rock

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Self-love, my blog, is not so vile a sin, as self-neglecting.

Hello and good morning.  It’s Thursday again, despite all misgivings, and I’m writing my official Thursday-style blog post because I cannot think of anything better to do.  Okay, well, I can think of better things to do—surely there is a functionally limitless number of possible better things—but I am not up to or capable of doing anything better, so here I am.

It would be great if I were writing fiction instead, here in the morning before/on the way to* work.  Then I could feel as if I’m accomplishing something.  Even if nearly no one reads my fiction during my lifetime, there’s always at least a chance that someone will pick it up and it will become beloved after I’m gone.

Heck, Moby Dick didn’t do well in Melville’s lifetime, but it’s now considered one of the great American classics of literature.  Even Khan quoted and paraphrased it in Star Trek II:  The Wrath of Khan.  Not that he’s maybe the best role model (and he is a fictional character) but nevertheless, the book is a classic great enough to have been imagined to live on into the 23rd century.

I guess this conundrum is part of why authors use agents to try to sell their works to publishers and use publishers to try to sell their works to the general public.  It’s a sensible division of labor, of course, and specialization often improves efficiency.  But who is available to help sell authors to agents at that level?

The way things are set up in our culture—and no, there’s no indication that this was planned by anyone, it just sort of happened emergently—we reward those not necessarily who are the best at doing something, but who are the best at self-promotion.  In other words, we reward those with a tendency toward narcissism, and the results show themselves all too well in our entertainment, in our businesses, and perhaps most horrifically and pathetically, in our politics.

Then, of course, you get gifted artists like Kurt Cobain, who was never really narcissistic as far as I can tell—he said he had wanted just to be in a band in the background, maybe playing rhythm guitar, but was instead the front man of a huge band and almost the face of a genre of music in the nineties.  Having him there made all the other people (and him as well) lots of money, and it brought joy to many fans.  This latter bit is good, of course—more joy, ceteris paribus, is better than less—but it can put a lot of pressure on someone who has negative self-esteem issues.

How many of the premature deaths—by clear suicide as in Cobain’s case or by effective suicide among people like Janis Joplin, Jimi Hendrix, Jim Morrison, etc.—of successful artists are due to some form of rock star imposter syndrome?

This is not to say that sometimes narcissism, in moderate doses, cannot pay off, for the person and for everyone else.  Mick Jagger probably has a bit of narcissism in him, for instance; I remember him once describing himself as “just another girl on the runway” with a smirk on his face.  He clearly liked/likes attention.  But you don’t get the impression that it’s too pathological in his case, and the world got some great songs out of it.

Then there’s Freddy Mercury, who was certainly a bit of a diva, but popular music was all the better for that fact.  He did, of course, end up cutting his life short, but in a very different way from the Joplins** and Cobains.

Then there is someone like David Bowie, who changed rather constantly across his career and who always seemed just to be who he was, even when he was assuming other identities.  He was just an artist, I think (though he had his own issues with drugs, etc.).  Though, he had a competitive nature, too (his Life on Mars was his “revenge” on the song My Way, for which his proposed lyrics had been rejected).

I think it’s a bit more complicated but similar in the case of Radiohead, though all the attention and touring surrounding OKComputer did apparently nearly drive Thom Yorke to a “nervous breakdown”.  I have my own theories about why this was so hard for him, but I won’t get into them now, because they are very self-referential and, well…narcissistic in a sense.  In other words, I suspect Thom Yorke is in some ways like me and had troubles similar to ones I would have in his exact situation.

Anyway, that’s probably enough BS for today.  My pain is not quite as severe as it was, but my various joints still feel like they are not fully connected, and moving is painful—but sitting still gets painful after a while, too, so it’s not an easy way out.

Hey, you know what?  I thought of an idea.  If anyone out there has the resources and the desire to take in and support an author so he can work full-time writing fiction (and even some nonfiction and possibly some music, since I would have more time), please get in touch.  I can’t honestly say that I’m the tidiest person in the world, but I do my best to keep my untidiness to my own areas.  I am also a decent cook; that’s practically genetic in my case.

I would put you in the dedication to any books and other stories I finish, and of course, if I make it big, you’ll get your share.  If you have promotional skills (or connections), they would be a definite plus.  I am neither spayed nor neutered, of course, but I am woefully, painfully shy and self-effacing, so you don’t have to worry too much about “unwanted litters” and related issues.

Okay, enough silly pseudo-personal-column nonsense.  I am trying to be upbeat and silly**** to distract myself from pain and avoid despair, at least to the degree possible.  It may be true that “freedom’s just another word for nothing left to lose”*****, but despair is still not very much fun.  It can be weirdly freeing—thus the lyric—but it’s not fun.

TTFN

*If you simplify that expression, discounting the spaces, you’re left with bfre/nt2hwayo.  I think I did that correctly.  If anyone catches something I’ve missed, please let me know.

