Poetry

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“Remember: All you’ll be is all you’ve been”

It’s Wednesday morning, quite early, and as is the case nearly every Wednesday, I am struggling not to incorporate some version of the first line from She’s Leaving Home by the Beatles* into my writing.  Oops, it looks like I failed in that struggle.  Well, at least I put the actual line in a footnote instead of quoting it in the main body of the post.

Speaking of songs and lyrics, I want to apologize to anyone who feels disappointed by the fact that I still have yet to start writing a song based on the trigger “humility”, and also that I haven’t done anything more with my previous tentative song, Native Alien.  I’m not sure I’m satisfied with the melody I have for it so far‒at some time in the future, I may redo it.  Or I may go back to it and find that I like the melody and chords, after all.  For that, we can all only wait and see; I don’t know much more about what will happen than you all do.

As for other incomplete songs, I have no fewer than two “videos” of such critters on my YouTube channel:  Mercury Lamp, which is really just a kind of demo, but which I like, though I haven’t felt like expanding it yet, and Come Back Again, which is actually mixed and produced, after a fashion, but is far from being in releasable form.

The lyrics of the latter song are quite old‒I wrote them (with more recent slight modifications) while I was in college, and reproduced them from memory when I decided to record the tune.  I had a little spiral notebook** that I sometimes wrote “poems” in, and this song was one of them, or a combination of such poems, originally.  Though it was a long time after writing the words that I ever formally wrote down the tune, the tune was in my head since not long after I wrote the poem.

Actually, there was somewhat more to the poem(s) than appears in the song now.  There’s a sort of prelude of three couplet lines, which I recorded and sang, but I decided it was too stilted and moany/whiny to start out the song.  I replaced it with a collection of “Aah, ah ah ahh…” singing, which I think works better, though I secretly*** left one faint track with the initial singing, which one can here and there just faintly detect in the background.

Anyway, as I said, I’m fond of the lyrics and the melody, and though I always just wing it on my harmonies****, I like the ones here.  I also like my little bass riff and my looped, reversed drum beat pattern.  The whole thing has many elements that I like.

[As an aside, here is a fun fact:  I was relistening to this song a few times recently, since it has obviously been on my mind.  On the side bar on YouTube where it gives further video suggestions/options when you’re watching something, it also gives you little buttons by which you can narrow down the available recommendations.  The first of these was fairly unsurprising, as it read “More from Robert Elessar”.  But the next one allowed me to choose to narrow my suggestions to “Progressive Rock”.

Evidently, the YouTube algorithm considers my unfinished song to be most consistent with the genre of progressive rock.  I’m not at all disappointed by that.  By all means, group me in with people like Pink Floyd and Yes and Kansas.  I’ll take that designation without any complaint at all.]

But of course, this song is really not in any kind of shape to be held up against any of those bands’ works.  The mix is uneven/unbalanced and still quite messy and blurry; the timing is at least slightly off in a great many places*****; and there are other technical issues.  Also, the arrangement is not quite to my liking.  For one thing, I’d like to add a bit of lead guitar to it; it feels too low in pitch overall to me, without any real bright sounds.  It’s not a song with a bright atmosphere, perhaps, but a range of pitches and timbres and so on is still desirable (at least to me).

Anyway, I’m mildly frustrated because I still don’t have any decent thoughts on a lead guitar part nor do I have the gumption to try to clean up the mix.

I will, however, embed the “video” here, and I would be delighted to receive any feedback or ideas you want to share.  Try not to be too cruel, if you can help it, please; I’m sometimes surprisingly fragile and also sometimes horribly spiteful, though I try not to act on or express any of those reactions.

Thank you very much.

*”Wednesday morning at five o’clock as the day begins…”

**Not precisely “a little black book with my poems in”, but not too far from that, either.

***Well, it was a secret.  I guess it’s not really a secret now, though the words still are.

****In Like and Share, I even just spontaneously did the whistling that appears in the bridge while I was recording my (also improvised) harmonies, and I liked that outcome quite a lot.  There was only one take on them, and that’s what you hear in the song.

*****To cut me a bit of slack, I did have to record all the parts separately, with just inexpensive,  USB-based mics and basic computer recording programs, in the back room of an office that used to be a store in a strip mall, with no MIDI or anything of the sort, and only a little Katana practice amp for the guitar.  Then I mixed it using the “free” program Audacity, which doesn’t have a “beat finder” function like the notorious Pro Tools does.  All things considered, I think I made pretty good use of what I had.

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Some words about words to put to music and orthogonal pain

Well, it’s Tuesday, and here’s my blog post.  I’ve had a very rough day and night, I’m afraid.  Not just my back and hips and shoulders and so on, but as I told my boss when he asked me, “Every fucking thing hurts.”  I left the office about 45 minutes early, and got on the really crowded train that I would usually have avoided.  At least at the house I was able just to lay down, but I’d already taken a lot of (OTC) stuff to do what I could about my pain.  But it has certainly not gone completely away since yesterday; it hasn’t completely gone away for a couple of decades.  But it is still worse than usual.

In spite of the above difficulties, I did a little work on Native Alien yesterday morning.  For one thing, I retranscribed the melody onto real staff paper, because the crudely drawn staffs on which I had previously written it were very small and unwieldy.  Then I worked on the chords, confirming that, yes, the song (as I sang the melody when I made it up) is in the key of F major/D minor and indeed the initial chord should be D minor (this implies an overall minor key, but it is not dispositive).  I’m not sure of all the chords yet; I was in too much discomfort to keep working on it.

I also did my coin-flipping binary search for a new song topic/subject/trigger, and that trigger word is:  humility.

That could be quite an interesting take-off for a song idea.  It makes me think of Billy Joel’s song, Honesty.  Of course, I haven’t even begun writing down any lyrics yet, nor even really thinking of them, but I’m sure my subconscious mind is cranking away.  It always seems to be making progress; remember what I said yesterday about how, after a break, I sometimes come back better at something than I was before the break?

I may post here below the lyrics of Native Alien just for your perusal*, though not really for feedback unless you feel a burning need.  Here they are, in the first draft.  Bear in mind, there would/will likely be modifications to the wording in any final version that might one day come to exist of the song.

The planet Earth is beautiful

A gem in outer space

But I feel like a stranger here

As if I’m from some other place.

