Music

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There’s no art to find the mind’s construction in the blog.

Hello and good morning.  It’s Thursday, so you know the drill:  it’s time for my weekly blog post.

I don’t know what I’m going to write about today.  I don’t have much to say, or if I do, I don’t know what it might be.  I’ve gotten out of practice writing about nothing—or beginning to write about nothing and waiting to see what happens—since I stopped writing near-daily blog posts.  Right now I just feel blank and empty…and nonspecifically angry.

Of course, I’ve been editing Extra Body, and I’m doing a decent job of trimming it down.  I feel that I’m getting more ruthless about removing passages of digression about tangential things in my descriptions and expositions.  Having written the story on the laptop computer, it was only too easy for me to write and write and write a lot, very fast, of whatever came into my mind.

I guess that’s okay, as long as one is careful then to pare away the extraneous after one is done.  It’s analogous to sculpture, I suppose.  One can start with a huge, bulbous lump of clay and make the general shape however involved as one wants, but to get down to final form, one needs to remove the stuff that doesn’t match the vision, even if that vision isn’t necessarily very clear when one begins.

Not that I’m a sculptor.  I did love to play with modeling clay when I was young, though.  I used to get multicolored packs of it and almost immediately mix the colors together, because I knew it was going to happen anyway.  I never had any desire to make something out of clay that had different hues in different parts.

It was interesting to meld and squeeze various different colors together, seeing them form ribbons of shades that got finer and more interdigitated as I folded and  refolded the clay, the fat stripes of various colors turning to thinner, more finely and multi-layered stripes, eventually turning into a sort of purply-gray-brown uniformity.

I thus learned an intuitive notion of the second law of thermodynamics early in life.  There was never any inkling of the possibility of unmixing the colors of modeling clay.  After two colors came into even momentary significant contact, it wasn’t possibly to separate them completely.  And after one interfolding, there was no point to try to keep anything separate.

That never bothered me.  I liked the shade it became, and I liked not having to worry about trying to separate colors.  The shape and feel of the clay, and the squeezing and molding it into various shapes, was enjoyable.

It would probably be useful to let students of topology play with modeling clay, or perhaps with Silly Putty™, just to give them a proprioceptive insight into the deformation of shapes and surfaces and the nature of holes and the like.  You can really get why a donut and a coffee mug are the same shape topologically if you literally start with one and mold it into the other without making any new holes or eliminating preexisting ones.

Maybe it wouldn’t be very useful.  Still, Einstein (so I’ve read) enjoyed playing with blocks when he was young.  He apparently thought that experience influenced his physical intuition; and there have been few physicists with better or more fruitful intuitions about how physics will tend to behave.

That’s enough of that tangent.

Again, I’m about midway through my third edit of Extra Body, and I’m definitely finding that it improves with less digression.  I don’t know if anyone else will agree, but it’s not as though I have some huge audience to whom to cater; audience capture is not my problem, and I’m not sure if it ever would be.  Maybe I should start a political and social and scientific commentary thing on Substack.  And maybe I should make beans into peas*.

I’ve been diddling around on the guitar on and off on most work mornings, but I can’t really play when I’m back at the house, because I’m not really alone there, so I feel too self-conscious.  At the office, early in the morning, I can play and sing and not have to worry about anyone listening or responding.  I’m my own harshest critic, but at least when I’m alone I can express myself.

It’s a weird conundrum, because on the one hand, on the rare occasions when people have enjoyed my singing or playing or writing or academic work or anything else in my life, it’s been tremendously moving and gratifying; even the thought of someone accidentally hearing me playing and saying they think it’s really nice can bring tears to my eyes.  But I don’t really think anything I do is worthy of praise.  I can’t feel proud of something unless it’s literally perfect.

It’s pretty remarkable that I released the songs I did over recent years, given that they are not perfect, since they were produced in very inauspicious circumstances**.  But I think a lot of that was just me seeing, for my own sake, if I could actually do it.  Then I did, and I was, like, “Okay.  I can do that.  That’s that done.”

