I didn’t walk the full five miles from the train to the house yesterday afternoon‒I walked about three or three and a half‒because I didn’t want to give myself any blisters or abrasions from walking too far for the first time in a new pair of boots.  But I seem to have stopped well in time for that, since there are no blisters or even sore spots on my feet now, and my ankles and right Achilles tendon appear to be in good nick.  Also, and most importantly, though I had a bit of tension in my right side along my back upon returning to the house, that went away nicely with a bit of stretching and replenishment, so that’s pretty good.

Anyway, lesson learned:  it matters if the boots you wear are even a little bit oversized if you’re going to be walking any very long distances in them.  It looks like these new, half-downsized ones will work well.

It’s been sloppy and wet here in south Florida these last several days, but there does seem to be a slight increase in morning breeziness.  And, of course, since Saturday, the time of darkness has been slightly greater than the time of daylight, and its dominance is increasing at the most rapid pace at which that will happen.  This is because, for a sinusoidal curve, the fastest rate of change is when it crosses the x-axis (at the equinoxes in this case), and the slowest rates of change are at the peak and at the nadir (the solstices in this case).  So, for a little while now, the nighttime will be growing rapidly before it settles out, steadily and gradually, as we barrel toward the end of the year.

After mentioning the fact that I don’t play the guitar in the morning anymore, yesterday I decided to fire up the axe for a bit.  Remarkably, it was still almost perfectly in tune!  Probably it helps that the office is kept pretty much at a constant temperature.  Also, I had left the capo on the fourth fret the last time I played.  That was for playing the chords and stuff from the Nirvana version of The Man Who Sold the World.  I didn’t start with that yesterday, instead playing through a few iterations of Nothing Compares 2 U.  It’s a lovely song.  I like the Chris Cornell version best.  Of course, now Prince (the songwriter and original performer) and Chris Cornell and Sinead O’Conner (who had a big hit with her cover of it) are all dead.

Then I did play some of The Man Who Sold the World, and then Ashes to Ashes, both Bowie tunes, at least originally.  And, of course, Bowie and Kobain are also both dead, though they died under very different circumstances.  Then I got my guitar book out and played a little Just the Way You Are, and Sorry Seems To Be the Hardest Word, and Here, There, and Everywhere, by Billy Joel, Elton John, and Paul McCartney‒all of whom are still alive!  That’s just weird, isn’t it?  Imagine that!

Of course, the latter song is credited to Lennon and McCartney, but that was a formality according to their agreement for all Beatles songs they wrote.  It was a McCartney song, and it was apparently the only song of his for which Lennon directly complimented him.

Considering the quality of Sir Paul’s work overall, that’s a hell of a statement, in more than one way.  First off, it must have really impressed John (rightly so) for him to make a point of telling Paul that it was a good song.  But it seems harsh that John never complimented any others, at least to Paul’s face.

Then again, he was British, and emotional expressiveness (other than through song and theater and literature) is a major national deficit by most accounts.  Maybe that’s why they do so much good music and poetry and drama and comedy and the like.  I often get the feeling that part of the reason Thom Yorke’s singing is so powerful and conveys and evokes such emotion in the listener is that this is Thom’s only real way of expressing himself deeply.  And, of course, he does seem almost possessed when he’s performing.

As a YouTube reactor (I cannot recall which one, for which I apologize) said of his singing, “He’s feelin’ it when he’s singing…and he makes you feel it, too!”

Now, John Lennon did compliment Paul to other people‒during interviews, for instance.  Though even then, he was far from effusive.  That was just his way, I think.  He had a very troubled childhood, and emotional expression was probably difficult for him, even for a Brit.

Then again, he wrote some incredibly expressive songs, from If I Fell to In My Life to Julia to Across the Universe, all the way up to Starting Over and Woman, with scads of others thrown in for good measure.  If being closed off and repressed helped lead to the creation of those truly great works of art, the world at least can hardly feel too horrible about it.  Though it would be nice if a person could be well-adjusted and have the ability to express and receive affection easily and still produce great art (and ideally, of course, not be murdered by a slimy little worm of a creature who claimed to be a fan).

Alas, though it seems possible in principle, it doesn’t seem to happen often, if at all, in practice*.  Shakespeare supposedly wrote Hamlet, and some of his other great tragedies, partly in response to the death of his son, Hamnet.  And of course, I, his much later and far inferior admirer, only really started to write and publish stories that have always been in my head once my life, my family, and my career had been wrecked, and I was in prison.

We can be thankful, if saddened, for the great art that was born of Shakespeare’s sorrow, and of Lennon’s.  In my case, on the other hand, it was almost certainly not worth it, particularly for me.  But I can’t change any of that stuff, either.

Life’s like that, I suppose‒to quite the end of one of my own short stories, possibly the darkest one I’ve ever written…which, weirdly enough, first came out of me years ago, while I was happily passing the time keeping my then-friend and soon-to-be fiancée company while she did some overnight work for a summer job.  I don’t know where it came from, except that I did often like to play solitaire (with real cards).

Anyway, that’s enough for now.  Have a good Wednesday.

*As Einstein is reputed to have said, “In principle, principle and practice should be the same, but in practice, they often are not”, or something like that.  He was a clever fellow.