–

The humans are like aliens

They often make no sense

Their gives and takes and lies and fakes

Make me feel better on the fence.

–

Could I just be some kind of native alien,

Delivered by some ET stork that got its signals crossed?

Is it possible that I

don’t belong beneath this sky,

an entity who’s home but still is lost?

–

Do people that you meet seem strange

And even ones you know?

You study them to learn their ways

But it just leaves you in a daze

Unsure who’s really friend or foe.

–

Could you just be some kind of native alien

A seed that germinated here in unfamiliar soil?

Is it possible that you

Don’t belong beneath this sky so blue,

a mortal wrapped in some mistaken coil?

Again, I’ll remind anyone reading that A) this is the draft form, which may change, and B) the point of this exercise is just to write something, not to try to produce a masterpiece.

I know that not all of the lines quite scan, but that’s something that can be adjusted in the singing process.  Think of how Jimi Hendrix squeezed the words “Whatever it is, that girl put a spell on me” into the same musical phrase and length as “‘Scuse me while I kiss the sky”.  I’m no Jimi, of course‒for one thing, I’m right-handed, so I don’t have to reverse-string my Strat‒but I do what I can.

I haven’t done any more thinking on my ideas of quantum wave-functions literally back-propagating through time and interfering retroactively with earlier parts of themselves and other waves to set up a potential cause for superdeterminism or something else.  For one thing, as I said, I need to seriously advance my mathematical prowess with QFT and such before I can determine if there’s any real potential to the idea.  Also, it’s hard to think about abstract, four-dimensional complex time stuff when you’re in a lot of pain.

I did log in to Brilliant dot org as I mentioned I intended to do yesterday, where I quickly saw that they had a new course on circuits, and I couldn’t resist getting started on that rather than working toward that other notion.  The basics so far are, well, really basic, but that’s okay.  It’s still better to do something like that in one’s spare time rather than participate in outrage on social media‒even though that outrage is often justified.

Oh, well.  I’m still tired.  I’ll try to work on the Native Alien tune a bit more and probably tweak the lyrics, but I’ll also try to come up with some words related to “humility”.  That could be fun, at least.

I hope you all have a very good, relatively pain-free day.

*It seems I have done so.

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The pointless but occasionally enjoyable music of this sphere.

Well, it’s Tuesday now, as you will know if you’re reading this on the day of its release.  You might not be sure if you read it later.  As far as I know, it’s not possible for you to read this earlier than I write it, but if you have that capacity, presumably you don’t need me to tell you what day and time it is when I’m writing it.  Presumably, you have quite a handle on times that things happen if you have that kind of ability—though I suppose that if you travel through time a lot, you might eventually have a hard time keeping track of what the local labels are on dates and times.

Sorry, that’s a bit of frivolous nonsense, which I hope doesn’t offend any non-time-travelers out there.  I’m here again, writing a blog post on my way to work and wondering what the point is to anything.  Not that I honestly suspect that there is a point to anything, really.  As far as I can see, there is no point to anything, and there is also no point to everything.  Everything just happens, and there’s no more to any of it than that, as far as I can see, and as far as anyone knows.

There are people who will tell you otherwise.  Lots of people claim to have found or been taught the meaning of life or of existence and whatnot, but either they are trying to manipulate you and/or sell you something, or they are sincere but mistaken.  In any case, they are not correct.  They do not know the meaning of life.  If they were to know it (not merely believe it), it could be conveyed in a way that, presumably, would be convincing to pretty much any listener.  Certainly they should be able to muster arguments, and perhaps evidence, that would convince a highly intelligent but disinterested extraterrestrial.

Enough philosophy for now.

Looking back to yesterday, I mentioned my idea about setting myself a goal of writing a song a week or maybe every two weeks.  Well, I didn’t do any song writing yesterday, but I did go to the Shakespeare AZ quotes site and flip coins repeatedly to pick the topic of a first song, and what I got was:  Earth.

That’s a bit unusual as a song topic, but I guess it’s doable.  I wouldn’t want to try to do some “We are the world” kind of thing, because that’s not what I really think of when I think of the Earth.  I think of the planet, the physical things, including all the animals and plants and fungi and bacteria and archaea and all that, but also including the geology and the geography and the chemistry and physics and everything else.

Despite the saying, man is not the measure of all things.  Man is barely even the measure of man, so to speak.  Humans by and large are relatively impressive animals, but they tend to think far more highly of themselves than is merited, in almost every case.

There are probably exceptions, but none of them come immediately to mind.

So, I’ll come up first with some lyrics (AKA a poem) about the planet Earth, or at least taking off from there, so to speak.  I have to remind myself that it doesn’t have to be very long, indeed that it should not be very long—I tend to get carried away when writing things, as you probably know.

I also need to decide what structure the song should be, like verse-chorus-verse-chorus-bridge-verse-chorus or what have you.  Then, after that, I’ll think of an appropriate melody to go with the words.  It will probably all be quite mediocre, but the point of the exercise is not to worry about trying to be brilliant, but just to get something done.  We’ll see how that goes.

In other news—related, at least distantly—I just discovered that my former college roommate, who is also the best guitarist I’ve known, has begun producing and releasing more new music, on YouTube and on some other site.  His YouTube channel is bluetonegtr, which is a fun name because his name is Tony and of course, he plays guitar, and the blues is a big part of any really good guitarist’s repertoire (not mine).  I highly recommend checking his stuff out; he’s really good.  I’ll embed his latest song below, for your ease of access.

As for everything else, well—the world is still shit, though it certainly doesn’t have to be.  It just tends that way, or at least the human world does.  Maybe I could make that part of my song idea.  Or maybe I could deal with the fact that even life overall is pretty crappy, I don’t know.  I guess I’ll see.  Maybe I’ll just address the issue of absurd flat-Earth notions.  Maybe I could make it a comical song.

I don’t know.  This is all probably a stupid waste of time, anyway.  But time is a waste in any case, I guess, so I might as well use it stupidly.  Everyone else seems to do so.

I hope you at least enjoy at least part of your own wasted day today.