It’s like in medical school, when I got honors in my first two classes and then I was kind of, “Okay, I can do that, I guess; point proven to myself.”  And after that I didn’t feel motivated to get the top marks in the class or anything, so I didn’t (except on epidemiology and statistics, which felt too gripping and too important not to squeeze as much as I could out of it).

I suppose if I had stumbled upon a significant number of people who really liked my music/my songs and said so, I might’ve felt more impetus to do more, and to do better versions, but who knows?  Anyway, that’s not how such things tend to happen.

I also recently got briefly captivated by Facebook reels related to drawing and painting, and I bought several kinds of pencils and pens and stuff, hoping or imagining that I would start drawing again, but apart from a little doodle or two, it’s not really going anywhere.

I decided to try to play the Radiohead song Reckoner after I rewatched the “from the basement” video and realized that the guitar in that song was entirely played by Thom Yorke (while singing) and everyone else pretty much did various rhythm parts.  I turned to the song chords in my Radiohead guitar chord book and realized that they were straightforward chords (C, E minor, D, A, that sort of thing) but played high up the neck in unusual locations, finger-picked***.

However, I discovered that my low E-string is apparently getting long in the tooth, and the note on the 12th fret—which ought to be an E one octave higher than the open string—is very different than it should be.  It sounded horrible!  So, I ended up just playing and singing the song using more ordinary, “first position” chords, but it wasn’t as satisfying.  Still, it’s good falsetto practice.  I suppose I could just change the E-string, but that involves more “executive function” than I have to spare, especially on a Strat****.

That’s about all that I have to talk about.  I’ll close by noting that the Tri-rail is running late this morning.  Almost every day it runs late at least at some point.  The announcements say, “Train blah-blah is running late however many minutes…stand by for more information”, but there never is any more information.

The whole thing should probably be burned down and started over—as should the entire world.  Actually, maybe leave off the “started over” part.  Just burn everything and let the ashes cool into the microwave background that will eventually become the long radio wave background.  It’s not as though there’s any point to anything.

This blog post has also gone on too long.  Heck, the blog itself has gone on too long.  Everything about me has gone on too long.  So I’ll let you go for today.

TTFN

*That’s a reference from the movie Time Bandits.

**That fact may have given me an escape clause from the rule of perfection.

***On a lovely Gibson SG in his case.

****You have to take the back panel off and such, and it’s a pain.

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Very brief report

I did write a bit of fiction this morning — 783 words to be exact and precise.  I wish it were a prime number, but it’s divisible by 3 and 9 at least, since the digits add to 18.  Oh, well, it can’t always work out.

I’m feeling quite unwell; yesterday I left the office early (not by much) and yet I still didn’t get any good sleep.  But I’ve felt queasy and weak and just kind of under the weather for the last 18 hours or more.  So, I didn’t really have the energy to write more.  I did play a little guitar and sang some this morning, but it was sub-par, probably because of feeling poorly.

I am scheduled to work tomorrow, though, so maybe I’ll feel a little better then and will write some more.  I guess we’ll see.  Have a good day.

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Brief Tuesday Report (4-30-2024)

I didn’t go quite as wild with writing today as I did yesterday, but I still did write another 1,550 words.  My “short story” is already almost 30,000 words long, which is roughly as many words as are in Of Mice and Men, so I guess it counts as a novella.  A lot of my “short stories” turn out that way.  I’m not even sure how long Outlaw’s Mind is, so far, and that was intended to be a short story*.

Of course, as I said, I mean to pare it down quite a bit, but there’s only so much I’ll be able to do, and the story isn’t finished yet.

I also played guitar and sang a little bit.  I don’t know how well my playing is going–my thumbs are still painful.  But my voice is getting into better shape, at least, I can tell that much.  It’s not really worth anything to anyone but me, but it’s still a positive, I guess.

