Good morning, all. It’s Thursday, of course, and therefore it’s just about the perfect day for another of my weekly blog posts.
I still struggle to get a pattern rolling for Iterations of Zero. I thought of a way to make use of “idle” time to do longer form “Audio Blog” entries that might become a regular feature, but my first attempt was met with static and road noise. If you’re interested in hearing more about that—literally—then by all means, listen to the follow-up audio blog I did yesterday for IoZ. I think it’s worth your time if even just for my description of various social media as…well, let’s not spoil the joke.
Of course, out in the wide world, things proceed as absurdly as always. Viruses, both literal and memetic, trouble us all. This is not always a terrible thing. While it’s hard to see Covid-19 as having much of an up-side, if it forces us to be better prepared for future, still more virulent pathogens—which are all but inevitable, given the enormous and lovely petri dish the human race instantiates for pathogens of all types—then perhaps it will be a net good in the long run. It would be nice if humans could learn without having to be hit in the face with disease and death, but the principle of least action seems to apply at all levels of nature. As for the societal, memetic flare-up, though rooted in a real tragedy, it is much more a positive happening. Some things, thoughts, and people—probably all of us—need to be troubled from time to time.
More pivotal to me personally, though, is that the final run-through of Unanimity is going well. We’re* working on layout and pacing, deciding how to divide up the sections and chapters of such a long work, as well as developing the cover design. This all tends to go pretty well when I write books. My biggest failing is that I have trouble advertising/promoting myself and my work. I think I’ve mentioned this before, but it feels almost unseemly to me to tout my own products. I feel not just embarrassed but often ashamed when I try to shout my own praises. It’s a strange thing, and I don’t know if the area under the curve of that function is net-positive or net-negative, but at this moment in history, we can at least say it’s not “presidential”. I need to improve it, though, because I have books and music that I really would like people to read and hear.
One of the things that most makes me hesitant about bigging myself up, as they say**, is that I fear that I’d very easily go too far and veer toward full Khan/Kanye/Doom/Trump mode once I got started, and there are already enough people in the world who think I’m an asshole. But perhaps I worry too much about such things. For a time, in high school, I was able to pull off being faux-egotistical as a self-parody of sorts, and it worked quite well (I think). But, of course, high school is a time of immense possibility, and I was younger then***. Still, if I could work that persona up, or some acceptable version of a similar process, it might be useful.
I’ll have to think about it. Your input would be welcome.
There’s not a whole lot more to add. I’m continuing to practice guitar and to develop a few original songs. I’m also working on an arrangement of the old, beautiful song “Come Little Leaves” and my version of the Joker’s song from The Killing Joke has long since been complete except for the actual recording. Both of these could stand to be heard, in my opinion. Of course, the latter is nothing I could ever produce for profit—unless I left the lyrics out, I suppose. The music is all me. I think “Come Little Leaves” might actually be in the public domain, since the original poem, at least, came out in the early nineteen-twenties. I’m not sure it would fit in with the other songs on my imagined “album”, however. Though it has a vaguely melancholy feel, and is in a minor key, it is a hauntingly beautiful and ultimately positive song, whereas my work tends to be a bit dark.
Oh, well, time enough for these decisions to be made as and if they happen. Unanimity remains my top priority, and it is happily speeding toward release, possibly by the end of the summer, but more likely in the autumn…which is, after all, the perfect time for a long, dark story to be told.
*This refers to me and my creative team, including but not limited to Trevor Smith, Nathan Talbert, and Franklin L. Ritemoore. I thought they deserved some credit.
**They do say that somewhere, don’t they?