There’s the respect that makes calamity of so long blogs

Hello and good morning.  It’s Thursday, and so it’s time for another weekly blog post.  Last Thursday I was out sick, so I only posted a very brief, almost telegraphic announcement of the fact that I wasn’t going to write a “true” post that day, and I said that I might write a true post on Friday if I was feeling better.  Of course, I was not feeling better by Friday, so there was no such post.

I’ve nearly recovered from my acute illness—probably some respiratory virus, but nothing too terribly severe—and now I am more or less back on my normal schedule.

Speaking of being “back”, though, my back has been acting up severely this week, and in an atypical fashion.  I’m not sure what triggered it.  Possibly it’s just due to being sick, with the coughing and the lying around more than usual and so on.  Possibly it’s something else.  Anyway, I’ve had to go to a combination of near-overdoses on my various OTC pain medications, and that’s not wonderful.  It got so severe yesterday that I was actually saying out loud that, if it didn’t improve, I was going to have to find some relatively high parking garage nearby and jump off it.  I was not exaggerating, as I think was obvious to those around me.

It’s easy enough to wonder why I don’t do that anyway, given that there is very little in my life that’s positive, and what positivity exists is episodic, and it can’t make up for the constant negatives of pain and illness and sleeplessness and depression and so on.  The closest I come to any comradely activity is streaming YouTube videos of people reacting to songs or movies that I like.  It’s almost, but not quite, exactly unlike watching a movie with a friend who has never seen it before.

Speaking of paraphrasing or otherwise referring to The Hitchhiker’s Guide to the Galaxy, I’m most of the way through the first run of editing Extra Body.  There’s a long way to go, since I usually do as many as seven such iterations before considering my editing done.  I figure by that time I’ll usually have lost any proprietary affection for a story and it will begin to bore me, so it’ll be easier to cut out extraneous material.

That’s the principle, at least.  I don’t know how well it’s worked hitherto; I’m too deep inside the process to trust my evaluation.  I did at least transcribe the material I had written so far, in passing, on HELIOS, so that if/when I’m ready, I’ll be able to pick up writing that by hand in its first draft.

Extra Body is my first non-horror story in a while (unless you count the beginning I made on writing The Dark Fairy and the Desperado, which is certainly not horror, but is also certainly nowhere near done, if it ever will be).  It’s hard for me to tell if it’s a good choice to have reverted to a sort of lighthearted science fiction story set in the modern world, but at least I was able to squeeze the first draft out.

Of course, I’m paring down the word count as I go.  As I’m sure is obvious to all of you, I get rather wordy when I write, especially when I’m using the computer keyboard, since I type quickly and usually can do so more readily even than I can speak out loud.

I’ve been reading some more books about quantum field theory (and related subjects) lately.  It’s still very intro level stuff, of course, but either because recurrent exposure to increasingly technical material is gradually sinking into my head, or because I’m just getting a tiny bit “smarter” overall over time, I’m actually finding some of it more familiar and understandable than before.

I must say that I was a little bit proud of myself not too long ago when I was thinking about how complex numbers are represented using a two-dimensional plane, with internally consistent mathematics and whatnot, and I wondered if one could have three-part complex numbers.  I soon realized that only even-numbered ones would work, and then I learned that these were indeed a thing (i.e., quaternions) and that indeed only even-numbered versions of such things can work.  Of course, it’s very difficult to visualize something that has four dimensions, so you just have to do the math, and I haven’t started to work on or learn that seriously, but I played with some “higher order” complex-number multiplications a few times, which was how I saw that only even-numbered ones, with separate “imaginary” roots would work.

On a vaguely related note:  I was listening to Sean Carroll’s podcast yesterday evening.  He was speaking to Doris Tsao, a neuroscientist who specializes in facial recognition and processing centers of the brain, and she mentioned that the attributes of a face can be thought of as many-dimensional, in the sense that there are numerous “variables” that can be represented about any given face, and that they effectively comprise a higher-dimensional space.

Then she turned the matter around and noted that there are apparently those who consider using such things as faces as ways of intuiting mathematical or related systems with higher dimensions, thus representing them in ways that the human mind is capable of visualizing.  I though that was a fascinating notion*.

It reminds me little bit of the concept of the “memory palace”, a mnemonic/rhetorical tool that originated in ancient Greece (so I understand) in which one associates the aspects of, say, a speech one is going to give with imagined artifacts or decorations in some imagined hall or room, so that the aspects of that speech can more readily be remembered and brought to mind when needed.