I’ve also recently started taking the Calculus course on Brilliant, since I recently decided to download the app to my phone as something to do in spare time.  I don’t necessarily think it’s a good way for me to study physics, but it’s a good way to review, and then maybe to learn, some mathematics.  It’s good to start with the basics, which I’ve already long since studied, because it feels quite easy, and that’s a nice way to build up.  I mean to work on the linear algebra stuff and further materials, because I’ll need that if I want to really understand General Relativity, so I can truly get why uniform energy in spacetime leads to repulsive gravity.  All the rest of it makes intuitive sense to me, but I need to wrap my head around that clearly and precisely, or I won’t be satisfied.

Anyway, that’s it for today.  I hope you have a good one.

*Chortles of derision are understandable.

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Writing (and other things) report on Friday 4-26-2024

Well, I went a bit more nuts than usual this morning, and between 5 and 7 am I wrote 2230 words on Extra Body*.  It goes to show that severe insomnia at least can be useful in some ways, though it remains horribly miserable and miserably horrible.  Still, at least I’ve made up some ground from being so under the weather physically over the last week.

The story is already — of course — longer than I would have expected it to be, as tends to happen with my stories.  I’ll try to pare it down a lot during the edit, but hopefully people who read it will appreciate that it’s not just a quick and dirty tale, so to speak.  It’s not as though I’m wasting a lot of time in unnecessary details; at least I don’t think I am.

I even got out the guitar and strummed and sang a bit this morning.  Singing is weird, though, because when I sing even banal songs, I often find myself tearing up and fighting not to cry.  It’s weird, and a little disquieting.  It’s not as though I can express my emotions at any other time, and it’s not as though the song necessarily matches the feeling.

Oh, well.  I’m a freak, anyway.  What can you do?

I apologize for the length and oddness of yesterday’s post.  It doesn’t seem to have garnered very many readers, or at least not very many “likes”**.  I can’t really blame anyone; I went a bit nuts with that, as well.

I expect to work tomorrow, barring the unforeseen (as is, of course, always the case with everything), so I’ll probably get some more writing done then, though perhaps not as much as today.  I don’t know about guitar; the bases of my thumbs are still giving me a lot of trouble, and it makes playing rather painful.  Perhaps they feel left out, since so many other joints and skeletal and connective tissue structures act up on me.

Have a good day if you are able.

*I’m thinking I might change the name of the story before I publish it.

**Incidentally, I was surprised to realize recently that my song Like and Share has almost twice as many plays as any of my other songs.  I guess it’s the song that’s most pertinent to the modern age of social media.  It’s still only a bit over 500 plays — I have no idea what the stats are on Spotify or iTunes or TikTok or any other venue — which is NOTHING compared to normal commercial songs or even the songs of serious but amateur musicians, but it’s an interesting statistic to me.

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Writing Update for Wednesday, April 17, 2024

Once again, I wrote just shy of 1800 words (1795 unless my figuring is off) on Extra Body today.  Nothing on HELIOS, but I had no real intention to go far on that until Extra Body is done.

I did no real exercise between yesterday and today, but I did play a little guitar yesterday and today in the morning. “Play” is the right word, because it was not very serious, and I’m rather rusty and my hands are a bit stiff.  Still, it’s somewhat fun.  I need some new picks, though.

Anyway, further bulletins as events warrant, and of course, I plan to write my traditional blog post tomorrow.  This seems like a good decision, since tomorrow is Thursday, and it would be odd to write a Thursday blog post on some other day of the week.

Have a nice day if you are able.

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Not A Blog Post…

…it’s just a quick update/bit of bragging.  I wrote about 1600 words this morning on Extra Body, and then I even played a bit of guitar for about half an hour (and sang with it).  I’m extremely rusty, particularly the singing, but it’s nice that some things come back seeming easier than they did the last time I played.  I guess I didn’t lose those learned skills, which is nice.  Writing is always relatively easy, though it’s not as if I’ve ever really stopped doing that.

No posts or updates this weekend unless things change.  I will write fiction on Monday, and if you want, I can leave little updates like this afterwards.

