Goodo and hell morning.

I’m pretty sure I’ve used that pseudo spoonerism before in a Thursday blog post opening, but I guess that’s okay.  I would be the only one to complain about such copying (and perhaps some imaginary, truly obsessive reader) and I’m okay with it as long as I am also the copier.

I’m writing this on my smartphone, because I had a very bad pain day yesterday*, and even the small extra weight of the mini laptop computer was something I wanted to avoid‒probably purely for psychological reasons, since I doubt it affected the level of my pain directly.

Anyway, I’m not in as much pain today so far, though it’s early doors, of course.  Still, I can’t change my mind and conjure the laptop computer at this point; if I could do that sort of thing, why would I bother going to the office?

Well, today I have one reason other than exerting effort necessary to maintain my job**:  my black Strat is back.  I asked my boss to bring it back, since it was just sitting in his garage, and yesterday he did so.  I even took a bit of time near the end of lunch to change to low E string, though I had brought my electronic tuner back to the house, so I had to tune the guitar afterward by ear***.  I’m pretty good at that, though.  Tuning a cello is much trickier, and I’ve done that a lot in my time.

I diddled around a little bit on it during a brief lull in the afternoon, and it was definitely nice.  I could still play Wish You Were Here and The Man Who Sold the World and Nothing Compares 2U, but I’m embarrassed to say that I had to look up the 5th (or was it 6th?) chord in Fake Plastic Trees****.  Once I got that chord back, though, it was as if I had never forgotten it.

My boss said that he thought my desk area looked better now with the guitar back in place.  Or maybe he asked me if I thought that was so.  Either way, the general message was the same, and I agreed with his assessment (or just answered his question in the affirmative).

I’ll probably do a bit of strumming and plucking this morning before work (and of course I will sing along).  One of these days, maybe I’ll do one of my videos of me playing and singing one of those songs above, or maybe One Headlight, or something like that.  I wonder how the acoustics in the new office would measure up when recording music.

We’ll have to see if I can still sing okay‒though, really, I do sing occasionally at the house when the housemates are out, and as far as I can tell my voice is still tolerable.  I don’t think I sing as well as I used to, but then again back in the day I used to sing more or less constantly during every daily commute, so I got a lot of practice.  I’d play and sing along with the Beatles or Elton John or Billy Joel or the soundtrack from Les Mis or (my favorite) The Phantom of the Opera.  Then later, when I had really long commutes after my divorce, I’d sing along with Tori Amos and Pink Floyd and Radiohead in addition to the previously mentioned artists.

Is it weird that, talking about how (or whether) I can sing, I cannot help but think of the old Simpsons  episode in which Troy McClure stars in the Broadway show Stop the Planet of the Apes, I Want to Get Off?  Specifically, I remember when the famous “Take your stinking paws off me…” line leads into a song in which the surrounding apes repeat, “He can talk, he can talk, he can talk, he can talk, he can talk, he can talk…” and Troy belts out, “I can siiiiiiiiiing!”

I haven’t watched much of The Simpsons since Phil Hartman was murdered.  He was never a main character, but he was always awesome.  I once read that he claimed, “I can do a thousand voices…and they all sound like Phil Hartman.”

Well, I suppose that’s enough gobbledegook for today.  For those of you who prefer talk of music to talk of mathematics and physics and their relationships to prosaic, daily matters:  You’re welcome*****.

I hope you have a good day today‒though as you should know by now, it will inevitably be the best possible day you can have, so don’t fret too much.  Reality is what it is.  And as John Mellencamp might have said (though he did not, as far as I know):  “When I fight reality, reality always wins.”

That’s one of the ways we know that it’s reality.

TTFN

I like this picture because David Gilmour’s Strat here looks JUST LIKE mine.

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*Unless you prefer to say that, because of how much pain I was in, it was a good day for pain but a bad day for a person who would rather not be in chronic pain.  Raise your hand if that describes you.

**This is a bit peculiar, but without intending to do so, I initially wrote, “…exerting effort to stay alive” (emphasis added).  That hadn’t been the conscious idea or intention in my head as I was writing.  I wonder what a Freudian would say about that off slip of the typing thumbs.

***No, this is not going to be a stupid “by ear” related dad joke.  I just wanted to point out that I did use a video on YouTube where the proper guitar notes were played, just to get the sound for my low E.  After that, the rest of the tuning is pretty easy.

****It was a Dsus2, if memory serves at the moment.  [Checks the chords]  Yes.  Yes, it was a Dsus2.  And it was the 5th chord in the song, if you count the little Asus4 temporary life as a chord that’s separate from the A major chord from which it arises and to which it returns.

*****It’s not “your welcome”, which would seem to refer to a welcome that belongs specifically to you‒it’s “you’re welcome”, with the contracted form of “you are”, meaning, yes, you are welcome to the boon I have provided in the form of not writing about physics and mathematics today******.

******And though I’ve never seen it written so, it’s also not “yore welcome”, which would seem to be some reference to the way people used to be welcomed in the old days.