There are several fictional characters, most notably Hannibal Lecter and the BBC’s Sherlock, who use rather exaggerated versions of these memory palaces.  The one described in Hannibal is more coherent than the one in Sherlock, but they both take great liberties with how the concept was originally used.  Nevertheless, for the longest time, thanks to the amusing tableau** Thomas Harris described for how Hannibal Lecter had “stored” Clarice Starling’s (fictional) home address, I could readily reconstruct her address at will.  I think I may still be able to do it.  It should be something like “#33 Tindall Ave, Arlington, Virginia, 22308”.  If anyone wants to check my recollection, that would be welcome.  I’m not certain I got it right.

I’ve usually found such mnemonics more trouble than they’re worth.  It’s easier for me to connect concepts in the real world, building mental models of the way things work rather than trying to memorize.  This means I probably don’t learn as quickly as some do, but I learn deeply when I do, and it’s easier to connect one model to another and to spot analogies and similarities and possible connections between systems that might at first seem unrelated.  That was quite useful in medical practice, as I’m sure you can imagine.

Oh, I almost forgot:  Welcome to the first day of August in 2024!

That’s all I have to say about that.

Apparently the summer Olympics are currently taking place, but I’ve been unable to muster any interest in them, though I used to love them, and I find that the manufactured controversies about some apparent misconstrual of the opening ceremony or some such (and the juvenile ripostes by political antagonists of the original misconstruers responding to the supposed offense) all serves simply to reinforce my feeling that not just the human race, but indeed all life of any kind, is a bad idea.  Thank goodness for the apparent inescapability of the second law of thermodynamics.

Anyway, I feel I’ve been meandering about here, randomly bouncing from topic to topic, without any consistency or coherency, so I’ll bring this to a close soon.  I fear that this once-weekly blog posting suffers from the fact that there are topics I probably would have brought up as solitary daily blog posts when I was doing them, but that I now want to try to squeeze in here.

I just can’t write (or edit) new fiction and write daily blog posts too, not while I’m forced to keep my day job.  If anyone out there wants to pay for my living expenses and support me so I can both write new fiction and write daily blog posts while still studying physics and programming and the like in the meantime, please, let yourself be known!  I’d be pleased to hear from you.

Otherwise, I’m pretty sure none of this is going to last very much longer.  My pain and dysthymia and alienation and insomnia are increasingly unpleasant, and there are fewer and fewer things in my life that compensate.

Here’s to Macbeth’s proverbial last syllable of recorded time.  L’mavet!***

TTFN


*It does come up against difficulties when considering the notion of orthogonal axes of vector spaces being able to be rotated into one-another.  It’s hard to see how one could intuitively consider rotating the variables of, say, eye size and cheek color into one another, or what an inner (or “dot”) product or cross product of two such variables could mean…though with the latter, it makes the use of the “right hand rule” an amusing invocation of a slap in the face…or at least poking someone’s cheek.

**Involving Jesus (age 33) marching along with a .308 Enfield rifle at shoulder arms, followed by J. Edgar Hoover in a tutu, followed by Clarice driving a “Tin Lizzy” model T Ford, going past Arlington National Cemetery.  Something like that, anyway.

***This is an expression I invented this morning, the counter-toast to the famous L’chaim, which in Hebrew means “to life”.  Then, being me, I jotted down some words for the first verse of a parody song of “To Life” from Fiddler on the Roof:


“To death!  To death!  L’mavet!

L’mavet, L’mavet, to death!

Here’s to the father I tried to be

Here’s to that travesty

Drink L’mavet, to death,

To death, L’mavet.

L’mavet, L’mavet, to death.

Death has a way of releasing us

Luring and teasing us

Drink L’mavet, to deeeeeaaaath…”

That’s as far as I got, but I did only work on it for about five minutes, so, it’s not too bad.

4 thoughts on “There’s the respect that makes calamity of so long blogs

  1. I’m selfishly glad that the novella ( if we may call it that ) is not of the horror genre. If it were, I’d not want to read it. The way you’ve described it sounds intriguing and I do look forward to reading it. I get why you can’t write a daily blog while working full-time and composing literature, simultaneously. Wish I could step up as a benefactor. If you had any idea the paltry income I keep myself afloat on… On a completely separate note, have you ever exposed yourself to Andrew Bird? I hadn’t, but then stumbled upon his CD entitled “My Finest Work Yet”. Am I correct in remembering that you played the cello in your younger years? He is a stringed instrument aficionado and the CD I mention is a work — in toto

  2. P. S. On the Andrew Bird thing, there is a video on YouTube of him with Fiona Apple (sweet, tortured, beautiful Fiona Apple with the lungs to kill) performing a dramatized version of “Left Handed Kisses”. It is SO hot.

Leave a reply to zaatidid Cancel reply