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Digression within a discussion of digressions, and an ending about depression

I was a bit worried that I wouldn’t end up writing anything on my short story yesterday, because there were many distractions and frustrations.  I started the day in an unusually clear-headed and optimistic mood.  I even read a bit of Quantum Field Theory, As Simply As Possible in the morning, and that was nice.  But as the day went on and the chaos persisted‒especially the noise‒my optimism dwindled.

Then, in that latter part of the afternoon, I decided to force myself.  It’s just a single page, I thought, so it shouldn’t take long even if I do it between work tasks.  So, I got out the notebook and started up.  I used two different pens over the course of the approximate one and a half pages that I wrote, but write I did.

As I wrote, I could see again my tendency to digress into details perhaps just a bit much; I need to keep a weather eye on that tendency.

Don’t get me wrong‒I like getting into details, and into the minds of my characters.  Reading fiction and getting those insights into other people’s thought processes, even if they were fictional, really helped me in dealing with people as I grew up.  That’s a potentially useful hint: if you’re a replicant among humans, read a lot of fiction.  You can get whole lifetimes worth of insight into the their minds by doing so.  Indeed, you can get more than lifetimes worth of such insight, since in “real life” one never gets to see people’s thoughts unfiltered.

I’m not saying that fictional depictions are perfectly reliable and fully accurate representations of how humans think.  It’s fiction, after all.  But across genres and works, across authors living at widely disparate times, there are commonalities that one can pick up.

There may be selection bias at work as well, of course, since all works of fiction have been produced by fiction writers, and they may have common attributes not necessarily shared by those who do not write fiction.  But when findings from fiction correlate well with, and explain well, the behaviors and speech of people who are most assuredly not fiction writers, one can begin to assign higher credence to such things.

How on earth did I get into that train of subjects?  Oh, right, I was talking about my tendency to digress a bit in my fiction.  How very “meta” of me to digress even as I was writing about digression.

If I keep writing fiction‒assuming I don’t just die soon, which would also be tolerable‒I think I may adjust my guidelines during editing.

In my published works so far‒not counting this blog‒I made a rule that I needed to cut the final word count by at least 10% relative to the first draft.  That’s right:  Unanimity was one ninth again longer when I first wrote it!  Anyway, I may decide to set my target at a more draconian 15% level in the future.  20% seems as though it might entail too much cutting, but maybe 10% is too little.

I guess we’ll see.  Maybe I shouldn’t combine the effects of handwriting the first draft (which should encourage at least some brevity) and an increase in my culling target.  I guess I have time to ponder this matter and let my subconscious mind digest it.

In other news, I did play guitar a bit yesterday‒just those two songs I mentioned in yesterday’s post‒and I guess that was a bit of fun.  It seems my long breaks at least haven’t made me too rusty in my playing; I even feel that my intuitive feel for shifting between versions of  a chord while playing has improved.  I guess it’s possible.

I also walked most of the way back from the train station last night.  I didn’t make it quite all the way before summoning a ride, since I decided I didn’t want to push things too much, but it was a good walk of more than three miles.  I hope to increase it and add a walk to my mornings as well.  This will eat into my time, of course, and I worry about it discouraging my fiction writing.  I may go back to doing this blog less often in the future if I continue to feel able to write fiction and do get my walking going again.

I still have several moments during every day in which I think I just want to walk away from reality and existence, figuratively speaking.  The world can be horrifyingly frustrating and painful for me, and since I can’t convince myself that it would be okay to destroy the world, there’s always the option of destroying the universe (from my point of view) by destroying myself.

They call it “unaliving”* on YouTube, nowadays, apparently, because the YouTube algorithms are prone to block or interfere with videos that include the word “suicide”.  How stupid are these social media companies?  It’s ultramoronic to impair the use of a word simply because it refers to a real subject that is not necessarily comfortable.  The word “suicide” never magically induced anyone to kill him- or herself.  If anything, bringing it up can help take the taboo off and allow people who are suffering to feel that it may just be okay for them to talk about it.