**I remember when I was quite young and first heard of Janis Joplin; I wondered if maybe she was a descendant of Scott Joplin, the great ragtime pianist and composer who gave us such works as The Entertainer and The Maple Leaf Rag.  Yes, that’s the sort of background I had—I knew about ragtime musicians long before I knew about someone like Janice Joplin.  To be honest, I still prefer Scott’s music, and I like the version of Me and Bobby McGee*** sung by Roger Miller way more than I like the one Janis did.

***Of course, the song was written by Chris Christopherson.  He’s one of those songwriters who wrote a lot of songs that other people ended up playing and making famous, rather like Carole King.

****By the way, just because it’s silly doesn’t mean I wouldn’t necessarily jump at an offer in response to my proposal.  I’m silly but not stupid, or at least I’m not stupid in that way.

*****Now that was some good lyric-writing, Mr. Christopherson.  It’s one of the best lines ever in any song.

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“Remember: All you’ll be is all you’ve been”

It’s Wednesday morning, quite early, and as is the case nearly every Wednesday, I am struggling not to incorporate some version of the first line from She’s Leaving Home by the Beatles* into my writing.  Oops, it looks like I failed in that struggle.  Well, at least I put the actual line in a footnote instead of quoting it in the main body of the post.

Speaking of songs and lyrics, I want to apologize to anyone who feels disappointed by the fact that I still have yet to start writing a song based on the trigger “humility”, and also that I haven’t done anything more with my previous tentative song, Native Alien.  I’m not sure I’m satisfied with the melody I have for it so far‒at some time in the future, I may redo it.  Or I may go back to it and find that I like the melody and chords, after all.  For that, we can all only wait and see; I don’t know much more about what will happen than you all do.

As for other incomplete songs, I have no fewer than two “videos” of such critters on my YouTube channel:  Mercury Lamp, which is really just a kind of demo, but which I like, though I haven’t felt like expanding it yet, and Come Back Again, which is actually mixed and produced, after a fashion, but is far from being in releasable form.

The lyrics of the latter song are quite old‒I wrote them (with more recent slight modifications) while I was in college, and reproduced them from memory when I decided to record the tune.  I had a little spiral notebook** that I sometimes wrote “poems” in, and this song was one of them, or a combination of such poems, originally.  Though it was a long time after writing the words that I ever formally wrote down the tune, the tune was in my head since not long after I wrote the poem.

Actually, there was somewhat more to the poem(s) than appears in the song now.  There’s a sort of prelude of three couplet lines, which I recorded and sang, but I decided it was too stilted and moany/whiny to start out the song.  I replaced it with a collection of “Aah, ah ah ahh…” singing, which I think works better, though I secretly*** left one faint track with the initial singing, which one can here and there just faintly detect in the background.

Anyway, as I said, I’m fond of the lyrics and the melody, and though I always just wing it on my harmonies****, I like the ones here.  I also like my little bass riff and my looped, reversed drum beat pattern.  The whole thing has many elements that I like.

[As an aside, here is a fun fact:  I was relistening to this song a few times recently, since it has obviously been on my mind.  On the side bar on YouTube where it gives further video suggestions/options when you’re watching something, it also gives you little buttons by which you can narrow down the available recommendations.  The first of these was fairly unsurprising, as it read “More from Robert Elessar”.  But the next one allowed me to choose to narrow my suggestions to “Progressive Rock”.

Evidently, the YouTube algorithm considers my unfinished song to be most consistent with the genre of progressive rock.  I’m not at all disappointed by that.  By all means, group me in with people like Pink Floyd and Yes and Kansas.  I’ll take that designation without any complaint at all.]

But of course, this song is really not in any kind of shape to be held up against any of those bands’ works.  The mix is uneven/unbalanced and still quite messy and blurry; the timing is at least slightly off in a great many places*****; and there are other technical issues.  Also, the arrangement is not quite to my liking.  For one thing, I’d like to add a bit of lead guitar to it; it feels too low in pitch overall to me, without any real bright sounds.  It’s not a song with a bright atmosphere, perhaps, but a range of pitches and timbres and so on is still desirable (at least to me).

Anyway, I’m mildly frustrated because I still don’t have any decent thoughts on a lead guitar part nor do I have the gumption to try to clean up the mix.

I will, however, embed the “video” here, and I would be delighted to receive any feedback or ideas you want to share.  Try not to be too cruel, if you can help it, please; I’m sometimes surprisingly fragile and also sometimes horribly spiteful, though I try not to act on or express any of those reactions.

Thank you very much.

*”Wednesday morning at five o’clock as the day begins…”

**Not precisely “a little black book with my poems in”, but not too far from that, either.

***Well, it was a secret.  I guess it’s not really a secret now, though the words still are.

****In Like and Share, I even just spontaneously did the whistling that appears in the bridge while I was recording my (also improvised) harmonies, and I liked that outcome quite a lot.  There was only one take on them, and that’s what you hear in the song.

*****To cut me a bit of slack, I did have to record all the parts separately, with just inexpensive,  USB-based mics and basic computer recording programs, in the back room of an office that used to be a store in a strip mall, with no MIDI or anything of the sort, and only a little Katana practice amp for the guitar.  Then I mixed it using the “free” program Audacity, which doesn’t have a “beat finder” function like the notorious Pro Tools does.  All things considered, I think I made pretty good use of what I had.