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Musings on moving and putting muses to work

It’s the start of another work week, which I guess is good from a certain point of view.  It’s a sign of…I don’t know, economic activity or some such.  I mean, it is good for people to be productive in that sense, though it’s also nice for people to have time and space to rest and to enjoy life.  After all, what’s the point of working to sustain existence if that existence is mainly dominated by discomfort and fear?

The world is complicated, of course, and many things are happening in nearly any place at nearly any time, but ultimately, for each individual, there is merely moment to moment experience.  And if that experience is negative in general, none of the other crap really matters very much.  Or so it seems to me.

You may recall—though it’s unlikely—that my workplace recently changed to a different office location.  It wasn’t a big change; we’re still in the same zip code.  But the new location is more pleasant, and the office is more pleasant as well, though smaller.  Also, in addition to there being a goodly number of apartments right across the road, there is also even a “high-end” trailer park nearby (yes, such a thing does exist).  I haven’t been to the latter, but I can see the former, and they look pretty decent.

My coworker and my boss suggested to me that I should think about moving and renting one of those apartments or—apparently these are nicer—one of the trailers.  When they suggested this, I basically gave a standard reply, with the main thing being that I hate to move.  By which I mean, I hate to change the place where I live, not that I prefer to remain stationary and frozen in person.

I hate the process of moving, I hate the necessary upheavals, the new connections to new landlords and services and so on, all of it.  I also don’t want other people touching and getting into my stuff to move it for me, and I’m not going to be able to do it myself.  Dealing with “paperwork” is another significant headache.

Ultimately, though, as I thought about it after our conversation, I realized that really a big part of the reason I don’t want to move is that I have no desire to go forward, nothing toward which to proceed, so there’s no point to the effort.  There is nothing fulfilling in my life, and I have no hope for improvement, so it seems ridiculous to spin my wheels.

I started my current living situation under the delusion that I would continue to write stories indefinitely, and then that I would make music too, and that I might reunite in a real and meaningful way with those who matter most to me.  A lot of that was a pipe dream, though I have at least made more of a connection with my youngest child.  We’ve actually been in each other’s presence twice since May, which is twice more than any other time since 2013.  That’s very good.

But otherwise, what I’m basically doing right now is waiting to die, just killing time until time kills me.  It’s being a bit of a slacker, I have to say.  I suspect that I’m going to need to take a personal hand in things—if one wants to have something done “right” one should just do it oneself, that sort of cliché.

But that runs afoul of various societal mores (and possibly morays, for all I know).  Not that I’m good at following or even grasping social mores.  I mean, the ones that make sense I have no trouble remembering, but a lot of them are irrational, and I have difficulty even desiring to internalize those.  Eventually, I’ll probably break down and say “to hell with it” and take matters into my own hands, unless something else does it for me, or unless I find some internal or external motivation that changes my status.  I don’t particularly know if I want to hope for that; everything seems to be more work than it’s worth.

In other news—either parallel or orthogonal to the above, I’m not sure which metaphor works better—I was thinking about songwriting, which I think I discussed briefly last week.  I know that at many times, bands (like the Beatles and so on) are tasked with preparing a new album, and will sit down and write songs in quite short order for such an album.

That seems intimidating, but it occurred to me that it’s probably analogous to what Stephen King does, and what Ray Bradbury described doing:  you just sit down and produce something every day.  Worry about making it better in the rewrite/editing stage, but just get something down.  It won’t all be genius—in most cases, anyway—but it will be something.

I thought, you know what, that’s probably a lot like what people like the Beatles (specifically Lennon and McCartney) did.  They knew they had to write songs for their next albums, so they just sat down and produced something, and then worked things out, rejecting some, improving others, and so on.

I thought about trying to do something like that, just out of curiosity, as an exercise, but I always have trouble thinking of topics or subjects for a song (or a poem, as the case may be), and so the poems and songs I’ve written have tended to be highly intermittent and often rather peculiar.

But I nevertheless thought that, maybe, I could set myself the task of writing songs more rapidly, just the way for a long while I wrote fiction every day.  I couldn’t write a song a day, of course.  I thought about trying to maybe write a song a week*, but even that felt intimidating.  But when I thought about writing a song a month, that seemed too slow, somehow.

So maybe I would be able to achieve something in between, maybe a song every two weeks.  But who knows, if I don’t expect myself to produce and record the songs one a week, I might be able to crank out something once a week.

And it occurred to me, also, that for subject matter I could turn to a source that I use (AZ quotes) when I can’t think of a pertinent Shakespearean quote for the title of my Thursday blog posts.  I could flip a coin to narrow it down by halves to pick my subject from among the long list of such subjects for quotes on that page.  It’s probably better than trying to find a subject by picking a random word by flipping through the pages of a book with my eyes closed.

So, who knows, maybe I’ll do that.  Maybe I’ll try to write a new “song” every one to two weeks, at least the words and basic melody.  Who knows, maybe if I’m pleased with any of them, I might do more with them and actually “release” them.  Though I currently have two songs that I wrote and haven’t yet released already:  Mercury Lamp and Come Back Again.

This is getting way too long for a single blog post, isn’t it?  Sorry to keep you, if there is anyone out there who has actually read this entire thing through to the end.  Hey, if you have, and if you feel like doing so, why not leave a comment below on WordPress so I know.  I would ask perhaps for you to leave the first line of Mercury Lamp to prove you’d read that far (and listened) but it seems unfair to ask you to do two things during a busy day.  So maybe just try to write something that makes it clear that you’ve read here.

Now, I let you go, with apologies for being so long-winded.

*I’m not talking about completing a song a week, as in getting all the parts prepared and recording and mixing and all that; that would be utterly unreasonable by myself, even if I weren’t working full-time.  But words and basic melody could be done.

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“From ev’ry depth of good and ill…”

Does anyone else ever feel guilty about never letting their first alarm of the day sound, about always shutting it off before its allotted time because you’re awake anyway?  It feels almost like an unkindness—as though the alarm wanted to do its job, but was always thwarted.

I wouldn’t be surprised if I’m the only one who so anthropomorphizes such a function, but what can I say?  I’m a weirdo.

I’m currently waiting for the very first train of the day, since I was awake anyway, and I decided to see how the new, even earlier, 4:20 first train is.  I’m hoping it will at least be less crowded than the 5:20 train.