Ha ha. Just kidding.  Nobody really wants you to talk about it, believe me, other than professionals who deal with the issues as part of their jobs, and rare volunteers, who are alas strangers, and who I suspect go into the work because of familiarity‒directly or indirectly‒with the problems of depression and suicide.  Most people just don’t want to deal with it.  I suspect that, secretly, many of them would prefer you to kill yourself rather than harsh their mellow.

Maybe destroying the world really would be morally appropriate.  At least I can do it in fiction if I want‒and I have done so, and have failed to do so, in more than one work.

Anyway, sorry about the regression to the mean (or at least to the unkind) there near the end.  I hope you all have a good day.

*”Unalive” sounds like it should be the opposite of “undead”.  So, if the undead are, in one sense or another, walking corpses, then the unalive should be inert living beings.  This sounds more like a description of those with major depression or chronic depression (dysthymia) than someone who has killed themselves, though the outcome of the former may certainly be the latter.  The euphemism is confusing and misleading, if you ask me.  The suppression of videos and the like that use the term “suicide” does not seem likely to decrease the rate of actual suicide, but may make a person contemplating it or troubled by thoughts of it feel even more alienated than they already do.  I know of at least one case where this is so.

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Monday morning…looking up?

It’s Monday morning again, as tends to happen around this time of week.  I hope you all had a good weekend.

I’m starting this blog post at the house, where I’m waiting to see if the Uber prices come down a bit before deciding to take one.  If they don’t, I may decide to walk to the train; it’s relatively cool out, and I feel physically rather energetic.  I may even take the bus, though that’s a circuitous and irritating path.  I’ll keep you posted about what happens.

…

Okay, well, the price dropped an acceptable amount, so I booked an Uber, but the estimated wait is 15 minutes, which is unusually long for this time of day.  That further cements my plan to try to make sure to walk back from the train on the way “home” this evening.  Yes, it will take longer even than waiting for an Uber, but it will cost less, it will have a lower carbon footprint‒though I will make many more actual footprints‒and it will also get me some good exercise.  I hope you can all help keep me honest and maybe even spare some words of encouragement.

I have some good news to share with you today.  It’s not momentous, but it means a lot to me.  I did not start on HELIOS, but I’m happy to report that I’ve started something else.  The prospect of beginning a new novel, even a “light novel” sci-fi story, was a bit intimidating, so on the other spiral-bound notebook, the one on which my cousin recommended I write a zombie story, I thought maybe I would write a short story.  I didn’t intend to write a zombie story (sorry, Lance) since I don’t even really enjoy reading or watching such stories, but it’s still a good basic idea.

I opened up my old collection of story ideas, from which came more than one of my existing works, and scrolled down.  Most of the ideas weren’t that gripping for the moment, but quite a way down the list I found an idea whose time, it turns out, had come.

I won’t tell you much about the story idea here, partly because I don’t have the full thing sketched out, but mostly because I don’t want to diminish my drive to write it.  It’s called Extra Body, and no, it’s not a horror story.  If anything, it’s a sort of lighthearted sci-fi short story, but set in the ordinary, modern world.

I wrote one page of it at work on Friday, and then yesterday‒yes, Sunday‒I wrote another page and a half.  It’s almost, but not quite, unheard of for me to write fiction on a Sunday, simply because I habitually mandate that as a mental break day from writing fiction.  However, since I’ve been on quite a prolonged mental break from writing fiction anyway, I decided to get in an extra day.

Also, instead of setting my usual daily goal of 3 to 4 pages of writing, I just set my goal to at least 1 page.  That takes a lot longer when I’m writing “by hand” than it does when typing‒I can type a full 400 to 500 word page in a very short period of time‒but that’s okay.  I’m hoping this pressure will keep me more concise than I often tend to be.