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Uttering such dulcet and harmonious blogs, that the rude sea grew civil at her song

Goodo and hell morning.

I’m pretty sure I’ve used that pseudo spoonerism before in a Thursday blog post opening, but I guess that’s okay.  I would be the only one to complain about such copying (and perhaps some imaginary, truly obsessive reader) and I’m okay with it as long as I am also the copier.

I’m writing this on my smartphone, because I had a very bad pain day yesterday*, and even the small extra weight of the mini laptop computer was something I wanted to avoid‒probably purely for psychological reasons, since I doubt it affected the level of my pain directly.

Anyway, I’m not in as much pain today so far, though it’s early doors, of course.  Still, I can’t change my mind and conjure the laptop computer at this point; if I could do that sort of thing, why would I bother going to the office?

Well, today I have one reason other than exerting effort necessary to maintain my job**:  my black Strat is back.  I asked my boss to bring it back, since it was just sitting in his garage, and yesterday he did so.  I even took a bit of time near the end of lunch to change to low E string, though I had brought my electronic tuner back to the house, so I had to tune the guitar afterward by ear***.  I’m pretty good at that, though.  Tuning a cello is much trickier, and I’ve done that a lot in my time.

I diddled around a little bit on it during a brief lull in the afternoon, and it was definitely nice.  I could still play Wish You Were Here and The Man Who Sold the World and Nothing Compares 2U, but I’m embarrassed to say that I had to look up the 5th (or was it 6th?) chord in Fake Plastic Trees****.  Once I got that chord back, though, it was as if I had never forgotten it.

My boss said that he thought my desk area looked better now with the guitar back in place.  Or maybe he asked me if I thought that was so.  Either way, the general message was the same, and I agreed with his assessment (or just answered his question in the affirmative).

I’ll probably do a bit of strumming and plucking this morning before work (and of course I will sing along).  One of these days, maybe I’ll do one of my videos of me playing and singing one of those songs above, or maybe One Headlight, or something like that.  I wonder how the acoustics in the new office would measure up when recording music.

We’ll have to see if I can still sing okay‒though, really, I do sing occasionally at the house when the housemates are out, and as far as I can tell my voice is still tolerable.  I don’t think I sing as well as I used to, but then again back in the day I used to sing more or less constantly during every daily commute, so I got a lot of practice.  I’d play and sing along with the Beatles or Elton John or Billy Joel or the soundtrack from Les Mis or (my favorite) The Phantom of the Opera.  Then later, when I had really long commutes after my divorce, I’d sing along with Tori Amos and Pink Floyd and Radiohead in addition to the previously mentioned artists.

Is it weird that, talking about how (or whether) I can sing, I cannot help but think of the old Simpsons  episode in which Troy McClure stars in the Broadway show Stop the Planet of the Apes, I Want to Get Off?  Specifically, I remember when the famous “Take your stinking paws off me…” line leads into a song in which the surrounding apes repeat, “He can talk, he can talk, he can talk, he can talk, he can talk, he can talk…” and Troy belts out, “I can siiiiiiiiiing!”

I haven’t watched much of The Simpsons since Phil Hartman was murdered.  He was never a main character, but he was always awesome.  I once read that he claimed, “I can do a thousand voices…and they all sound like Phil Hartman.”

Well, I suppose that’s enough gobbledegook for today.  For those of you who prefer talk of music to talk of mathematics and physics and their relationships to prosaic, daily matters:  You’re welcome*****.

I hope you have a good day today‒though as you should know by now, it will inevitably be the best possible day you can have, so don’t fret too much.  Reality is what it is.  And as John Mellencamp might have said (though he did not, as far as I know):  “When I fight reality, reality always wins.”

That’s one of the ways we know that it’s reality.

TTFN

I like this picture because David Gilmour’s Strat here looks JUST LIKE mine.

*Unless you prefer to say that, because of how much pain I was in, it was a good day for pain but a bad day for a person who would rather not be in chronic pain.  Raise your hand if that describes you.

**This is a bit peculiar, but without intending to do so, I initially wrote, “…exerting effort to stay alive” (emphasis added).  That hadn’t been the conscious idea or intention in my head as I was writing.  I wonder what a Freudian would say about that off slip of the typing thumbs.

***No, this is not going to be a stupid “by ear” related dad joke.  I just wanted to point out that I did use a video on YouTube where the proper guitar notes were played, just to get the sound for my low E.  After that, the rest of the tuning is pretty easy.

****It was a Dsus2, if memory serves at the moment.  [Checks the chords]  Yes.  Yes, it was a Dsus2.  And it was the 5th chord in the song, if you count the little Asus4 temporary life as a chord that’s separate from the A major chord from which it arises and to which it returns.

*****It’s not “your welcome”, which would seem to refer to a welcome that belongs specifically to you‒it’s “you’re welcome”, with the contracted form of “you are”, meaning, yes, you are welcome to the boon I have provided in the form of not writing about physics and mathematics today******.

******And though I’ve never seen it written so, it’s also not “yore welcome”, which would seem to be some reference to the way people used to be welcomed in the old days.