Near-catatonic dysthymia with sensory overload and the difficulty they engender in writing fiction at work – a personal case report

Well…

I tried to write some on HELIOS yesterday‒even just a page would have been nice.  I got my clipboard down, put the title at the top of the first page, and I even worked on a few names for characters and places.  I chose a good name for the school in which some of the action takes place, one that I like (this happened before the workday started), and a couple of tentative names for three main characters.  I’m not sure about sticking with any of those.

As I’ve noted before, I made up the rough idea of HELIOS when I was quite young, as a comic book superhero.  I don’t remember what name I had given to the main character, but knowing me, it was probably some ridiculously simple and probably alliterative name.  For instance, I once made up a completely ripped-off-from-the-Hulk character called “the Cosmonster” (!) and his regular, human name was John Jackson.

To be fair to my past self, I was quite young, and I was influenced by Stan Lee, who made such characters as Bruce Banner, Peter Parker, and Reed Richards.  So, there was precedent.

Still, a decent name for the main character is rather important.  “Doofus Ignoramus” is unlikely to be the secret identity of a memorable hero, though it could be an interesting genus and species name for some newly described creature.

Anyway, as I implied, I got no actual writing done on the book.  It’s just too noisy and chaotic during the day, and it’s almost impossible for me to block it all out, since I have to attentive to work matters.

Also, my dysthymia/depression and probably some other things were in full swing yesterday, and I was all but catatonic through at least two thirds of the work day.  I barely moved when I didn’t need to move, I barely spoke‒even when someone spoke to me, except when necessary‒and I don’t think I showed any facial expression before about 4:30 pm, though it can be hard for me to tell.  I’m trying not to exaggerate here.  I really felt more or less completely empty.

I even did a quick Google search for the official clinical meaning of catatonia, to see if I was close to meeting it, as I felt I might be.  It wasn’t quite the right term, but it wasn’t ridiculously far off, either.  There were times during the day that, if I had somehow caught fire, I probably would have looked at it and thought something along the lines of, “Huh.  I’m on fire.  I should probably put that out.  But is there really any point to doing that?  It’s too noisy in this world, anyway…maybe I should just let myself burn.”

Eventually I thawed slightly as the day went on‒I do fit the typical pattern of depression in that my overt symptoms tend to be worse in the morning.  Weirdly, despite that fact, I find it far easier to get many things done in the morning, when it’s quiet and I’m effectively alone.

I’ve always been that way, or at least as long as it’s been pertinent.  Even in junior high, I used to get up and go to school very early, so I tended to be the first student there and have quiet space and time to feel like the surroundings were just mine before everyone else showed up.  I carried this on through high school.  In my undergrad years, I used to set my watch fifteen minutes ahead and then still make a point to get to class early, by my watch, even though I knew it was set ahead.

That would be harder to do nowadays, since all the effing digital devices display time based on local corrections to UTC, getting updates and adjustments through 5G or Wi-Fi or whatever other connections are there.  This is good around daylight savings time, I guess‒it’s harder for people to make the excuse that they forgot to set their clocks forward in the spring and that’s why they’re late for work the Monday after.  But the whole uniformity of time and whatnot seems overrated‒and it certainly doesn’t seem to stop people from being habitually late in the morning and then keeping other people late at the end of the day.

Not that I am bitter.

Going back to writing:  despite my emptiness and disconnectedness yesterday, and my inability to write any fiction, I decided to order two good spiral bound notebooks, thinking maybe I can at least bring them on the train and write on my way back to the house or something.  If I brought the clipboard with the paper in it, the pages would get all shmushed and mangled in my backpack, and that would be very aesthetically unpleasant.

So, I’ll be getting two of those lovely, sturdy “5-Star” spiral bound notebooks delivered today.  They were quicker to arrive and cheaper than if I had bought them in a stationery store, and I had better choices of colors, though I still had to settle for one green one along with the black one to get a one-day delivery.  That’s okay.  One of the nice things about black is that it goes with every color quite nicely.

I guess I’ll let you know how things go today.  I’m not too optimistic, especially given that work is more sensorially overloading and distressing than is even riding on a commuter train, a fact which at first glance might seem rather contradictory.

It makes a certain amount of sense, though.  On a train‒or a bus, or similar‒one is actually much more alone than one is in an office.  There are other people, but they are each also alone.  You are all mutually alone, and there is no impetus to communicate or interact.  It’s much more pleasant than working where people feel they can just come up and interact with you without warning, whether or not you’re already doing something.  And then, they’re all talking and interacting and there’s overhead music, and there’s stupidity, and you can’t even hear the useful, pertinent information that you’d like to hear.  It’s too chaotic and noisy, certainly for someone with constant tinnitus in one ear and other sensory difficulties.

Oh, well.  Whataya gonna do?  The forces that brought the world into existence never bothered to get my input when they did what they did.  The morons.  Things could have been so much better than they are, but they didn’t bother to ask me.  Then they give the poor excuse that I “didn’t exist” at the time.  Whose fault was that, huh?  Not mine!

Maybe it’s not too late for me to fix everything.  But it often seems hardly to be worth the effort, even if it can be done.  For the most part, life in general does not merit help or protection.  Macbeth had its number:  it’s a tale told by an idiot, full of sound and fury, signifying nothing.

Speaking of tales told by idiots, I’ll let you know tomorrow how it goes today with respect to fiction writing after my notebooks arrive.

2 thoughts on “Near-catatonic dysthymia with sensory overload and the difficulty they engender in writing fiction at work – a personal case report

  1. You can use the green one for a zombie story. Ha just kidding all your stuff is good. I’m glad you’re trying to wright keep it up. Just one of your fans.

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