I must say, it’s good that I’m keeping the target low when writing by hand, because my hand muscles are deconditioned for writing much on pen and paper.  Of course, my writing is also terribly messy, but that is nothing new.  As I rediscovered yesterday, I can always read my own handwriting at least.

This shouldn’t be too long a short story, especially not for me.  It’s not going to be terribly deep or thought provoking, just a bit of fun.  Then, maybe, once I’m done with that, if I’m still around, I can start HELIOS.

Another thing, in closing for the day:  I did in fact look up the chords and tabs for All Apologies only to find that, though it was originally played in a form of the “drop D tuning”, it’s just a 3-chord song (not counting sus-2 and 7th chords, which one usually does not).  I decided to learn it using standard tuning, because I don’t like having to twiddle with the tuning of my guitar so much.  This meant I had to figure out the main riff for myself, since the tabs are not really any help, being all in the original tuning.  That wasn’t much work, though.  It’s a nice sounding riff, but it’s actually quite simple.

So, since I had the guitar out anyway, I decided to look up the chords to Close to You, in preparation for possibly recording my parody, Antichrist.  This song has slightly more chords than the other one, but unless you count the “truck driver” key change in the middle, it’s also really a pretty simple song.

I guess most popular songs are not all that complex.  One can get spoiled when playing around with Radiohead and the Beatles, let alone with having played Bach on the piano (and cello), or having been in pit orchestras playing West Side Story and the like.

Anyway, as may be obvious, I’ve gotten a slight boost in my overall energy, partly from better allergy control, I think, so that’s good.  I hope it continues.  We shall see, I guess.  For now, at least I’m being slightly productive.  I hope all of you are feeling at least as well as I, and that you have a good week.

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Monday reflections and a song parody

It’s Monday morning, the morning after the Super Bowl, in case you pay attention to such things.  It was a pretty good game, I guess‒I watched it‒but it never felt very exciting to me at all.  Not much seems very exciting to me, honestly.  I had gone for a couple of long walks and bought some snacks and ordered a bit of indulgent food for the game, but I’ve ended up throwing most of that away.  I guess that’s probably good, in the sense that I don’t need the extra junk food calories and whatnot.  But it is a shame to waste the food.

Still, food waste is not the biggest problem.  Even in the places in the world where there is starvation, the problem is not that there is no capacity to get the people food.  The problem is political‒local and geo‒in addition to economics that are born of twisted politics.

At least food waste is, more or less by definition, biodegradable.

I haven’t written any new fiction, of course, but I did something slightly creative yesterday morning.  Somehow, the Carpenters’ song Close to You got in my head.  As its lyrics passed through my thoughts, I again had the impression‒which often happens with this song‒that the person being described seems to have sinister, supernatural powers, or at least is surrounded by supernatural portents.  Then it occurred to me that the words “close to you” and the word “antichrist” have the same number of syllables and the same (rough) stresses.  So, inspired by these two facts, I wrote a parody of Close to You called, of course, Antichrist.

As someone who has long enjoyed horror fiction and who at an early age familiarized himself with the “Revelation of Saint John the Divine” as it is sometimes known‒the last book in the standard Christian Bible‒the lyrics came rather easily.  I’ll share them below.  I vaguely entertain the notion of actually recording my parody, doing all the various parts and whatnot, but since I haven’t been practicing or playing guitar more than once every few months, and have done the keyboards even less, I wouldn’t hold your breath waiting for that to happen.

I also thought once again yesterday about some slight tweaking to the plot of my “super hero” story HELIOS.  This is an idea that took root originally waaaay back in my childhood, and was one of the “comic book characters” I used to draw, and for which I made some partial comic books and even an arch-enemy.  But the more current version of the idea isn’t really a superhero story, certainly not the type that would involve costumes and secret identities and whatnot.  I even thought, for a moment, that I just might start working on that story soon.

