My fiction writing, from up the road to down the tubes

I’m writing on the lapcom yet again, which entails a pretty long streak for me lately:  three times in a row, if I’m not mistaken.  Though, it looks like it’s been a particularly long time since I used the lapcom on the 28th of October—the most recent lapcom-saved blog post on the 28th goes back to 2022 (AD or CE).

It’s hard for me to credit that it’s been that long that I’ve written blog posts using my smartphone, but I suppose the state of my thumbs should convince me.  The MCP (metacarpal-phalangeal) joint and the CMC (carpo-metacarpal joint) are still quite angry on both thumbs.

Anyway, I hope my posts on the lapcom haven’t been too unwieldy for everyone who reads my blog.  I know that I tend to get carried away with myself.  Also, perhaps ironically, I tend to use up more time each morning writing this blog than I ever did on those hundreds of mornings when I was writing fiction, even though I wrote about 1400 words every day.

Part of the reason for that is that, unlike with blog posts, editing was completely separate from initial writing.  In other words, I did not try to edit/fix anything as I was going along in the first drafts, even when I reread the previous day’s stuff to get me rolling on the new day’s writing.  It was very much a process of “get the words out there ‘on paper’, and accept that they will be imperfect and improve them in the editing process”.

I think it worked well.  It was a practice I started while I was “up the road”, though at that time I definitely used real paper, obtained from commissary through the generosity of my parents.  I got up at lights on every morning—I’m usually awake then anyway, although it was around three or so—and started writing until I had completed three or more pages.  I generally wrote in cursive*, but sometimes I printed when I wanted a break.

It’s interesting to me that, with those handwritten stories—Mark Red, The Chasm and the Collision, and Paradox City—a significant part of the editing process was the inevitable act of typing them into the computer.  It’s more or less impossible for me to do that without editing as I go, and that’s generally a good thing.  But it is cumbersome and time consuming.  And I don’t know that it produces better (or worse) material than when I write directly on the computer.

I cannot judge it objectively.  I like the above mentioned three stories, but I also like Son of Man, which was partly written on smartphone in work release and partly written directly onto a lapcom.  And I like the stories I’ve written since.

I even like my uncompleted stories, though they have fallen foul of a bad habit or tendency that has always caused me trouble:  I would start something new before finishing the previous thing.  I had blocked this habit starting while up the road by being ruthless and committing myself to finishing one book or story before starting any part of another.  If I had an idea for a story, I would simply jot it down for later.  And, of course, some of the jottings did produce stories, though such stories often take off and fly in unexpected directions (and for unexpected lengths) like Outlaw’s Mind.

I don’t know why I’m dwelling on this subject.  It’s not as though I am writing fiction now, anyway, any more than I am drawing or playing music (let alone composing it) or studying and practicing mathematics or physics.  I cannot seem to summon the energy to do any of these things, and even reading continues to be almost a chore.

Very few—and possibly none—of the things that made life enjoyable are working for me anymore.  And it’s not as though the outside world is very conducive to good thoughts.  Although, maybe I’m a poor judge of such things.

It would be nice, I often think, to go back to writing fiction (nearly) every day.  But, of course, given the constraints on my time, and the irritating need to work to keep myself alive, I would only be able to do that if I gave up on writing this blog.

It’s hard for me to imagine setting up a Patreon—or even just one of those Ko-fi accounts or whatever they are—and making enough income to be able to live and write full time.  I mean, even if everyone who reads my post every day gave me a dollar every day, I don’t think I could live on it.

I suppose, if I tried to do it full time, maybe I would do more interesting and gripping things, and maybe I would do a better job at marketing myself.  I don’t know; I’m not good at talking myself up, except in flagrant jest, where I’m pretending to be an egotistical megalomaniac.

And though I can admit that I have the capacity to do many things and do them pretty well, that is often something of a hinderance.  Whenever I’m doing mainly one thing, all the other things end up trying to draw me away.  And they often succeed.

It’s a longstanding frustration of mine that I know that if I were able to concentrate on one thing among my interests, I could probably have done something worth doing, something of significance—maybe even something great, if I were very, very lucky.  I think about how Feynman used to say that he wasn’t especially bright, he was just a guy who had very narrow interests, and so he was able to dedicate himself entirely to that pursuit.  I think it worked out pretty well for him.

I guess it all doesn’t matter much, if at all.  Given the state of my overall health, and my chronic pain, I doubt that I have time to make any major new contributions to much of anything, even if I were able to focus entirely on one pursuit, which I am not, at least not so far.

Whadaya gonna do?  Well, hopefully, what you’re going to do is have a good day.  I should be back tomorrow…exclusis improvisis.


*I like to joke that they only started calling script “cursive” after they tried to read mine and spent a lot of their time cursing.

2 thoughts on “My fiction writing, from up the road to down the tubes”

  1. I wonder if you can get a hand/thumb brace or something to immobilize your thumbs for a while. Of course that will probably interfere with guitar playing.

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