They haven’t even opened the gates that lead to the stairs or the elevators or the ticket machines at the train station yet, which seems a bit unreasonable, considering they are the ones who set up the new schedule.  Still, according to the tracker site, the train is on its way, and it’s only two minutes (!) behind schedule.

I don’t know why it’s two minutes behind schedule at this hour.  I don’t see how it can be dealing with any kind of traffic or anything.  Oh, well.  This constant inability for people to keep to schedules is only one of the reasons I despise living in this world.

Speaking of things that make me not want to continue living, if anyone out there reads this on WordPress Reader, or by any other, similar means:  are you able to comment and “like” the blog posts I write just as used to be the case?  I know I’m having trouble doing so with, for instance, my favorite website that I follow, and that fact is starting to make me fade away from reading it as consistently as I used to do, because I cannot “like” a post and see the comments (or leave a comment) all in the same place.  I’m wondering if that’s also happened with my blog, because I’m getting many fewer views and stuff than I used to receive.

It may simply be that people have gotten tired of reading my posts or even of dealing with me at all.  I know I’ve gotten tired of myself, more and more all the time.  I can certainly understand if people have just gradually drawn away from what is, after all, a depressing blog.

Even posts like yesterday’s, in which I went into all sorts of minutiae and trivia about temperatures and percentages and the like, are probably just mind-numbingly dull for most people.  Many of the things I enjoy are difficult for other people to appreciate, it seems.  As Edgar Allan Poe wrote in one of my favorite poems, “…all I loved, I loved alone.”

Anyway, I would appreciate some feedback about the visibility and/or accessibility of this blog for others, because I cannot readily tell from my perspective how others are seeing it.  And please—as always—comment here, not on Facebook or TWFKAT*.

I fear that the “Happiness Engineers” at WordPress, as they nauseatingly refer to themselves, have altered things to try to make the platform more exciting and up-to-date and have instead caused it to cease to work properly for oddballs like me who really would prefer things to be consistent, for them not to be constantly fiddled with, especially since that so often makes so many things so much worse.

If I were more paranoid, I might imagine that the world is trying to push me finally to commit suicide, since so many of the things from which I have taken at least some small modicum of distraction, if not necessarily comfort**, are shriveling up and blowing away.  I’m getting increasingly bored of the science and mathematics offerings on YouTube, and the reaction channels I watch have already reacted to stuff I like, and no matter how briefly enjoyable it can be to pretend I’m watching something with a friend, that’s clearly really not what’s happening.

Most of these people would never be my friends even if we lived nearby and had anything else in common but shows to watch.

And the newer science and math and nature videos I’m encountering are sometimes astonishingly idiotic, credulously addressing things like UFOs and whatnot.  Ex-Twitter is even less interesting than it was before, and I was never a huge fan of it.

I try to get involved in Facebook, but it’s also rather sparse and spare, and there’s not as much interaction as might be beneficial, and even the briefly interesting little, short video things very rapidly become astonishingly repetitive and boring.  I think those are all attempts to compete with TikTok or whatever, and if that platform is at all like those things, then I can see that I am not missing much.

Even the podcasts by Sean Carroll any by Sam Harris are too brief and intermittent to provide enough benefit to make a serious difference, though they at least are truly engaging while they last.

[FYI, the train arrived finally, just about here.  I meant to note this when it happened, but I got distracted.  It’s more crowded than I would have predicted, which is quite disappointing and borderline distressing.]

And now I have this external pressure to get health insurance, even though I don’t want to care for my health, because there’s not any compelling urge to keep myself alive and “healthy”***.  However, I did promise****.

I don’t want to take care of myself.  For what purpose, to what end, would I do so?  I mean, I do keep trying little things, attempting to tweak matters, trying to adjust and improve my physical and mental health, but even when I start a day in a relatively playful mood, I still wind up at some point slamming my forehead repeatedly against the metal posts that support cubicle walls in the office, until a coworker has to come and make me stop.

This was because some people who arrive late end up staying and working into lunchtime, bringing me alone for the ride, even if it’s supposed to be my break time.

I think, today, if at the beginning of lunch anyone is still on the phone who arrived at the office later than the official starting time, I’m going to unplug the modem and just forcibly interrupt these worms who have no consideration for other people’s time.  Of course, if there are people who were on time who are still on the phone, I’ll not do that.  People who began work when work is supposed to begin and who just overflow a bit into break time deserve some courtesy.  The others deserve only shadow and flame, but I’ll be merciful; they’ren’t really worth the trouble.

I’m really uncomfortable in my own head and my own skin.  I feel quite desperate, and I am losing most of what few psychological supports I had.  I will do my best to force myself through the process of setting up insurance before the end of the week if I can, but I can’t help but hope that some catastrophe will take the whole thing out of my hands and make it moot before then.

I’m running out of time, though.  I’m so tired and stressed out and frustrated and in pain, and it’s only the stupid, pre-programmed, hard-wired, firmware-like, non-intellectual fear drive that keeps me from doing the sensible thing and just dying.

I’m not afraid of anything specific, really; it’s just that innate, existential, unkind drive to avoid dying, which is about as pleasant to me as the need to urinate and defecate.  I hate being alive.  I hate my life.  And while I definitely don’t want to hurt people who still think I’m the person they used to know, and whom they wouldn’t want to have die “before his time”, it’s simply the case that that person is already dead, anyway.  He has been dead for years.

I’m so tired.  I feel like the last passenger pigeon or the final surviving quagga, whiling its time away in a bleak cage somewhere with no company of its own kind, waiting to die and put the final full stop on the extinction of its species.

I suppose it would still be acceptable if some miracle were to happen and change my life and bring me back to the way I used to be, or better, but I don’t see how it’s going to happen.  Certainly, no “supernatural” figure seems poised to intervene, and I don’t think any natural ones have the wherewithal or the inclination.  There’s certainly little to no benefit in the admittedly well-meaning cajolery to “just hold on” and all that jazz.  I try, obviously.  I’m still here and writing.  But it feels more like I’m fulfilling a prison sentence than it does like surviving…and I’m familiar with both.

As another poet I admire—and who escaped the prison by his owns hands—wrote:  “Oh, well, whatever, never mind.”

*The Website Formerly Known as Twitter.