That didn’t last long, though.  I just don’t feel any motivation to do it.  If five living people, total, have read any or all of my books or stories, I would be surprised.  So, writing them is a bit like taking all the pages of the finished works and scattering them into a hurricane.  They just all go off somewhere and become mere parts of the detritus of reality, their information lost to all but Laplace’s Demon.  And, presumably, He wouldn’t appreciate them as stories, even though He could keep track of each and every force and particle they entailed.

Maybe the fact that these thoughts and stirrings happened on the weekend, and after one full day off, means that if only I had some regular mental rest, I might find the energy to start writing fiction again, or playing music, or some other, similar creative endeavors.

I doubt that will happen, though.  I’m in the middle of the ocean treading water as it is.  How am I supposed to locate a place to rest?  The odds of me happening upon some Gilligan’s Island type of refuge are pretty low.  I’m just biding my time, waiting for fatigue and hypothermia to get the best of me.  In a real ocean, that would have happened a long time ago.  Unfortunately, metaphors are not as lethal as one might like them to be.

Anyway, there’s not much more to say.  I guess I’ll close by giving you the lyrics of my parody.  Here it is:

ANTICHRIST

A parody of Close to You (by the Carpenters)

–

Why do crows suddenly appear

Every time you are near?

Seems to me

You’ve got to be

the Antichrist.

–

Flaming stones fall down from the sky

Every time you walk by.

Plain to see

You’ve got to be

the Antichrist.

–

On the day that you were born the demons got together

And forged a waking nightmare built for strife

With storm clouds heralding your birth and armies of the dead that came to life.

–

Businessmen and others who want power

Before you now will cower

They just know

It must be so

You’re the Antichrist.

–

When at last the time arrives to show your true dark nature

all of those who bear your mark you’ll pierce

With fire and brimstone in your breath and ten horns on your seven heads so fierce!

–

Then the world meets its final end.

Into Hell it descends.

There awaits

Your dismal fate,

Antichrist

–

Seems to me

It sucks to be

The Antichrist.

–

Waah, Antichrist

Waah, Antichrist…

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This is NOT a quote from Shakespeare (as far as I know)

Hello and good morning.  It’s Thursday, the first of February in 2024 (AD or CE) and I’m writing a blog post for the day even though I’m not at all sure of any good reason to do so.  I even began it in the traditional way (“Hello and good morning”) in which I have usually started my Thursday blogs, going back to when Thursday was the only day of the week I wrote them, reserving all other days for writing fiction.

I don’t think I’m going to do a modified Shakespeare quote for the title, today, though.  It’s too much of a pain and takes too long, since all of the most obvious ones have already been used.  I suppose I might change my mind before the time I publish this, in which case, you will already know, though I do not know as I’m writing it.

As the 11th Doctor said:  “Time travel; you can’t keep it straight in your head.”

Yesterday’s blog post title was an actual quote from the song I referenced in the footnote.  It’s a good song (off OK Computer).  Radiohead did an amazing job making sounds that were evocative of the notion of aliens and the like, and it has the wonderful little riff at the beginning and end.

That album really is one of the greatest albums ever.  It’s not a concept album.  Radiohead is too eclectic a band, I think, ever to try to make a concept album, though their albums tend to have an internal cohesiveness to them.  They often are very careful and strict about the order in which to put their songs, and which ones to include.

For instance, in OK/not OK, their rerelease of OK Computer a few years ago, they included several songs on the “not OK” portion that they hadn’t included in the original, some of which they left out because they didn’t match the tone of the album.  I certainly understand where they were coming from, but it’s a mild shame to have had to wait so long for songs such as Polyethylene (Parts 1 & 2), Man of War, I Promise, and Lift.

That last one is one of my very favorite Radiohead songs.  It sounds too upbeat and hopeful for the tone of OK Computer, but I take that as “deliberately” misleading, a slightly different version of what they did with No Suprises (in which the song sounds like a beautiful lullaby, but the lyrics tell a very different story—I did my own “live” cover of that song, because it’s so representative of how I feel much of the time).  Alternatively, one could say that the tone of Lift is positive because the singer takes a very different attitude toward the subject matter as I take it from the song compared to most people, and is optimistic about it.

