I’m writing this today on my smartphone, but this time it’s happened more or less deliberately. I had several things to bring back to the house last night, and they made my backpack significantly heavier than usual. Though more than capable of carrying it, I decided there was neither need nor benefit in doing so, so I left the mini laptop computer at the office.
I don’t know about what topic to write today. I have, of course, not started jotting down potential subjects for blog posts, as I mentioned yesterday (I think). Or perhaps I have started, but I simply didn’t think of any such topics or subjects yesterday, and so I didn’t write any down. Such ideas almost never occur to me ahead of time, anyway. Maybe if I were keyed into that process, it would become more common.
I did write down a potential story idea (or really a story’s beginning) yesterday. I still do that from time to time, even though I don’t have any expectation of writing any of them. Here, I’ll show you what I wrote based on something I saw along the route back to the house that I hadn’t noticed before:
“Story idea: a person who lives in a thoroughly flat area is on a walk and sees a partly obscured path or road that seems to go up a slope that shouldn’t lead anywhere. He assumes it must just be a ramp that leads to a parking structure or building that’s obscured by vegetation, and he decides to head up and see where it leads. There’s no signage or barriers to stop him, which seems a bit odd. He goes up, but as far as he can tell, it continues to be a road, slightly winding, through woods, up a hill that cannot be there, and soon it becomes clear that it must be very big. What is it? Where does it go?”
There it is, a typical trigger for a story, of the sort that happens to me occasionally. I doubt I’ll ever write it, or indeed any fiction ever again, but it still arouses intriguing thoughts and possibilities. If any readers find that it triggers your own ideas for a story, feel free to use it. I give you my blessing or permission or whatever it might be. Even if we both (or all, if there were more than one of you) were to write stories based on that trigger, they would probably all be wildly different stories. Indeed, it seems like the sort of exercise that might be done in some “creative writing” course, with everyone writing stories based on the same prompt.
I sometimes wish I would have such notions about songs to write (or poems, which is more or less equivalent for me…unlike a lot of songwriters, apparently, I come up with the words first, because I am a wordy kind of guy). I sometimes wonder how songs are written by very productive songwriters or songwriting teams.
I have read quite a few books and so on about or by people such as the Beatles in general and Paul McCartney specifically, and Radiohead (they are my two favorite song creating groups, though there are, of course, many others including Billy Joel, Don Henley/Glen Frey/Eagles, Roger Waters/Pink Floyd, etc.).
But nothing I have read seems to resonate with me about how to write a song. For one thing, the primary songwriters in neither the Beatles nor Radiohead actually “read music” as they say, whereas I was “classically trained”* on both piano and cello. So it’s quite hard for me to separate the idea of songwriting from that background, even if I were to want to do so, which I don’t.
I also really don’t tend to come up with chord progressions until after I’ve come up with a melody, but that’s probably because the cello has been my main instrument in the past (and voice even more so than that). One rarely plays chords on a cello and almost never can one sing chords**.
Okay, well, in case anyone was interested, that was a little bit of spontaneously written “under the hood” description of some of my creative “processes”, though it seems pretentious and even misleading to talk of such a thing as a process in my case. I suppose, if I were doing such writing full-time, I would need to have, or would just develop automatically, a more rigorous creative process, especially if it were how I made my living.
Alas, that seems unlikely to be my situation at any point in my future, though it would be nice if it happened. We’ll see how that goes, but I can’t in good faith recommend that anyone bet on it, let alone that they hold their breath waiting.
I hope you all have a very nice weekend, or that you all have very nice weekends, which are two different ways of giving the same well-wishing that have a slightly different feel, but which empirically must mean the same thing. In any case, please be well.
*That sounds much more high-falutin’ than it really is. It just means that I took piano lessons and I played in orchestras at school, in which we were taught formally about musical notation and timing and‒to some degree‒music theory.
**Unless one is doing overdubs with one’s own voice, singing harmony parts. I’ve done that on “all” of my songs, and it can be quite fun and very neat. It was also really fun to reproduce the Beatles’ harmonies on my covers of Something and You Never Give Me Your Money. On my songs, the harmony tends to be improvised; I certainly don’t consciously plan it ahead of time. Some things, like the whistling in the bridge of Like and Share, just happen spontaneously. I don’t write songs often enough for me to explore how such things happen.