**WEIT is a comfort and often a joy, and I am very distressed about not being able to see and comment and “like” it, and other comments, as I usually do.

***Physically, of course.  My mental health is a lost cause, anyway.  I received a “how are you doing?” automated email from betterhelp.com last week.  I had briefly used their service, but I quit when my therapist had to go on leave (for legitimate personal reasons).  I didn’t want to have to try to find a new therapist.  I know the checking-in email was automated, and the corporate decision to send it was probably related to the time of year, since many people have troubles in this season.  It felt touching, in a way, even though I know that there were no real people involved in sending anything to me specifically.

****To be fair to me, this was a promise made on the spot, and to someone who had long since broken her own much less spontaneous promise to be with me for the rest of our lives, through better and worse, sickness and health, and all that bullshit, so I guess I shouldn’t feel too pressured.  Promises like the aforementioned, traditional ones, however, are no longer taken very seriously, even in the moment they are pronounced…or so it seems.  That’s yet another charming human innovation:  purely performative vows.

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When the train comes, should I run or hide my head?

Here I go again, wasting your time and mine with another daily blog post that accomplishes nothing for anyone.  I hope you enjoy it.

I arrived at the train station just now, literally seconds before the train prior to the one I planned to take arrived.  This is because I got up even earlier than I usually do, so I figured, “What the heck”, and decided just to get going.  I had some old trash and knickknacks I wanted to make sure to get out in today’s garbage pickup, anyway, and since I was awake anyway, I got up very early to take care of some of it.  I’m clearing out as much clutter as I can, throwing out unnecessary clothes, old Halloween costume stuff, beat up old books I’ll never read, magazines, tools…all sorts of stuff, things that just take up space and make a mess.  I gave my folding massage chair at work to my coworker who has a bad back‒it doesn’t really do very much for me, anyway.  And I’m going to give my colored pencils and such to one of my coworkers who has a young son who has used them when he was here with his father.

Oh, right, I was talking about the train.  Sorry.  As I was saying, I arrived at the station just in time to see the first northbound train pulling in, and my strong impulse was to rush to try to catch it.  I probably could have done so.  It would have required just breaking into a jog for a bit, and hoping the conductor saw me and wasn’t in too much of a hurry‒the train was, technically, slightly early.

However, I decided to fight that impulse, partly because I already get so sweaty, and partly because I didn’t want to have to stress myself out with that somewhat irrational impulse to catch the earliest train.  So, I strolled up along the northbound side of the station, figuratively gritting my teeth, watching the train come to a halt and then depart.

That turned out to be very stressful in and of itself, and I’m still stressed out about it now, especially as more people arrive at the track to wait for the next train, which is sure to be more crowded than the first.  I also can’t seem to help thinking about the possibility that this next train might run late, and that would mean it would probably be more crowded still, and also, just, well…that it would be more of a loss of time than I will already experience from not getting on the initial train.  Not that I have any urgent need to get anywhere very soon.  Work doesn’t actually start for five more hours.  But once I’ve decided to get up and get there, being delayed is just extremely stressful.

I get the impression that my stress doesn’t really show on my face or in my demeanor, any more than my depression does, because nobody seems to notice either thing, though I feel as if they must be glaring and blaring like a fire truck with lights and sirens going at maximum level.  Evidently this is not so.  I think I could probably douse myself in lighter fluid and rubbing alcohol and set myself on fire in the middle of the office, and people would just say, “Hey, Doc, how’s it goin’?”*  Or I could go to the roof of the highest nearby building or parking structure and step out onto the ledge, and anyone passing would just say to me something like, “Isn’t that a great view?”

Oh, well.  It doesn’t matter, really.

I am possibly going to push some of my “plans” back by about two weeks, unfortunately.  I have this weekend off, but the following weekend, when I am scheduled to work, my coworker and his wife are taking their daughter to Orlando, and if I weren’t available, he might feel that he ought to cancel that vacation to cover for me.  I don’t want that.

There’s always something, isn’t there?

[Okay, my train arrived almost on time just now.  I’m still torn about having skipped the earlier one, but I can’t change that now.]

Anyway, the weekend after that is, more or less, on or around my Dad’s birthday.  I guess that’s both more and less momentous than Bilbo’s and Frodo’s birthday, and certainly it is more directly personal to me.

I don’t really know what I’m talking about here, sorry.  I’m kind of all over the place.  And yet, I’m still going nowhere‒figuratively speaking, anyway.  I mean, okay, literally, I’m on a commuter train heading north at quite a decent speed.

Of course it could be that this is also, as Kenny Rogers sang in The Gambler, a train bound for nowhere.  I’ve always thought there was some pretty good poetry in that song:  “We were both too tired to sleep”, “We took turns a-starin’ out the window at the darkness, but boredom overtook us”, “If you don’t mind me saying, I can see you’re out of aces”, “Because every hand’s a winner, and every hand’s a loser, and the best that you can hope for is to die in your sleep”, “And somewhere in the darkness, the gambler, he broke even”.

Not Shakespeare level stuff, maybe, but still, there were some nice turns of phrase in it.  The chorus, ironically, has some of the weakest lyrics in the song, in my opinion.  They aren’t bad, but the verses are better.

Jeez, Louise, why am I writing about the lyrics of an old Kenny Rogers song?  It’s not a bad song, of course, but how have I come to be writing about it in a blog I originally started as a promotional venue for my fiction?  It’s bizarre.  I don’t quite understand it.

Of course, there’s nothing truly mysterious about the whole thing; it’s just the product of stochastic, drunkard’s walk events.  It has no directionality, no purpose, no meaning.  But it’s still just quietly mind-boggling.  What a catastrophically banal, monumentally tiny, outrageously boring shit-show my life has become.  It’s enough to make you laugh until you choke…or maybe to yawn until you choke.

Anyway, that’ll do for today, I think.  I hope you have a nice day.  Try not to let my words and thoughts infect you with my way of looking at things.  It’s not anything I recommend, and I certainly don’t think I have any particularly wise insights; I can’t even manage my own mind.

tri rail train dramatic

*”Doc” is what people at the office call me.

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When we shall hear the rain and wind blog dark December?

Hello and good morning, everyone.