I interpret Lift, consistent with my biases and attitude, to be a song about escaping from life (by dying).  “This is the place.  Sit down.  You’re safe now.  You’ve been stuck in a lift.  We’ve been trying to reach you, Thom*.  This is the place.  It won’t hurt ever again.”  And, of course, later there’s the line, “You’ve been stuck in a lift, in the belly of a whale, at the bottom of the ocean**.”

I interpret this as expressing the thoughts of someone who’s finally getting out of all the stress and pain and horror of life (the lift, the two words being only off by one letter) into the safety and freedom from pain that is death.

On the other hand, the song ends with the words, “Today is the first day of the rest of your days.  So lighten up, Squirt.”  That could be taken as life-affirming and optimistic, and I’m by no means certain that Radiohead intended the song to be about what I take it to be about—my biases are clear and obvious, even to me—but that last line can still work in my interpretation.  After all, he doesn’t say it’s the first day of the rest of your life but of the rest of your days.

I’m overreading things, probably.  In any case, it’s a great song, and if you want to interpret it in a positive, life-affirming way, by all means, please do so.  It’s art, innit?  You can interpret it according to your impressions.  Just remember, this was a song from the time in which the band created (or at least finished) such tracks as Exit Music (For A Film), Climbing Up the Walls, Let Down, Fitter Happier, and of course, the aforementioned No Surprises.

As for other “not OK” songs, I really love Man of War, which was reportedly inspired by James Bond.  The video for the modern release is brilliant and haunting.  I also really like both to listen to and to play and sing Polyethylene (Parts 1 & 2), though I haven’t done so in quite a long time.  I did a video of myself playing and singing it once, but it’s not up on YouTube.  I didn’t think it was very good, and I think my voice broke at one point.  I might have shared it here, though.  Yes?  No?  I’ll try to find out before I publish this.  If so, I’ll put a link:  Here.

If not, I won’t***.

By the way, I’m writing this post on my laptop computer (is it an OK computer?  It’s pretty darn good, at least), for the same reason I did so yesterday:  to give my thumbs some rest.  That does seem to be doing at least some good.  The bases of my thumbs are still quite sore when I rub them, and they feel stiff, but at least typing doesn’t make it worse, since I don’t use my thumbs during regular typing.

Anyway, that’s probably all I need to inflict on you today.  I did not know, when I started this post, that I would be mostly discussing Radiohead songs.  I do really like them, though.  And the new mini-band, The Smile, that Jonny Greenwood and Thom Yorke have formed, along with Tom Skinner, has some good songs as well, though I haven’t listened to all of them.  Their recent video for Friend of a Friend has the trio performing for what seems to be a group of elementary school students, and at the end, after bowing to the pleased audience, Thom has a nice little smile on his face.

Who could not smile after having a bunch of young kids cheer for your song?

Anyway, that’s enough for today.  The train is going to be here in a moment, and it’s not as though I have any further agenda.  My pain is nearly back to its usual baseline level, which is not great, but at least I’m more or less accustomed to it.  I’m not going to insert a picture in this blog post, unless I change my mind, but if I do, you’ll already know.

I may write a post tomorrow, but I may not.  It’s more likely than the possibility of me writing some fiction tomorrow, though, sad though that fact may be.

TTFN

*I usually sing it as “We’ve been trying to reach you, Rob.”

**This line “reminds” me of the ending of Weird Fishes/Arpeggi, another brilliant song, which closes with the words, “I…I hit the bottom…hit the bottom and escape…escape.”

***I have no such link, but I do have the original video file.  I decided not to share or upload that, but quickly rendered the audio from it, did a little noise reduction, compression, added some reverb and so on.  You can hear my voice really break at 2:13 or so, but that’s not the only time.  I think you can hear why I didn’t put this video on YouTube, but I like my little comment at the end, so I didn’t even edit out my cringey “Ohhhhh”s, though they are embarrassing.  Here it is: