, He Who Must Not Be Named and the Goblet of Fire.  Actually, that’s not bad, is it?

**It turns out he will not.  He has some form of sinus infection.  When I got his text I actually started to cry a little; I hope he doesn’t call out sick tomorrow.

***Certainly nothing close to the size of the audience for The Rockford Files in its heyday.  Get it?  Garner?  Rockford Files?  Never mind.

by

When the train comes, should I run or hide my head?

Here I go again, wasting your time and mine with another daily blog post that accomplishes nothing for anyone.  I hope you enjoy it.

I arrived at the train station just now, literally seconds before the train prior to the one I planned to take arrived.  This is because I got up even earlier than I usually do, so I figured, “What the heck”, and decided just to get going.  I had some old trash and knickknacks I wanted to make sure to get out in today’s garbage pickup, anyway, and since I was awake anyway, I got up very early to take care of some of it.  I’m clearing out as much clutter as I can, throwing out unnecessary clothes, old Halloween costume stuff, beat up old books I’ll never read, magazines, tools…all sorts of stuff, things that just take up space and make a mess.  I gave my folding massage chair at work to my coworker who has a bad back‒it doesn’t really do very much for me, anyway.  And I’m going to give my colored pencils and such to one of my coworkers who has a young son who has used them when he was here with his father.

Oh, right, I was talking about the train.  Sorry.  As I was saying, I arrived at the station just in time to see the first northbound train pulling in, and my strong impulse was to rush to try to catch it.  I probably could have done so.  It would have required just breaking into a jog for a bit, and hoping the conductor saw me and wasn’t in too much of a hurry‒the train was, technically, slightly early.

However, I decided to fight that impulse, partly because I already get so sweaty, and partly because I didn’t want to have to stress myself out with that somewhat irrational impulse to catch the earliest train.  So, I strolled up along the northbound side of the station, figuratively gritting my teeth, watching the train come to a halt and then depart.

That turned out to be very stressful in and of itself, and I’m still stressed out about it now, especially as more people arrive at the track to wait for the next train, which is sure to be more crowded than the first.  I also can’t seem to help thinking about the possibility that this next train might run late, and that would mean it would probably be more crowded still, and also, just, well…that it would be more of a loss of time than I will already experience from not getting on the initial train.  Not that I have any urgent need to get anywhere very soon.  Work doesn’t actually start for five more hours.  But once I’ve decided to get up and get there, being delayed is just extremely stressful.

I get the impression that my stress doesn’t really show on my face or in my demeanor, any more than my depression does, because nobody seems to notice either thing, though I feel as if they must be glaring and blaring like a fire truck with lights and sirens going at maximum level.  Evidently this is not so.  I think I could probably douse myself in lighter fluid and rubbing alcohol and set myself on fire in the middle of the office, and people would just say, “Hey, Doc, how’s it goin’?”*  Or I could go to the roof of the highest nearby building or parking structure and step out onto the ledge, and anyone passing would just say to me something like, “Isn’t that a great view?”

Oh, well.  It doesn’t matter, really.

I am possibly going to push some of my “plans” back by about two weeks, unfortunately.  I have this weekend off, but the following weekend, when I am scheduled to work, my coworker and his wife are taking their daughter to Orlando, and if I weren’t available, he might feel that he ought to cancel that vacation to cover for me.  I don’t want that.

There’s always something, isn’t there?

[Okay, my train arrived almost on time just now.  I’m still torn about having skipped the earlier one, but I can’t change that now.]

Anyway, the weekend after that is, more or less, on or around my Dad’s birthday.  I guess that’s both more and less momentous than Bilbo’s and Frodo’s birthday, and certainly it is more directly personal to me.

I don’t really know what I’m talking about here, sorry.  I’m kind of all over the place.  And yet, I’m still going nowhere‒figuratively speaking, anyway.  I mean, okay, literally, I’m on a commuter train heading north at quite a decent speed.

Of course it could be that this is also, as Kenny Rogers sang in The Gambler, a train bound for nowhere.  I’ve always thought there was some pretty good poetry in that song:  “We were both too tired to sleep”, “We took turns a-starin’ out the window at the darkness, but boredom overtook us”, “If you don’t mind me saying, I can see you’re out of aces”, “Because every hand’s a winner, and every hand’s a loser, and the best that you can hope for is to die in your sleep”, “And somewhere in the darkness, the gambler, he broke even”.

Not Shakespeare level stuff, maybe, but still, there were some nice turns of phrase in it.  The chorus, ironically, has some of the weakest lyrics in the song, in my opinion.  They aren’t bad, but the verses are better.

Jeez, Louise, why am I writing about the lyrics of an old Kenny Rogers song?  It’s not a bad song, of course, but how have I come to be writing about it in a blog I originally started as a promotional venue for my fiction?  It’s bizarre.  I don’t quite understand it.

Of course, there’s nothing truly mysterious about the whole thing; it’s just the product of stochastic, drunkard’s walk events.  It has no directionality, no purpose, no meaning.  But it’s still just quietly mind-boggling.  What a catastrophically banal, monumentally tiny, outrageously boring shit-show my life has become.  It’s enough to make you laugh until you choke…or maybe to yawn until you choke.

Anyway, that’ll do for today, I think.  I hope you have a nice day.  Try not to let my words and thoughts infect you with my way of looking at things.  It’s not anything I recommend, and I certainly don’t think I have any particularly wise insights; I can’t even manage my own mind.

tri rail train dramatic

*”Doc” is what people at the office call me.