It’s not only Thursday—and thus time for my “weekly” blog post, which goes back to when I was writing this blog only one day of the week and working on fiction every other morning.  It’s also the first day of June in 2023 (and thus, inescapably, also the first Thursday of June).  So, we begin a new month.

Before the end of this month, we will have the Solstice—the summer one in the northern hemisphere and the winter one in the southern hemisphere.  After that, officially, the season either of summer or of winter will begin, and the days, having reached either a maximum or minimum of the sine curve of their “daylight” length, will begin to head in the other direction.

Of course, the change will be very gradual at first, since the derivative of a sine curve—its rate of change—is a cosine curve, and where a sine is either at a maximum or a minimum, the cosine is at zero, albeit only instantaneously.  It’s at the equinox that the rate of change hits a maximum (or, technically it could also be a minimum, but when we’re discussing absolute rates of change, a minimum and a maximum are interchangeable, |x| being a positive number at any time, and all).  Anyway, that’s enough of that minimal review of the rates of change of seasons and the nature of sine curves and cosine curves.

Sines and cosines are well-behaved curves, at least.  Tangents and secants and so on are not so well-behaved, at least if by “well-behaved” you mean, “staying between a specified range of the y-axis instead of tending towards infinity in multiple places on that axis”.  Of course, a sine or cosine do go to infinity in both directions on the x-axis, come to think of it.  I don’t think I’ve considered it quite the way ever before.

Wow, talk about going off on a tangent*.

Anyway, not much else is new currently, not that I was just discussing anything new other than my new way of looking at the infinities of sine curves and, of course, the new month, which isn’t really all that new when you get right down to it.  Is June named for Jupiter (i.e. Juno)?  I should look that up.

…Okay, I did, and reminded myself that Juno was the Roman name for the goddess equivalent to Hera, the wife of Zeus/Jupiter, so it’s indirectly related to Jupiter, not directly.  That was an embarrassing mix-up of names and ideas in my head.  Good thing I didn’t write it down and publish it for everyone to see!

Of course, July and August are named after Julius Caesar and Caesar Augustus (née Octavian).  Then we have months that used to be named for their ordinal place in the calendar:  September (7), October (8), November (9), December (10), but I guess they all got shifted over two spaces at some point after they were originally named, though I don’t recall quite when and why that happened, and that isn’t something in which I’m interested enough right now to look it up.

I don’t know why I’m writing about this sort of stuff today.  I’m just following whatever random—or at least stochastic—impulse occurs based on the preceding thought or statement or whatever.  It’s not as though there’s any reason for me to do anything different.

I had a brief moment or two of “inspiration” yesterday evening, during which, on the train heading back to the house, I wrote a poem/song lyrics on the notepad function of my smartphone.  Having been written by me, it’s a very gloomy sort of poem/song, and I don’t have even an inkling of a melody for it.  I just felt a bit of a dip in my mood, even relative to baseline, and decided to express that the way I sometimes used to do.  That’s how I wrote what turned into the lyrics of my song Come Back Again, and something related to it was responsible for Catechism and Breaking Me Down, though the latter two were semi-deliberately written as song lyrics from the start.

A little later, I was watching someone on YouTube reacting to the “unplugged” performance of a few Nirvana songs, and I decided to look up the chords to Come As You Are; I downloaded a PDF of those.  It’s not a very complicated song, but it sounds quite good.  Kurt Cobain had a way of writing melodies that were unlike anything just about anyone else ever wrote.  Though, I also like his/their performance of The Man Who Sold The World, which is originally a David Bowie song.  I don’t think I’ve ever heard Bowie’s version of it, though.  I should have looked up the chords to that; maybe I will today.

But, of course, the odds of me ever doing anything with such chords, let alone writing a tune to and making a new song of my own seem vanishingly small.  Right now—by which I mean “now in general” not “now this very moment”—I’m just meandering through each day rather thoughtlessly, certainly pointlessly, with no goal or aspiration or anything of the sort.  There isn’t any point to anything I do.

I do really miss my kids.  I miss everyone else, too—my old friends, my immediate and more distant family, living and dead, all those people—but especially my kids.  I’m very lonely, but I’m also very socially withdrawn and incapable/incompetent.  I don’t think it’s at all possible for me to seek out and meet with or connect with anyone, new or old, in the world—except for my kids.

If they wanted to meet with me, I would do it.  I don’t even think it would be a struggle.  As far as everyone and everything else goes, though…well, I’ve lost my communication/connection hardware and software or whatever, or maybe I just didn’t get the updates, and so my system is hopelessly outdated, and when I even think about such things, the application crashes.

That’s a pretty weird couple of metaphors.

Anyway, I’m not capable of reaching out to people, other than through here, even when I want to do it.  I’m also not capable of trying to take care of myself (medically, psychologically, whatever), or take care of any other proactive business of life.  Life isn’t my domain anymore, I think.  Nevertheless, I can’t be darkly cool and quote the Bhagavad Gita like Oppenheimer:  “I am become Death, the destroyer of worlds.”  It would probably be more appropriate for me to say something like, “I am become Drizzle, the dampener of spirits.”

That was sort of the subject of the poem/song I wrote yesterday.  But most people don’t like to drink watered-down spirits—though I do, sometimes.  I also like watered down soda, I’ve come to realize.  Go figure.

Anyway, that’s enough of all that.  I think it’s time to head off to go to the train, thence to the office.  If I get there early enough, maybe I’ll play some guitar.  I doubt it.

TTFN

sine and cosinetwistedanddistorted

*Ba-dump-bump.

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A Raven-ous Friday post

Good morning, yet again, I say as I often do—though I sympathize with Gandalf’s irritated inquiry after Bilbo wished him good morning at the beginning of The Hobbit.  I won’t go into that discussion, however, since—much like when Costello didn’t want to talk about which end of a racehorse he owned—it’s a long tale*.

As I warned you yesterday, I have indeed finished and edited my recitation of The Raven, and I posted it on YouTube.  I’ll embed it here, below.  As you can see, I dispensed with the mask during this performance, though I left on one of my two pairs of dark glasses—these ones are actually reading glasses, but I wasn’t reading; I did the whole thing from memory.

I left the mask off because I wanted to be able to convey the emotions this poem always engenders, at least in me.  It’s weird, but I cannot seem to express or often even feel emotions of my own, or at least not recognize them, unless I’m reading something—out loud usually—or singing along with a song, or singing it myself.  I think sometimes that’s why I, and people like me, enjoy melancholy and dark songs so much.  It’s our only way of even crystallizing, let alone expressing, our own feelings.  Often, it’s the only way we can even tell what they are, at least if we have alexithymia/dyslexithymia.

Anyway, all of you are hereby warned that, if you watch the video, you’ll have to look at my face, unimpeded by the mask, though at least I’m wearing dark glasses.  Unlike that weird, one-hit-wonder pop song from the eighties, though, this is not because the future is bright.  Ultimately—in the long run, anyway—the future is dark.  Indeed, one could say that the future is darkness itself.  But that’s not going to be fully instantiated for trillions to googols of years, so you’ve got time for a quick bit of breakfast before we go.

With that warning, here is the video of my recitation of The Raven, with background “music” by me.  I hope you like it.  If you do, I would be grateful if you could give it a “thumbs up” on YouTube, because apparently that makes things more likely to be recommended to other people and all that.  Obviously, if you want you can subscribe as well, though if you follow my blog, you’ll probably know about my videos shortly after they are posted, assuming there ever are any more.  Also, of course, if you’re inclined, you can share to social media and whatnot, and that too would be appreciated.

It’s interesting, but before recent times, I found the YouTube recommendation algorithm quite good and useful, directing me at times to subjects that I wouldn’t have known related to me without the recommendations, such as Asperger’s.  But of late it’s been spending a lot more of its effort recommending videos I’ve already watched.

To be fair to it, when I like something, I do often rewatch it many times, just as when I like a book I reread it many, many times.  But still, it would be nice if, instead of things that are entirely rehashes and obvious draws from channels to which I subscribe, it would do more of the thing it did with Asperger’s, a sort of “a lot of people who watched similar videos to you went on to look at these videos and related ones”.  I don’t think there was any recognition of connection in the algorithm, it just spotted patterns across a very large data set and suggested similar patterns to me (and no doubt to many others) so that I would stay there at YouTube.

But I have noticed that most of these algorithms in general don’t work too well with me anymore, if they ever did, whether it’s Netflix or Amazon or YouTube or Facebook or Hulu any of the other various things that can make money if they can recommend something to you that you’ll watch.  I’m apparently too weird, or perhaps just to anhedonic, for typical things to appeal to me.

I guess I shouldn’t really hold it against YouTube too much.  I recently tried to restart all three of the Chronicles of Thomas Covenant, The Lord of the Rings, The Belgariad, some comic books, some Japanese light novels, and—most concerning of all—some physics/cosmology books that I enjoy.  I haven’t been able to get far in any of them.  I just get…well, not exactly bored, but unable to maintain any interest.  Just apathetic.  As Pink (the character in The Wall) sang, “Nothing is very much fun anymore.”

I am at least looking forward somewhat to this Sunday evening when we will be able to watch the Doctor Who sixtieth anniversary special, and Jodie Whittaker’s regeneration moment, The Power of the Doctor.  I think it’s going to be fun, though it will be sad.  I’ve enjoyed the 13th Doctor, and most of her episodes, especially in the last two series.  I look forward to seeing the 14th Doctor, of course, but will miss 13.  She isn’t my favorite Doctor, but she’s been very good.

Anyway, that’s enough for now.  BBC America will be showing the above mentioned program Sunday night at 8 eastern, so if you like Doctor Who, keep that in mind.  It’s just possible that I might go on to recite some more poems, or read bits of books or stories that I like and want to share, but I think I’ll use the mask again for those, unless my face changes significantly.  That’s unlikely to happen, since unlike the Doctor, I don’t regenerate**.

I’m off work tomorrow, so there won’t be any more posts before Monday, if there are any at all***.  You can all be thankful that you’ll be granted at least a restful weekend without my words.

*Or “tail” in Costello’s horse’s case.

**As far as I know.

***After all, something might prevent me from making them even on usual days.

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There was a star blogged, and under that was I born.

Hello and good morning.  It’s Thursday again—October 20, 2022—and thus it’s time for my weekly blog post, though I’ve been writing my near-daily blog post all along this week and for many preceding weeks.

I posted yesterday about the two videos I’d uploaded to YouTube with my readings of two of my favorite poems, and I hope those of you who are interested in such things enjoyed them.  The only comments I’ve received were on Facebook, and those were actually on the sharings of the videos themselves, not on my blog post, or on YouTube proper.  I guess it’s something.

I did a first draft, so to speak, of a recitation of The Raven yesterday, and I started to work on editing the audio for it.  I realized that I cannot use that video, since I made a few errors—a wrong word in at least two places that doesn’t even make sense.  I honestly cannot understand how that happened, since it’s an error I’ve never made before, as far as I can recall, when reciting the poem.  Anyway, I’ll have to re-record the video.

At least working on the audio led me to decide what I was going to do for the background music for this, and I’ve prepared that (it’s remarkable what I can get done since I no longer write fiction or play guitar in the morning).  It didn’t involve me actually playing and recording any new versions of music, but I did work with my own recorded music to produce it, and it’s suitably eerie, I think.  I’ll let you all be the judges of such things.

On a less cheery note, I had a terrible night’s sleep last night, waking up at around one thirty, struggling to try to get back to sleep, but only succeeding for a total of about fifteen minutes by my clock.  I did at least have a dream during that fifteen minutes, but it was one of those typical, semi-mundane but still bizarre dreams, and it involved some annoying scheme that took over computers and cell phones, but in a fashion such that I can’t see what the point would have been, other than pranking.

I don’t understand computer pranking and hacking, or why someone would think it was funny.  I guess there’s no accounting for one’s sense of humor.  I, for instance, think it would be funny to castrate all saboteur-type hackers* without anesthesia or antibiotics and to use fire to stop the bleeding.  I think it would be hilarious.  But that’s just me.  I’ve always had an odd sense of humor.

That’s pretty much all I have for you today.  I’ll work on redoing the video for The Raven, possibly even this morning.  If I get a take that I like, I could be finished and post the video by this evening, but the takes are about ten and a half minutes in length—that’s the time it takes me to recite the poem with a bit of voice-acting thrown in—so if I screw it up, I probably won’t do another take.

Still, if I do post it to YouTube today or tonight, I’ll probably share about it here on my blog tomorrow, assuming I’m still alive and sharing, which is not necessarily my preference.  Honestly, I don’t know what most people see in staying alive; I imagine most of it truly has to do with innate biological drives, a fundamental, “terminal” goal, in AI-speak (though it’s ironic to use it here), and people just make excuses for it, confabulating justifications and motivations for staying alive when it’s really just animal programming due to natural selection that impels them to continue.

Oh, well.  That’s life.  I hope yours is enjoyable, at least for today, and hopefully from now on, for as long as it can be for you.

TTFN

Raven

*Other than, perhaps, those who are legitimately and honestly taking part in some form of political protest, but that should be a very strict set of criteria and very limited in application.  Hackers can potentially cost a society millions and even billions of dollars with minimal effort or risk on their parts, and when society loses such amounts of money, there are people, somewhere, who because of that, go without enough good food, without medicine or mental health care; there are people who suffer in general and who die prematurely.  It’s not obvious to see, not as straightforward in proximate cause as most homicides, but its effectively a mathematical certainty.  These are petty and cowardly murders committed anonymously and at a distance, for no good reason but to assuage weak egos.  If that’s the sort of thing you’re into, you should go into politics; at least then you might accidentally do some good.

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“What have we here, laddie? Mysterious scribblings? A secret code? No! Poems, no less. Poems, everybody!”

It’s Wednesday morning, and I’m at the train station, but it’s more than half an hour before five o’clock.  Officially, the train station isn’t even open yet—in the sense that the payment kiosks and the bridge and elevator access portals are all closed off.  I suspect there’s at least a bit of dereliction involved on the part of the person tasked with opening them, since the first train arrives in roughly fifteen minutes, and it seems reasonable for the station to be open at least fifteen minutes before the first train.

I couldn’t stay asleep this morning, as is probably obvious, having awakened at around two.  After rolling around a bit and ruing the fact that I never can seem to get any real rest, I gave up, got up, took a shower, got dressed, and headed for the trains.  I’m certainly busted flat in a figurative sense, and I would say that I was feeling nearly faded as my jeans, but I don’t wear jeans, anymore.  The sentiment still applies, nevertheless.  I feel not only faded but frayed and, in places, rather tattered and torn.  I wonder if there’s anything that can be done about it, apart from the obvious.

I did recite the two poems I mentioned yesterday on video, and I uploaded them to YouTube.  I’ll also embed them here.  I decided to make two videos instead of just one with two poems, because the two poems have quite different general ambience.  I also decided to do a little reverb and stuff to my voice in addition to eliminating background noise, and while I was editing the sound for the first, it occurred to me that it might be nice to add a little music.

I didn’t want a copyright strike from YouTube, though for a non-monetized channel like mine these are mostly harmless.  Still it’s a minor irritation, and I happen to have music of my own to use, so for The Second Coming, I took the opening and closing music from my song Come Back Again, which I’ve never “released” but for which I have a “video”, which I had made private.  I guess I’ll make it public again, and will have added a link for it just above.

Anyway, I slowed the combined music down just enough to make it last until it faded out at the end of the poem, then lowered its pitch by three semitones to make it more ominous, and put it through a couple of reverb filters in a row to make it sound distant and hollow, then adjusted the balance and added it to my video before doing just the barest bit of trimming on the ends.  I think it came out nicely.  Here it is:

For the second poem, Alone, I used the opening, the bridge, and some of the final fadeout from my song “Like and Share”, which I slowed, again, reduced in pitch, and put through three different reverb processes, so it’s quite echoey and distant.  I wanted to do that because it’s slightly less somber to start with than the other song, and I needed it to be a little more hollow to make it match the poem.  This is one of my very favorite poems, and since the first time I read it* I felt not just that it had been written for me, but almost as if it had been written by me.  Of course, I cleaned up the audio for my voice as well, taking out background noise and so on.  Thankfully, I’ve done that sort of thing so often now that it’s speedy work.  And here is that video:

I hope, if you enjoy them, that you’ll give them a “thumbs up” and maybe subscribe and possibly even share them.  If you feel like it, please comment on them, either here or on YouTube.  Of course, I’ll always give you the out that the man selling a broken barometer gave to potential buyers:  No pressure.

I’m thinking of doing a video of The Raven, as I think I mentioned yesterday.  For this, I may dispense with the mask, and possibly even with the sunglasses.  Though I strongly dislike seeing my unimpeded face, for that poem such a horrific sight may even be beneficial, and in any case, I want to have full expressivity, not just of voice, but of face, to recite it.

I want to use some background music for it as well, I think, but I don’t know whether I’ll use just one song or multiple ones for different sections.  The latter notion sounds like an awful lot of work.  I do have an old piano piece I wrote as the theme for a really crappy horror screenplay I wrote in high school, and for which I dreamed of making the movie; the music is way better than the script was, as even my most generous friends agreed.  Maybe I’ll do some of that, and also the bad guy’s theme that I wrote for it, on my keyboard at home (maybe using a pipe organ setting, that might be good), and of course, do various things with the audio to make it more suitably ominous for the background of The Raven.

We’ll see.  It’s a lot of work, all that, but it might be engaging enough to keep me at it for a few hours, which is probably all it would take overall.  It’s not like I have anything better to do with my time.  So, if I do anything at all, I’ll probably do that, but I can make no guarantees.  It’s entirely possible that I’ll crash and burn before then, possibly even before tomorrow; but I’m rarely that lucky.

Oh, as an aside, by the time the first train arrived, this morning, they had not yet opened the train station at Hollywood.  If anyone involved with the Tri-rail system reads this, please note that fact, if you haven’t been made aware of it already.  It’s not cool, to make people with chronic pain and other, similar disabilities have to walk all the way down to the nearest crossing and back to get onto the other side of the tracks.  I don’t much mind the exercise myself—I’m self-hateful to an astonishing degree—but there are people I see regularly at the station for whom this seems an onerous and unkind imposition.

That’s about that for today.  I hope you enjoy the poetry recitations a bit, including my original background music.  Have a good day if you can.

*In an Edgar Allan Poe collection I got as a holiday gift when I was about twelve or thirteen, I think, but I may be one year early or late on that.